11 Questions with… David Payne

101714517_10163801825875154_1076073664824213504_nThere are always those key individuals in any town who give of themselves to help make the music community stronger. David Payne is just such a fixture of the Dayton Music Scene!

Since he arrived with the achingly beautiful solo albums, ‘21‘ in 2009, he has spun a series of tales about life and music. David recognized the vibrancy of the Dayton music scene with an album of cherished covers ‘Dayton, Ohio‘ in 2017. That same year he released another solo record ‘Cheaper than Therapy‘ which spoke to the powerful healing that lies in making music.

David’s latest solo record ‘Orange Glow‘ was released last year. And that is not the half of his musical productivity. With Kent Montgomery, Tom Blackburn and Matt Oliver — The New Old-Fashioned — he released a stellar debut in 2012. Low Down Dirty Summer Nights was released by the band in 2015. And the captivating energy of the band was obvious to the crowds at their shows. In 2018, the band shared their most recent impressive collection of music, Smalltown, Midwest, USA. Of course, a slew of singles and a fantastic shared ep with The Repeating Arms, Hilltops and Highways is also part of the music that David has been involved in creating.

a2100498429_16Most recently he has released an EP of local music covers with his partner Heather Redman called ‘Stay at Home‘. Their two voices glide and slide along as if they have been singing together their entire lives.  Listening to their interpretation of these songs is a joy.

As always we wish to thank David for taking the time to answer these questions! We appreciate his answering these questions for our readers/listeners on YTAA! We cannot say this enough — thanks again for taking the time!

Dr. J: What can you share with us about when and how you started recording your latest record, Stay Home (with Heather Redman)?

David Payne (DP): Well, when the stay at home order went into effect Heather and I both started missing our friends and the Dayton music scene immediately. I had just finished up my first month of running my own sessions at Reel Love Recording Company here in Dayton when this all started and I really wanted to keep working.

So, I gathered the small amount of recording gear I had at home, Heather and I both picked a few of our favorite songs written by our friends, and started recording some covers.

We didn’t think of it as anything other than a fun project that would keep us busy and that our friends might enjoy. The response we’ve gotten has been a totally unexpected and very pleasant surprise!

Dr. J: You have worked closely with Patrick Himes at Reel Love Recording Company here in Dayton, Ohio for several years, what first led to your recording with Patrick? How has that relationship shaped your music?

a3300088116_10DP: Well, The New Old-Fashioned started recording with Patrick back in 2011 or 2012. I had met Patrick back in 2006 and was a big fan of his old band, Flyaway Minion. By the time TNOF was ready to start recording, Patrick had relocated to Nashville and was running the studio down there. I heard he was looking for bands to record and it seemed like a really good fit for what we were doing. I was a big fan of his previous work like the Minion records and Shrug’s Whole Hog For The Macho Jesus to name a couple, so I was excited to get to work with him.

Patrick has helped shaped my music in just about every way you could think of. When I first started going to Flyaway Minion shows, I was 18 and hadn’t been to very many shows at all. Before then my idea of what a modern rock and roll band was we’re bands like Green Day and Weezer. This huge, most likely unobtainable, pipe dream. What Patrick and Flyaway Minion showed me was there were rock stars right here in my home town and that I could make classic records and play killer shows right here in Dayton.

69872267_2877973685565015_8034193719710187520_nThe other most important thing I learned from Patrick is that we can make classic sounding records the way our heroes did. Modern recording is very convenient and while I think that’s mostly a good thing, it’s easy for the romanticism of making records to get lost in the convenience. Everyone has their own way of making records and every way is valid, but the way we make records at Reel Love helps capture all the things I enjoy about making records. I’ve been very fortunate to be able to work with and study under Patrick. He’s taught we almost every thing I know about making records, which has become something I’m very passionate about. I’m forever grateful for that.

Dr. J: Stay Home is a very different record than Orange Glow (your last solo record), how do these records compare? What influenced your work on each of them?

DP: Orange Glow is a very personal record that I made with Patrick at Reel Love and making it was a very cathartic experience. Stay Home was recorded for fun at home on my iPad and is all songs written by our friends. Ha ha!

I’d say personal experience and Willie Nelson we’re probably the two biggest influences on Orange Glow. The pandemic, the subsequent shutdown, and the infinitely inspiring Dayton music scene were what influenced Stay Home.

Dr. J: ‘Outta Town’ addresses forms of self-doubt or concern with a band or a relationship lasting – is that a correct interpretation of some of the lyrics? In addition, if that is correct, did you intend to address overcoming doubt or did the song evolve in that direction over time?

