Faves of 2023: Elephants and Starts – Get Your Own Army

Why do some bands mean something to us? What is it about the sounds, the instruments, the lyrics… the whole of the sum of parts that resonate and make us care?

The appreciation of music is a complex and multifaceted experience that varies from person to person. There are several reasons why people care about certain music. Music has the power to evoke strong emotions and connect with people on a deep, personal level. Certain songs or genres may resonate with individuals based on their life experiences, memories, or current emotional states.

Elephants and Stars, the Canadian band led by singer and guitarist Manfred Stittmann and bassist Mike MacMillan, is a muscular blend of musical prowess and lyrical brilliance that captivates all who hear their songs. For us at YTAA, Elephants and Stars are a perfect band. Their sound transcends rock and roll boundaries, imagine fusing indie rock with catchy pop elements, creating an atmosphere that feels both familiar and refreshingly new. All too often today bands run screaming from power chords, danceable bass lines and crisp, solid drumming as if creating hooks in songs was wrong and to be avoided.

However, being limited is not a problem for Elephants and Stars! From album to album through the band’s impressive discography that was created in a few short years: “Recovery” (2020), “Dreamland” (2021), “Last Chance Power Drive” (2022) and “Get Your Own Army” (2023) — the band only becomes better and stronger at creating incredible melodies, passionate guitar driven tones, and powerful vocals that carry a sense of surreal and absurd on topics that matter such as relationships that fail no matter how much effort we extend in order to try and save them (“Bled Out At The Scene”) and the over powering sense of loneliness that accompanies being surrounded by distant, non-caring others (“Lost in New York City” and “Green Light to Pasadena”). As R.E.M. noted we are all “alone in a crowd, in the crowded barroom.”

One of the band’s standout qualities is their ability to craft melodies that linger in your mind long after the music stops. Each song feels like an intimate journey, a maze of personal introspection because their lyrics feel torn from our secret personal diaries, weaving through intricate layers of instrumentation while maintaining a sense of raw authenticity within a powered rock and roll framework. Stittmann’s hauntingly emotive voice adds depth and sincerity to the already evocative lyrics, drawing listeners into a world of introspection and contemplation all the while the music feels as if it is veering into the pathway of a runaway train; and that ride is thrilling all along the way. Going off the rails never felt so real and so good.

What truly sets Elephants and Stars apart from so many bands is their knack for personal storytelling through music. Their songs often explore themes of love, loss, and self-discovery, resonating with audiences on a deeply personal level — see our previous full review of their fantastic Get Your Own Army. Whether it’s an upbeat anthem or an emotional yet scratchy heartfelt voice, the band infuses every track on “Get Your Own Army” with an undeniable sincerity that tugs at the heartstrings and reminds us that we may be flawed but we are still worthy of care and concern.

Their live performances are nothing short of mesmerizing. The band’s chemistry on stage is palpable, creating an electric atmosphere that leaves the audience spellbound. Each member’s talent shines through, delivering a performance that is both technically impressive and emotionally stirring.

Overall, Elephants and Stars is a band that possesses the rare ability to transport listeners to another realm with their music. “Get Your Own Army” is a passionate continuation of the band’s efforts to make rock and roll songs that matter, that mean something. Their songs have a resonating personal and timeless quality that makes them instantly relatable yet endlessly captivating within a classic rock and roll approach. With their distinctive sound and genuine artistry, Elephants and Stars have undoubtedly secured a place among the most promising rock and roll bands today. For all of these reasons and more, this music spoke to us at Your Tuesday Afternoon Alternative and is one of our favorite releases of 2023.

Faves of 2023: The Replacements – Tim Let It Bleed

Since the release of the Ed Stasium mix of Tim, we have been celebrating that record. We have been showcasing several thoughts about this mix.

For us, it is one of the best remixes of a record we have had the pleasure to hear. It demonstrates what an incredible band The Replacements were and the talents and unique contributions of each member in that band. Hearing the Stasium mix is like hearing these songs for the first time. And instead of revealing flaws and limitations, the remix does just the opposite. More than mere flashes of brilliance, the amazing sound is revealed — a band at the height of its ability. Hearing these songs it is like brushing debris and dirt off of stone and finding something even more beautiful than you were expecting. To be entirely forthcoming, this record has long been a favorite. But the muddiness of the original version always left something to be desired. This mix fixes that problem. And for that reason and many more, it is a favorite of 2023.

The brilliance of Ed Stasium’s mix on The Replacements’ “Tim: Let it Bleed Edition” lies in an ability to capture the raw energy and emotional depth of the band while enhancing the overall sonic experience. Stasium, a seasoned producer and engineer with an impressive track record, brought his expertise to the table, elevating the album to new heights.

One of the key elements of Stasium’s brilliance is his understanding of the band’s dynamic and the essence of their sound. The Replacements were known for their unpolished, punk-influenced aesthetic, and Stasium managed to preserve that authenticity while adding a layer of clarity to the mix. He struck a delicate balance between maintaining the band’s signature rough edges and ensuring that every instrument and vocal had its own space in the songs.

The album’s opener, “Hold My Life,” perfectly exemplifies Stasium’s prowess. The guitars roar with a gritty intensity, complemented by Paul Westerberg’s impassioned vocals. Stasium’s mix allows each instrument to shine individually, yet they come together seamlessly to create a powerful and cohesive sonic picture. The punchy drumming of Chris Mars cuts through with precision, anchoring the track’s driving rhythm.

Stasium’s attention to detail is evident throughout the album, especially on tracks like “Bastards of Young” and “Left of the Dial.” The former showcases Stasium’s ability to capture the nuances of Bob Stinson’s guitar work, from the jangly chords to the blistering solos. Meanwhile, “Left of the Dial” benefits from a mix that highlights the emotional resonance of Westerberg’s lyrics, making it a standout moment on the record.

