Hungry? For music that is! One of the most exciting music duos in the Dayton Music Scene are Biscuits and Gravy. This exciting group is one half Cherry Lee & The Hot Rod Hounds care of Ms. Cassandra Lee Barker and second part Mr. Harold Hensley ‘The Golden Voice of Dayton Roots Music’ and member of The Repeating Arms! They will come on the program this Tuesday, February 26 and talk about recording, their upcoming record and play a few songs live in the studio as only they can!
They have amazing harmonies and sing with a beautiful feel that few possess. Join us for Biscuits and Gravy with a side of musical goodness.
Tuesday 3-6pm on your internet dial at wudr.udayton.edu and on the old timey radio air waves at 99.5 & 98.1fm. Photos courtesy of the artists.
On Tuesday, January 29, 2019 the Cincinnati-based Motel Faces played several songs live in the YTAA Studio! We had so much fun as you can here in this video! We can’t wait for this band to come back and visit with us again!
In a weekend of terrific music from local bands and musicians playing Dayton Music Festival around town, indie electronic shoegaze dynamo Goodnight Goodnight performed at Southpark Tavern on Saturday night. Playing several stellar tracks from their latest record Control, a cover of Bat for Lashes ‘Laura’ and a new song that the crowd much appreciated, this was a great show!
Goodnight Goodnight has been on a regional tour and the band has never sounded as tight and well, controlled as they did this past weekend. It is better to refer to the songs as compositions rather than songs because of the significant textures that go into the sonic soundscapes they create. Todd Herbert on keyboards and effects creates rhythms, melodies and fills that draw comparisons to Depeche Mode and New Order. Gary Thornton’s guitar playing and tone remind one of early Cure. Larry Evans on bass guitar adds exciting dimension to the songs. Amanda Thornton’s vocal are both emotionally powerful and light and ethereal all at once.
If you get an opportunity to see them, which we highly recommend, It will be a goodnight indeed.
If you have never seen Human Cannonball, then we feel sad for you. We have seen them many times and have never been disappointed. Great melodies, terrific rhythm, great arrangements all around and an energy that if it could be systematically gathered, would defeat any energy crisis. They played the Yellow Cab Tavern on Saturday with Smug Brothers and Swearing at Motorists. It was a good show.
What is magic? The Anthropologist Bronislaw Malinowski wrote that magic involves the use of paranormal methods to manipulate natural forces to accomplish important life goals. Malinowski discussed how the Trobriand Islanders used magic to manage anxieties of necessary yet dangerous deep sea fishing. According to most scholars, magic is a self-direct activity where an individual manipulates the supernatural to shape the natural. This approach sees magic as an individual practice. However, what if magic is communal? What if magic is something that people create together when they gather for special circumstances and become changed in the process?
This is what happened on Saturday night at Blind Bob’s Bar when Cricketbows played a magical set of truly transformational psychedelic rock and roll. It has been said that a Cricketbows show is a religious experience. And we would not disagree with that but would offer another perspective, perhaps a Cricketbows experience is a magical experience as well.
From the very moment the band took the stage, the crowd could sense an otherworldly musical magic taking hold of them. The band began their set with some of the fantastic songs from their most recent record, ‘Communion’ — a rather apt metaphor for what was happening between the band and the audience that night.
Throughout the set, Cricketbows demonstrated not only excellent song craft but powerful delivery that seemed beyond the usual experience of the concert goers. The band moved through songs from ‘Communion‘ playing the excellent ‘Games People Play’, the moving ‘End of the Night’, and the psychedelic ‘Sea Green’ to new songs that they are recording or soon to record. They also played a fine selection of tunes from their stellar full length ‘Diamonds‘ featuring standouts such as ‘Tiny Little Houses’ and ‘Landing on the Moon’ to more than enthusiastic response.
During the concert, Cricketbows played truly excellent covers such as the moving rendition of a powerful Jane’s Addiction song, the show closing ‘Sympathy for the Devil’ and The Monkee’s Porpoise Song (from the soundtrack to the movie Head). The later two songs both previously recorded for ‘Diamonds.’
The audience was transfixed — as with all good magic where the individual loses their sense of separated self and becomes part of the group, collective experience — the audience repeatedly called out for more and the band happily obliged with the cover of the Porpoise Song with a burning intensity that led to cheering and clapping for several minutes until Chad Wells profusely thanked the crowd and had to ignore the calls for more songs from the crowd as the house music came up because the bar was closing soon.
The musicianship throughout the evening was incredible. Christopher Corn on bass was giving a master class in how the bass guitar could not only support a song but could be used as a main instrument in service to a song. The twin guitar attack of Michael Bisig and Chad Wells was amazing. Both are stellar musicians separately however together they transform a song into something powerful with their guitar styles. Kyle Sweney on drums and percussion was incredible through his efforts at propelling a song like an illusion of a runaway freight train yet in reality always in control.
As a concert goer, what is it that you want from singers? Skill? Power? Vocal artistry? Something intangible that cannot be easily grasped? Aarika Watson is a vocalist with few peers. Her singing is more than mere melody. Her screams, yelps, and shouts are more than mere power. She has a rare vocal talent that pulls in the listener as if you believe that she is singing directly to you and only you in that moment in that song. It is difficult to describe the feeling if you have not seen her sing. Dare one say, it is magical.
And Chad Wells, the leader of this spiritual journey, sings with the passion and precision that escapes many singers. His voice is energy. He bends the notes with a fervor of a mission to save souls and convert the listener to a musical salvation. Chad feels the song in a way that will send chills down your spine. And when Aarika and Chad sing together, weaving their voices in a tapestry of the honest human voice such as with ‘Landing on the Moon’ or ‘Sea Green’, nothing else matters. The listener is not thinking about what to do tomorrow, you are there in that moment hearing those sounds, those voices and you are transported, you are indeed changed.
Isn’t that what magic is supposed to do? To create a transcendence through community in a moment that becomes something special. That is Cricketbows.
Second Best playing at The Hatch in Springfield, Ohio on June 1, 2018 for The Poptek Records Showcase! The band played ‘When The Hammer Falls’ and ‘Partners in Crime’ from their debut EP which was released on April 27th.
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