DP: Yeah, I’d say that’s accurate. I wouldn’t say I was trying to address overcoming that doubt as much as I was just trying to express how the doubt made me feel. I guess it just kinda ended up that way do to the reflective, sort of tongue in cheek angle I took when writing it.

Dr. J: How did the song ‘Outta Town’ come together musically for you?

DP: Orange Glow is a pretty heavy record. I was at the tail end of a really difficult period in my life when I was writing those songs. I was reflecting a lot and feeling a little self isolated. I wanted to write a song that still dealt with those feeling but from a hopefully more humorous and lighthearted way. I wanted it to be a brief moment of levity in an otherwise serious record. I think bringing in a bunch of my rowdy friends to sing on it with me helped drive that idea home. We had a blast that day too!

Dr. J: Where do you often derive inspiration to make music?

DP: Of course it can come from anywhere, and often unexpectedly, but I think conversations with people are where I get the most of my inspiration for songwriting. It could be a whole in depth discussion or sometimes just one thing someone said that sticks with me.

a0785063098_10Dr. J: How would you describe the music that you typically create? How has that process evolved or changed over time (especially as you think about your journey from Cheaper than Therapy to Orange Glow to Stay Home)?

DP: That’s a tough question to answer and probably best left to outside perspective, but If I had to describe it, I guess I’d like to think that first and foremost, it’s honest.  As far as the sound goes, I think it sounds a lot like where I’m from. My own personal take on what the Midwest sounds like, I guess.

I don’t know that my process has really changed that much other than I’ve gotten a little better at it, I hope. Although, I do look to outside perspective a lot more these days.

Dr. J: What is next for you musically as a solo artist and as a member of The New Old-Fashioned? How would you describe your thoughts at this point for your next project after Stay Home?

DP: I’m always writing, and although I haven’t found the shut down to be a very creatively inspiring time, I have written a handful of things.

a3987746246_10We’re almost done with the next New Old-Fashioned record which is a companion EP to our last record, Smalltown, Midwest, USA. It’s a couple songs from those sessions and a couple new ones. We’re excited to get it out, whenever it seems appropriate to do so, I guess. Kinda hard to know what to do right now.

As far as solo stuff goes, I tend to plan that out a lot less than I do with the band. That stuff seems to kinda just happen. I’ve got a few things that I’ve written recently that are more personal and I’ve also been working on some more character driven, concept sort of stuff that’s leaning a little more towards traditional country. Anyway, we’ll see what comes of any of that, but I’ve got some wheels turning.

Dr. J: What is your favorite song to perform? What makes it a current favorite in your performances? Do you enjoy Live Streaming?

DP: Favorite song to play with the band is Kid 2000. It’s just got a lot of energy, it’s relevant, and it’s just fun to play. All Over Now, from the first TNOF record is always fun too and has been a staple in our live set for years. It’s one of Kent’s songs, so he sings it and I just get to play Chuck Berry riffs and goof off with Tom and Matt. Ha ha.

Whatever I’ve written most recently is usually my favorite thing to play solo, but a fun one to play from Orange Glow is, What I Mean To You. The finger picking is fun and it’s my only solo song with an actual guitar solo!

I really have enjoyed the live stream stuff I’ve done, but it sure doesn’t beat playing in front of people. I feel like it was fun for a few weeks, but it got kinda old pretty quick, for me at least. The comment sections are always fun on those.

11823081-1143573845671683-4996563248581076865-oDr. J: What is one message you would hope that listeners find in the unique nature of your latest music?

DP: I hope ‘Orange Glow‘ helps someone going through heartbreak know that a lot of people understand what that feels like, that they’re not alone, and that there might just be a little light at the end of the tunnel. When you’re in that space, it’s hard to believe people when they tell you it’s gonna be OK. I think songs that express how you’re feeling can be really helpful in hard times.

With Smalltown, Midwest, USA, the grandest hope would be that it might make someone show a little more empathy for someone who has it harder than them. I suppose a more realistic hope is that people that do work hard to show kindness and empathy, know that they’re not alone and that we stand with them. I like to think that record is ultimately about trying to understand people.

Dr. J: As a musician, how are you adapting to the challenges of the Coronavirus?

