What is it that drives the feel in indie music?

Indie music unites us because it thrives on authenticity, creativity, and emotional honesty. Unlike heavily commercialized tracks, it often reflects personal stories, experimentation, and unique perspectives that feel relatable. Fans connect through shared emotions—heartbreak, joy, longing, or defiance—finding meaning in sounds and lyrics that resonate with their own lives. The community around indie music also matters: attending shows, sharing discoveries, and supporting artists fosters a sense of belonging, where people celebrate individuality while feeling part of something bigger.

The Beths’ Best Laid Plans exemplifies the power of rhythm and groove in creating an irresistible musical experience. At its core, the song is anchored by tight, punchy percussion and a driving bassline that create both energy and momentum. This rhythmic foundation gives the track a sense of forward motion, allowing the melody and vocals to shine while the listener is physically engaged—tapping toes, nodding heads, or even dancing along. The combination of percussive precision and melodic bass makes the song feel immediate and alive, illustrating how the “feel” of a song is just as important as its harmonic or lyrical content.

This attention to rhythm and groove is a hallmark of many artists across indie and alternative music. Tamar Berk, for instance, uses nuanced percussion to build layers of tension and release in her music, creating songs that feel both intimate and expansive. Bird Streets similarly blends melodic hooks with a driving rhythm section, demonstrating how bass and drums can define a track’s emotional pulse. Guided By Voices, with their lo-fi yet meticulously arranged recordings, often showcase how a tight rhythm section can make even a chaotic-sounding song feel cohesive and infectious. The Connells and The Cords similarly emphasize song craft, where the music propels the storytelling and emotional impact.

Meanwhile, vocalists like Kim Ware and her effort, The Good Graces, highlight the interplay between rhythm and vocal delivery. In Kim’s songs, the percussive drive and melodic bassline not only support the vocal narrative but enhance the emotional resonance, creating moments of release and catharsis that linger with the listener. Just as The Beths use rhythm to energize Best Laid Plans, these artists leverage bass and percussion to make the music physically and emotionally engaging, proving that the “feel” of a song—its groove, drive, and momentum—is a central component of its power.

Ultimately, what unites these artists is a deep understanding of how guitar, percussion, bass, and overall feel can transform a song from a static composition into a living, breathing experience. From The Beths’ infectious grooves to Bird Streets’ emotive rhythms, from Guided By Voices’ lo-fi magic to Kim Ware’s soulful pulse, these musicians remind us that feel, texture and rhythm are not just accompaniment—it’s a force that connects listeners, moves bodies, and conveys emotions that words alone cannot capture.

Holly Jolly Chaos: A Raucous Rebellion With a Dash of Cheer: The 14th Annual YTAA Indie Holiday

In the coming weeks we celebrate the holidays in full indie music style — is that really a thing?  On Tuesday, December 17th we will be playing new, classic, and cover holiday songs on the show.  Another year has come and gone. Can anyone else believe that we have been doing this for at least fourteen years, sheesh time does pass fast!

Indie holiday music is like that stray cat you take in—scrappy, scruffy, full of attitude, but somehow comforting. It’s the sound of bells and lo-fi drum beats weaving through a haze of reverb and melancholy, like a cold winter’s night painted in pastel hues. Forget those sugar-coated carols, these songs are the unsung heroes of the season, cloaked in irony, aching for connection amidst the forced cheer. They’ve got that off-kilter honesty, a rawness that refuses to conform to the Hallmark image of Christmas. It’s a quiet rebellion, but hell, it’s also really kind of beautiful.

We know that there is a lot of stress during the holidays with all the planning, shopping, and whatever else we are told to do during the holiday season.  Well, we believe that any task goes better with music.  So, pour yourself the ‘Nog, eat a cookie or three and let us help you relax with some great indie holiday music.  If you have a suggestion for a cool holiday tune, let us know on drjytaa on the gmail!

Dr. J can’t wait to co-host the 14th Annual Indie Holiday Radio Show on WUDR Flyer Radio 99.5/98.1’s Your Tuesday Afternoon Alternative with our good friend and frequent guest on the program, Tom Gilliam, who always brings some interesting holiday music to the mix.  And as always, the talented Mrs Dr. J has made many a fine contribution to the show as well! You expect nothing less.

This year you have two chances to hear the indie holiday festivities!  The first broadcast is on Tuesday, December 17th from 3-6 PM. Listen on 99.5 FM in Dayton, Ohio, USA, or stream the broadcast at wudr.udayton.edu.  And if that was not enough we load the show into Mixcloud! You can listen on Wednesday at our Mixcloud page! We just can’t wait to play new and classic indie holiday songs for you.  Save us some of the ‘nog.

See you there and Happy Holidays!

Full YTAA Faves of 2024 Show on Mixcloud!

Every year, like clockwork, the music world implodes into its annual rite of passage: the “Best of” lists. It doesn’t matter whether we need them or not. We could all be listening to something that absolutely shreds, some obscure record that deserves reverence. Still, here we are, obsessing over arbitrary rankings, as if these lists will unlock some divine, objective truth. It is as if, somehow, this tiny, self-appointed cult of critics, bloggers, and tastemakers can distill the whole sprawling mess of 365 days of music into neat little categories that tell you what was really good.