Beyond the individual performances, Stasium also mastered the art of creating a three-dimensional sonic space, something that the previous version of the record significantly lacked. The Replacements’ music thrives on its live and unfiltered feel, and Stasium’s mix amplifies this by immersing the listener in a rich auditory experience. The layers of sound on tracks like “Swingin Party” or “Here Comes a Regular” create a sense of depth, inviting the audience to fully immerse themselves in the music.

In essence, Ed Stasium’s mix on “Tim: Let it Bleed Edition” showcases brilliance in understanding and enhancing the unique qualities of The Replacements. He managed to capture the essence of the band’s raw energy, preserving their authenticity while elevating the overall sonic quality of the album. Stasium’s contribution to this edition of “Tim” solidifies a reputation as a masterful engineer and producer, leaving an indelible mark on one of The Replacements’ most iconic albums by simply allowing the band to be itself.

Rob Perry Best of 2022

Every year we ask some of our music friends to share some of their thoughts on some of the albums/singles that were released in the past year.

Our good friend, fellow Connells fan, thoughtful social media user, and one of the most ardent new music fans Rob Perry agreed to share his thoughts about new music from the past year.

2022, for me, has been a year in that I got to get back out into the live music scene a bit and enjoy a lot of great music released by my favorite artists and some new ones, too.  I saw wildly enthusiastic live shows by Superchunk and Built To Spill (both with new albums this year) and more subdued ones like Waxahatchee and Sharon Silva.

As far as this year’s album releases go, here are five of my favorites.  All are records that I find easy to put on the turntable and enjoy from front to back.

Archers of Loaf – Reason in Decline … their first new album in over two decades was highly anticipated by long-time fans. But this record doesn’t have the signature noisy gnarl of the early releases. This is a band, seemingly now with a different sense of purpose. When I listen to this album I hear impeccably crafted songs, still distorted but looking more positively at our ever-changing world.

Favorite track: “Mama Was a War Profiteer

Tess Parks – And Those Who Were Seen Dancing … Here’s another record that’s been a long time coming. When released, it had been almost 10 years since Park’s last album “Blood Hot”. On this one, her ethereal vocals, mixed with sonic influences of Oasis, Patti Smith, and Primal Scream provide a nicely wrapped feeling of 90s nostalgia. Drop the needle on this and let your psyche explore it all.

Favorite track: “Do You Pray?

Rolling Blackouts Coastal Fever – Endless Rooms … This is the group’s third long play and it highlights their consistency and creative growth. What I love about this band and album is the incredible combination of songwriting skill layered intricately into their three-guitar interplay. There seems to be an ego-free vibe among the six-stringers Joe Russo, Joe White, and Fran Keaney. While this release doesn’t use the same template as the band’s debut “Hope Downs” it does expand on the definition of what a great Rolling Blackouts Coastal Fever record can be.

Favorite track: “Open Up Your Window

Yumi Zouma – Present Tense … The New Zealand quartet’s fourth album is a subtle shift from their previous records. While it’s still shimmering Dream Pop, this release hints at moving a bit towards mid-80s Fleetwood Mac or Hall & Oates. The band has done a great job of weaving a variety of textures into the songs on this record. “Present Tense” has a little something for almost everyone and listening will most certainly augment your mood.

Favorite track: “Mona Lisa

Spoon – Lucifer on the Sofa … In February, one of my favorite bands “finally” released their latest record after five long years. As their music always seems to be evolving, I wasn’t sure what the signature album sound might be. For me, the edgy-riffed “The Hardest Cut” definitely sets the tone but all of the tunes have a roughhewn and sparsely produced feel. The record sounds like it could have been recorded live in your living room. As usual from Britt Daniel, there’s excellent songwriting and a nice mix of tempo.

Favorite track: “Wild

We want to express our gratitude to Rob for taking the time to write one of these reviews.

Today’s Program Best of 2018

your-tuesday-afternoon-color copyThe annual look back at the previous year in music is one of our favorite shows to do! This year Tom Gilliam joins Dr. J and Flower to play and discuss some of the best local, indie, alternative, folk, Americana, alt-country and more that came out in 2018!

We give thanks for great independent music by playing an assortment of local, Dayton, and indie songs! What songs have been so powerful on you that you cannot imagine your world without them?

During the show contribute to the discussion by giving us a call 937-229-2774 or a tweet for drjwudr with the songs that were released in 2018 that matter to you.

Join us online at wudr.udayton.edu or 99.5 & 98.1fm in Dayton, Ohio, USA!

Today – Best of 2013 on Your Tuesday Afternoon Alternative

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Best of 2013 can often be found @ The Atlas and Anchor

Many great songs and bands from 2013 can be found profiled on the terrific Atlas and the Anchor site http://ow.ly/rDBCM

Best Music Of 2013 : NPR http://ow.ly/rDADj

100 Best Songs of 2013 | Rolling Stone http://ow.ly/rDAM2

The 50 Best Albums of 2013 | Complex http://ow.ly/rDARA

Best albums of 2013: 20-11 | Music | theguardian.comhttp://ow.ly/rDAWm

The 50 Best Songs of 2013 – List of the Day | Paste http://ow.ly/rDB1y

The 10 Best Music Videos of 2013 – List of the Day | Pastehttp://ow.ly/rDBa3

Best Songs of 2013 | Top Songs of 2013 « PMA – Pretty Much Amazinghttp://ow.ly/rDBjT

Amazon.com: Best Music of 2013…So Far http://ow.ly/rDBuQ

Join us in a few hours on WUDR!

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Join us at wudr.udayton.edu every Tuesday!