As a musician, if I’m being honest, I don’t think I’ve adapted very well at all. I’ve never been very good at digital media or promoting and distributing my music online, for better or worse. Hats off to those who are!  I’ve always enjoyed the classic approach of trying to make records that sound timeless, then playing the songs live in front of people, and hopefully selling enough copies to make the next one. Rinse, repeat. That model was already dated and out the window before the pandemic. It’s kinda just dead right now and who knows when we’ll get it back. That’s the hard part. I have been able to continue to do some work in the studio, although not as much as I’d hoped to being doing this summer. I am optimistic that when the time comes, people will need live music more than ever.

From a personal standpoint though, it’s forced me to slow down, and spend more time with my fiancee and our little girl. Which has been great! We’ve gotten a lot of family time we wouldn’t have had otherwise and I think it’s made me a better partner and Dad.

a2033241784_16My entire identity has been wrapped up in being a musician, performer, and songwriter since the moment I got my first guitar. It’s all I’ve ever wanted to do. So, I guess I’ve been going through a bit of an identity crises trying to figure out who I am outside of music.

I miss playing loud sweaty rock shows and seeing my friends. I can’t wait to get back to that, when it’s safe to do so.

Until, then I’ll just keep holding on tight to my family, writing as much as I can, and enjoying the brief time I do get to spend with friends in small groups. I can’t wait to see everyone at the rock show and give out a bunch of sweaty hugs. I hope everyone takes good care of themselves and each other in the meantime.

Thanks again to Mr. David Payne for answering our questions! All pictures used courtesy of the artist.

David Payne on Bandcamp    The New Old-Fashioned on Bandcamp    TNOF on Twitter

David Payne on Facebook    The New Old-Fashioned on Facebook    Magnaphone Records

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Dr. J’s Singles Club at Off Shelf

106799389_605906167029120_7523683373463049191_nEvery month Dr. J write a run down of 8 to 10 singles that came out the previous month.

The latest Singles Club column covers some pretty spectacular releases from June! Do yourself a favor and go check it out over at OffShelf.net!

Many thanks to the fine folks over at Off Shelf for giving us the opportunity to share some exciting new music every month! And you can listen to these selections by going to the spotify playlist each month as well. Its truly a win-win!

Tomorrow’s YTAA Playlist

your-tuesday-alternative-new logoYTAA 07-07-2020 Playlist is set for tomorrow over there at Spotify!

This week the playlist includes music from The SighsThe Motel Beds, Reno Bo, The OverturesThe Nautical ThemeSaul Glennon, ShrugTijuana PanthersMike Bankhead Music, Brandi Ediss, BenchmarksThe Vapour TrailsThe Corner LaughersWussy, Sam at Eleven, The Foreign FilmsDr. PantsFlyaway Minion, Ken Sharp, SlumberjetNo AgeThe New Old-Fashioned, DonoraBribing SenatorsDebra DeviCold War KidsJasper the ColossalJosh Joplin and The 1984 Draft

We also have some looking back indie with Sisters of Mercy, Archers of Loaf and GUIDED BY VOICES!

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11 Questions with… Nick Leet

101714517_10163801825875154_1076073664824213504_nThis latest interview with songwriter, singer and guitarist Nick Leet of the Minneapolis band High on Stress is the fourth installment in our 11 questions column. High on Stress have recently released their incredible record ‘Hold Me In.’ As frequent readers of this ‘blog on our radio show know well, this record is a highlight of musicianship and uncompromising lyrical word play that draws accurate picture of real life.

Taking time to reflect on the creation of art and music is critically important in these challenging times.

As always we wish to thank the busy musicians and artists for taking the time to answer these questions for our readers/listeners on YTAA! We greatly appreciate the opportunity to learn about the process of creating music from those involved in songcraft.

Nick Leet
Photo by Paul Lundgren

Dr. J:  What can you share with us about when and how you started recording your latest record, “Hold Me In”?

Nick Leet (NL): High on Stress started in 2003 and ended in 2014. We released our final album (at the time), “Leaving MPLS” the same night as our final show at the Parkway Theatre in MPLS which happened to an unbelievably memorable show. I hold that one close to me. I drove home that night exhausted and proud but also excited to do something else. I played in a couple of bands for 4 years (Pasadena ’68 & Dakota Shakedown) but somehow we were lead back to High on Stress in 2018.

We re-released our debut album “Moonlight Girls” on vinyl and started to write and record the new record. I could feel there was something special happening with these songs. The band needed a break when we called it a day but we came back stronger and better than ever with this album. Super proud of it.

Dr. J:  The band has evolved over the years. How has the changes in the relationships between the band members affected the music? How have those relationships shaped your music?

