Allow us to set a scene for our upcoming show on Tuesday. Imagine stepping in for a drink at a bar where Sticky Fingers era Keith Richards is hanging out with his Nudie Cohen Suit wearing pal Graham Parsons and a world weary Chris Robinson of the Black Crowes. They are all sitting in a booth commenting on the passing musical fancies of the day.
That scene is the experience of Age Nowhere! Imagine a true double guitar attack from Identical-twin brothers Matt and Dan Spaugy paired with smoky evocative lyrics sung by Paul Monin propelled by driving drums from Seth Gilliam and pounding bass of Matt Terry. That is the experience of Age Nowhere.The band takes it’s nom de plume from one of the standout tracks on Dayton’s own Shrug‘s 2005 record ‘Whole Hog For The Macho Jesus.’
Join us for conversation, music and the Age Nowhere experience online at the usual website wudr.udayton.edu on Tuesday, March 19th from 3-6pm!
What is magic? The Anthropologist Bronislaw Malinowski wrote that magic involves the use of paranormal methods to manipulate natural forces to accomplish important life goals. Malinowski discussed how the Trobriand Islanders used magic to manage anxieties of necessary yet dangerous deep sea fishing. According to most scholars, magic is a self-direct activity where an individual manipulates the supernatural to shape the natural. This approach sees magic as an individual practice. However, what if magic is communal? What if magic is something that people create together when they gather for special circumstances and become changed in the process?
This is what happened on Saturday night at Blind Bob’s Bar when Cricketbows played a magical set of truly transformational psychedelic rock and roll. It has been said that a Cricketbows show is a religious experience. And we would not disagree with that but would offer another perspective, perhaps a Cricketbows experience is a magical experience as well.
From the very moment the band took the stage, the crowd could sense an otherworldly musical magic taking hold of them. The band began their set with some of the fantastic songs from their most recent record, ‘Communion’ — a rather apt metaphor for what was happening between the band and the audience that night.
Throughout the set, Cricketbows demonstrated not only excellent song craft but powerful delivery that seemed beyond the usual experience of the concert goers. The band moved through songs from ‘Communion‘ playing the excellent ‘Games People Play’, the moving ‘End of the Night’, and the psychedelic ‘Sea Green’ to new songs that they are recording or soon to record. They also played a fine selection of tunes from their stellar full length ‘Diamonds‘ featuring standouts such as ‘Tiny Little Houses’ and ‘Landing on the Moon’ to more than enthusiastic response.
During the concert, Cricketbows played truly excellent covers such as the moving rendition of a powerful Jane’s Addiction song, the show closing ‘Sympathy for the Devil’ and The Monkee’s Porpoise Song (from the soundtrack to the movie Head). The later two songs both previously recorded for ‘Diamonds.’
The audience was transfixed — as with all good magic where the individual loses their sense of separated self and becomes part of the group, collective experience — the audience repeatedly called out for more and the band happily obliged with the cover of the Porpoise Song with a burning intensity that led to cheering and clapping for several minutes until Chad Wells profusely thanked the crowd and had to ignore the calls for more songs from the crowd as the house music came up because the bar was closing soon.
The musicianship throughout the evening was incredible. Christopher Corn on bass was giving a master class in how the bass guitar could not only support a song but could be used as a main instrument in service to a song. The twin guitar attack of Michael Bisig and Chad Wells was amazing. Both are stellar musicians separately however together they transform a song into something powerful with their guitar styles. Kyle Sweney on drums and percussion was incredible through his efforts at propelling a song like an illusion of a runaway freight train yet in reality always in control.
As a concert goer, what is it that you want from singers? Skill? Power? Vocal artistry? Something intangible that cannot be easily grasped? Aarika Watson is a vocalist with few peers. Her singing is more than mere melody. Her screams, yelps, and shouts are more than mere power. She has a rare vocal talent that pulls in the listener as if you believe that she is singing directly to you and only you in that moment in that song. It is difficult to describe the feeling if you have not seen her sing. Dare one say, it is magical.
And Chad Wells, the leader of this spiritual journey, sings with the passion and precision that escapes many singers. His voice is energy. He bends the notes with a fervor of a mission to save souls and convert the listener to a musical salvation. Chad feels the song in a way that will send chills down your spine. And when Aarika and Chad sing together, weaving their voices in a tapestry of the honest human voice such as with ‘Landing on the Moon’ or ‘Sea Green’, nothing else matters. The listener is not thinking about what to do tomorrow, you are there in that moment hearing those sounds, those voices and you are transported, you are indeed changed.
Isn’t that what magic is supposed to do? To create a transcendence through community in a moment that becomes something special. That is Cricketbows.
Today from 3-6pm at YTAA we are joined in the studio from the fine lads in A Voice of Your Own who will talk about their latest record, “Vines on the Lines” and upcoming shows in our local area, and how to get just the right feeling on a song. The music that AVOYO make is reminiscent of 90’s alternative music in the best possible sense!
A Voice Of Your Own blends traditional pop song structures, and low fi indie influences with a hands-on DIY approach that connects and pays homage to their musical influences while sounding fresh and contemporary. AVOYO draws from a variety of different skilled artists and musicians such as Tom Petty, The Cars, Beck, and The White Stripes which is some pretty damn fine company! AVOYO started as a solo project formed by producer, guitarist, and song writer James Crabtree. As a solo project, AVOYO had previously independently released two full length albums. Today the band has evolved into a full dynamic group.
A Voice of Your Own have a new record “Vines On The Lines” that has been available since February. The band currently consists of James Crabtree (guitar/vocals), Johnny McConnell (bass), Levi Short (guitar/vocals) Tylur Kahnle (guitar) and Matt Mihalus (drums). We welcome them to the YTAA studio this week!
The new album by The Boxcar Suite is available for pre-order! The album, Further In and Farther Out, is the latest from the band and is being released by Magnaphone Records on April 28. If you pre-order you get one track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released in April. The band have a release party planned for April 28th at the Old Yellow Cab Building! Tickets are $7 in advance and $10 at the door. See you there!
On Tuesday, October 10th, 2017 Matt and Tesia of The Nautical Theme joined Dr. J in the studio to play and talk about their music. This video includes both on and off-air segments of the show. Many thanks to The Nautical Theme for playing on the show and for permission to share this video.
All rights held by The Nautical Theme and Your Tuesday Afternoon Alternative.
David Payne joined us in the studio yesterday (August 15, 2017) and talked about his new record, the release show on August 19th and we even convinced him to play a few songs for us. You can check out his music at https://davidpayne.bandcamp.com/ And follow him on twitter at @DavidTNOF
He is also part of The New Old-Fashioned, check out their music: https://newoldfashionedmusic.com/