NL: “Moonlight Girls” (2005) was recorded with a different line-up. Ben “Country” Baker was on guitar and Jon Tranberry was on bass. Jon left the band the year after it’s release and Ben Baker moved to China during the making of “Cop Light Parade”. Jim Soule joined on bass and brought some high powered backing vocals. Chad Wheeling joined the band and brought his rock guitar background with him. Ben’s style was very country based where Chad is allergic to acoustic guitars. The style has evolved to more of a power pop rock n’ roll band but we’ve never lost the Americana side of it. Mark Devaraj has always been trusty behind the drum kit. He also specializes in great ideas and suggestions.

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Dr. J:  “Hold Me In” is a very different record than “Leaving MPLS”, how do these records compare? What influenced your work on each of them? I’m glad you noticed that.

NL: I’m a big fan of “Leaving MPLS” but it really is the sound of a band facing it’s ending. It was a difficult and stressful record to make. I think the difference really is found in the years between. We all went off to play with some different people. When we got back together it was fresh and exciting and we all had new perspectives. I truly felt like “Hold Me In” was going to be our best record from the moment we started. You could feel that positive energy throughout the process.

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Nick at First Avenue 2010. Photo by Steven Cohen

Dr. J:  ‘Wish This Moment Gone’ seems to address loss or concerns with loss – is that a correct interpretation of some of the lyrics? In addition, if that is correct, did you intend to address a sense of loss or did the song evolve in that direction over time?

NL: “Wish This Moment Gone” addresses my feelings on the current state of the country and humanity. We have eroded into deeper resentment, division and outward racism. It’s my hope for better things in November.

Dr. J:  How did the song ‘Wish This Moment Gone’ come together musically for you? A friend commented that Trump was asking America to hold his beer. That comment inspired the song and it wrote itself very quickly. We were very fortunate to have our friend, Laurie Lindeen, from Zuzu’s Petals join us on backing vocals.

Dr. J:  Where do you often derive inspiration to make music? I’ve thought about this a bit over the years.

NL: Honestly it’s not something you plan. It’s something that keeps me grounded and helps rid myself of negative energy. It’s not a hobby and never will be. I don’t feel whole if I stay away from it for too long. I’m very thankful that I have it.

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Dr. J:  How would you describe the music that you typically create? How has that process evolved or changed over time (especially as you think about your journey from
“Cop Light Parade” to “Leaving MPLS” to “Hold Me In”)?

NL: Power Pop Americana Rock n’ Roll. I’ve always kept one foot in the Replacements and Big Star and one foot in Wilco.

I love music. Whether it’s Babes in Toyland, Nirvana and Archers of Loaf or something like Son Volt or Billy Pilgrim. There is beauty in all kinds of music as long as it’s honest. It HAS to be honest.

Dr. J:  What is next for you musically? How would you describe your thoughts at this point for your next project after Hold Me In?

NL: Oh man. It’s tough to think about. I love “Hold Me In” so much that I just want to hang with it for as long as possible. I truly feel like it’s the record I’ve wanted to make since I picked up a guitar. There will be more High on Stress music in the future. We’ve been writing and recording a few things with Andrew Hyra. There could possibly be an EP or full length collaboration record with him down the line. Who knows, only the time machine will tell.

20108487_10155470533697145_3062558666245833092_nDr. J:  What is your favorite song to perform? What makes it a current favorite in your performances? Do you enjoy Live Streaming?

NL: Favorite song to perform…hmmm. I think that’s a two part answer. “Gold Star” and Eyeliner Blues” from “Moonlight Girls” are up there. I think right now it would probably be “Relax” from “Hold Me In”. I like the instant communication of live streaming. It doesn’t replace being in a sweaty room with drums behind you but it serves a purpose and really allows for more direct communication.

High On Stress Band Photo
photo by Paul Lundgren

Dr. J:  What is one message you would hope that listeners find in the unique nature of your latest music?

NL: I hope they connect with it. I’m a lyric guy. The music I love the most sticks with me and I find new meaning to the lyrics all the time. That is always my hope. I want to do the same for other people. I also hope it inspires them to rise up and think about others.

Dr. J:  As a musician, how are you adapting to the challenges of the Coronavirus?

NL: It’s tough. There’s nothing I want more than to get in a loud room with the guys. I don’t think I’m adapting. I think I’m managing but it isn’t easy. I miss it.

Thanks again to Nick for answering these questions! If you would like to participate in a future ’11 Questions with…’ column, please feel free to email us at drjytaa@gmail.com.  All pictures and images of High on Stress courtesy of the band and photographer Paul Lundgren and Steven Cohen.

High on Stress on Facebook     High on Stress on Twitter    High on Stress Website

High on Stress on Instagram

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Video Of The Day: Tiny Stills – Craigslist Bed

Kailynn West as Tiny Stills is making some of the most infectious indie power pop that captures the sadness and melancholy of choices and consequences of this thing we call life. The fact that she does so without being trite or condescending is something that should catch on! In the best tradition of post-punk, Tiny Stills explores twists and turns with catchy melodies and crunchy guitars. It does not get better than that. You should also explore the excellent “Everything is Going Great” which speaks to us in this current moment of time.

Follow her on twitter and Facebook

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End of June YTAA Playlist

Hey there music lovers! We have today’s playlist! Featuring new music from Tiny Stills, HUM, The Orange PeelsCharlie & Amanda, exciting live music from JAPANDROIDSNick CaveFontaines D.C., Mourn, Nada SurfMike Bankhead MusicTrue LiesSports TeamHAIMKyleen Downes, Tino, The Rentals, Corb Lund and Owen.

Plus songs care of The Boxcar SuiteDavid PayneXL427BRAT CURSEThe ConnellsSmug Brothers, Kris N., The Mayflies USAhuman reunionThe Beths, ESP Ohio, Jordan Hull, Me Time, Buffalo TomJim Basnight and The 1984 Draft!

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Today’s YTAA Set List

Our playlist for today includes new music from The Jayhawks, TINO, Zoon, The Yellow Melodies, Wire, The Gabbard Brothers, Viceroy Kings, Gum Country, Wells & Watson, Kyleen Downes, Maxwell Stern, Healing Potpouri, The Bye Bye Blackbirds, Permanent Collection, Bob Dylan (yeah, that Bob), The Vapour Trails, Braids, Phoebe Bridgers, Mike Bankhead, Dave Payne, Elvis Costello and Neil Young — well its new and not so new! Plus just some great songs from The Boxcar Suite, Hello June, The Veldt, Wussy, Neo-American Pioneers, Allah-Las, Son Volt, Steve Makofka and The Turtle Chasers and Dr. Pants.

And we have a cool Smiths cover care of GoodnightGoodnight AND a Son Volt cover courtesy of Age Nowhere!

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Chad Well’s Short Takes

Short TakesToday’s Short Takes come care of the Reverend Chad Wells.  He is in many ways a polymath — songwriter, artist, musician, tattoo artist, business owner, reverend and more. Chad is an accomplished musician with his band Cricketbows, as a duo with Aarika Watson (Wells & Watson) and as a solo artist. During the current Coronavirus challenge, he has been live streaming every day at 4pm on Facebook to share thoughts, reflections, live music and his honest concerns about the world around him. Part meditation, part emotional inventory, part agent provocateur, these videos have become widely viewed on Facebook.

Reaching out to Chad to ask if he would give us a few ‘Short Takes’ of music that he is listening to lately was an easy call for us to make here at YTAA. Take a few minutes and review his excellent recommendations!

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Alice CooperLove It To Death: This album is sheer perfection. It is a meticulously crafted Rock And Roll car crash. This is what I secretly wish Bowie’s Ziggy Stardust album sounded like (and I love that album).

 

 

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The Be Good TanyasBlue Horse: This album is like an amazing, fluffy, warm, cozy blanket that’s riddled with a subdued and subtly related – but vast, and epically varied – array of threads that run through it’s landscape. This should be positioned somewhere near The Cowboy Junkies Trinity Sessions…

 

sddefaultAnd On That note… Cowboy Junkies: The Trinity Session. In 1988 the Canadian band Cowboy Junkies released the most truly beautiful sounding and heart-string pulling album that ever was. Just a greatly matched bunch of musicians in a historic old church standing around one microphone playing the songs live. They play their instruments, they play the room, they play off of each other in the most beautiful, natural and liquid way. A desert island recording for me.

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And on an entirely unrelated but equally masterful note: Wall of Voodoo: Call Of The West. This album gets zero love. Because of their quirky style and their outlandish music video hit “Mexican Radio“, the band was dismissed as a novelty by most critics. But this album is just pure hot fire. Spaghetti western New Wave turns into wasteland noise-scapes and emotional electronic dirges flow into weird-pop masterpieces.

 

Many Thanks to Chad for sharing the music that he is listening to right now!your-tuesday-afternoon-alternative-color copy

‘Slide It My Way’ – The Great Serpent Mound of Ohio

The Great Serpent Mound of Ohio Band has been hard at work on a new record. Today’s video of the day comes from this terrific Dayton, Ohio band! Their upcoming album “De Temporum” (2020) on WoodyFaz Records promises to be a compelling new release!

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Neal Casal Music Foundation: A Worthy Effort

Neal Casal FoundationThe Neal Casal Music Foundation is an exciting effort to support a number of charitable initiatives that were a part of Neal Casal interests, most notably provide music instruments and lessons to students in New Jersey and New York state schools where Neal was born and raised. The NCMF is also seeking to strengthen mental health care among musicians.

A Kickstarter has been launched to help raise money for the foundation through two primary packages: a 30-plus song tribute album, ‘Highway Butterfly: The Songs of Neal Casal’ and a coffee table photography book, ‘Tomorrow’s Sky: Photographs by Neal Casal.’ We are happy to report that the kickstarter has already raised over $33,000 toward the NCMF’s good works!

Visit the Foundation’s website to investigate the campaign and to read Rolling Stone’s feature about the foundation. The site also has video premiere of Billy Strings with Circles Around The Sun performing Neal’s song “All The Luck In The World.” The Neal Casal Foundation is hard at work completing this amazing project with a full release planned for spring 2021. Also check out their Facebook page where they will share more exclusive details on this amazing album and other initiatives over the next several weeks!

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YTAA Spotify Playlist for 06-16-2020

This past week we played music from Dayton’s own Mike Bankhead, Kyleen Downes, The New Old-Fashioned, Amber Hargett, Nick Kizrnis, Seth Canan, The Paint Splats, Guided By Voices and The Boxcar Suite. Throw in some Cincinnati music courtesy of Wussy and The Magic Words and there is tons of local music in the YTAA Playlist for this week. We played tons of live music from Iggy Pop, Richard Thompson, R.E.M. and Liam Gallagher. New music from J. Marinelli, Michael Stipe with Big Red Machine, Dougie Poole, Rolling Blackouts Coastal Fever, Babbling April, The Corner Laughers and The Bye Bye Blackbirds. Check out all of our YTAA Playlists over on Spotify!

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Nick Leet’s Short Takes

Short TakesNick Leet is the principal songwriter of the excellent High on Stress who were initially known for playing with Tommy Stinson and Slim Dunlap. As the passionate vocalist for High on Stress, Leet gives life to their songs. The band came roaring back with the incredible ‘Hold Me In’ from this past April. The record captures both the energy of their musically legendary hometown of Minneapolis and the lyrical authenticity of that fertile ground that gave birth to The Replacements, Soul Asylum and Husker Du. There is realism in the songs without pretense or the sense of ideas being forced into predetermined catchphrases.

a2738656838_10It would be wrong to pigeonhole High on Stress, they pay homage to their city and at the same time transcend the categorization that comes from the label of Minneapolis music. Consider checking into their earlier records especially ‘Leaving MPLS’, ‘Living is a Dying Art‘ and Cop Light Parade.

Reaching out to Nick to ask if he would give us a few ‘Short Takes’ of music that he is listening to lately was honestly not a difficult decision. Check out his excellent recommendations!

20000000078234_(1)Jason IsbellReunions‘ – I’ve been listening to this one quite a bit since he just released it. He is one of the best writers we have out there right now. Standout track for me is the evocative ‘St Peter’s Autograph.’

Billy Pilgrim ‘Billy in the Time Machine’ is a great record that is about to be re-released.

Andrew Hyra & Kristian Bush were born to sing together. Also check out Andrew’s solo record ‘Spill‘. ‘Here I Am‘ and ‘Great Expectations’are killer tracks on that album.

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Jim Soule ‘Forget the Days’ [the record came out on June 5th] It’s Jim’s first solo record and is a great listen. Jim has a wonderful sense of melody and a big voice. Standout track: “A New Brand of Fiction.”

 

 

 

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Fig Dish ‘That’s What Love Songs Often Do’. This is a wonderful rock n’ roll record from the mid-nineties. They were a Chicago band with great hooks. The drums sound killer on here and every song is a knockout. Stand out tracks are “Bury Me” and “Quiet Storm King“. I can’t stop there…let’s add “It’s Your Ceiling” to the mix too.

 

Many Thanks to Nick for sharing the music that he is listening to right now!

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