It’s a bit comical, really. These lists are nothing more than trendy cultural currency, an exercise in opinion policing. As if, come December, we all need some authority to tell us what albums we should have liked. Sure, there are some gems in those Top 10s, some records that hit like a lightning bolt, that maybe wouldn’t have been discovered without the almighty guidance of Pitchfork or Rolling Stone. But let’s not kid ourselves – the list itself is a product, a marketing tool, another algorithm feeding on your desire for validation. The music may be real, but the rankings? Please.

Every December, the ritual plays out like a predictable drama: the same predictable indie hits, the same half-baked arguments, the same flavor-of-the-month that gets hyped until the world collectively shrugs and moves on. It’s all just noise. And yet, we devour it like it’s gospel, eagerly waiting for the validation that maybe, just maybe, our choices are “correct.” But here’s the thing: music is personal. These lists? They’re just noise. It’s time we recognize them for what they are: empty, meaningless packaging for a world that’s forgotten how to just listen.

And with all that said, we do an annual show featuring several hours of bands, musicians, songs and albums that impressed the hell out of us. But not going to make some silly rank order, just a bunch of songs that we thought were incredible. So, yeah if this is a bit speaking from both sides of the mouth, so be it.

Our YTAA Faves of 2024 show includes music from many excellent musicians, such as Tamar Berk, Wussy, Palm Ghosts, Nada Surf, Waxahatchee, MJ Lenderman, JD McPherson, Jeremy Porter, Former Champ, Jason Benefield, J. Robins, Dreamjacket, David Payne, Bad Bad Hats, Bike Routes, Brian Wells, The Campbell Apartment, Amy Rigby, The Armoires, Librarians With Hickeys, Bottlecap Mountain, Liv, The Popravinas, The Nautical Theme, Smug Brothers, The Cure, The Reds, Pinks & Purples, The Umbreallas, Nick Kizirnis, Guided By Voices, and The English Beat and The Tragically Hip re-releases.

So, if this is just another end-of-the-year ritual that nobody needs but everybody wants, then maybe it is worthwhile as a way to share some of the music that deserves to be heard.

YTAA Full Show is up!

Doing local indie radio for 20 years is a labor of love, a commitment to the community, and a constant source of joy. At least, it sure has been for us at YTAA! Indie radio is a unique space where personality and passion shine through, where the constraints of commercial programming give way to creativity, spontaneity, and local voices. For two decades, the joy has been in connecting people through sound, amplifying voices that would otherwise go unheard, and showcasing music, stories, and topics that truly reflect the heart of music in times of darkness and light.

One of the most rewarding aspects of this journey has been building connections with listeners. Over the years, these listeners become more than just people tuning in—they become a family. Calls, emails, tweets, comments, posts, and even the occasional letter remind us that the work is meaningful and that there’s an audience who feels seen, heard, and represented by what’s being aired. In a world where media often feels homogenized and so darn artificial, we would like to believe that indie radio creates an unbreakable bond with its listeners by staying local, rooted, and real.

Another source of joy for us here at YTAA is discovering and promoting new, underrepresented music. The indie scene is full of gems that don’t always make it to mainstream playlists (for shame!), and introducing these sounds to an eager audience is incredibly fulfilling, heck – you might say it is the thing that keeps us coming back for more. The excitement of finding a new track or local artist and knowing that it will resonate with someone out there makes the work feel fresh, even after so many years.

The joy of indie radio also lies in the freedom to take risks, to be unconventional, and to experiment. Unlike larger stations tied to strict playlists or advertising pressures, an indie station, like WUDR, has the freedom to talk about niche issues, dive into deep conversations, and let shows develop organically. After 20 years, it’s clear that indie radio is more than just broadcasting; it’s about fostering a shared experience, celebrating local culture, and continuing a legacy of creativity and authenticity.

Moving is awful and other Non-delights

Your Tuesday Afternoon Alternative is still on hiatus as we move from ArtStreet to the Roger Glass Performing Arts Center. Let’s be honest, moving sucks. It is simply awful. Moving is often considered one of life’s most daunting tasks, a process laden with stress, exhaustion, and emotional upheaval. The mere thought of packing up one’s life — or in this case an entire radio station — and relocating to a new place can send shivers down the spine of even the most resilient among us. Several factors contribute to the universally acknowledged sentiment that moving is an awful experience.

Firstly, the physical exertion involved in moving is undeniable. From the moment one begins to sift through CDs, vinyl records, and cassettes (yup, we have some of those), rolling up posters, and packing away fragile equipment so it can safely be moved is daunting. It does not feel unlike going through belongings, deciding what to keep and what to discard, to the arduous task of packing fragile items with the utmost care, the process demands a considerable amount of physical energy. Lifting heavy boxes (damn, these records are heavy!), navigating through narrow hallways (you have seen the pictures of the station), and loading and unloading furniture can take a toll on the body, leaving movers fatigued and drained. And remember all of the equipment is incredibly sensitive and expensive! “Do not drop anything!” is a repeated refrain.

Moreover, the emotional toll of moving cannot be overstated. Leaving behind familiar surroundings, our Artstreet friends, and changing the routines can evoke a profound sense of loss and nostalgia. The attachment to a place goes beyond the physical structure of a house; it encompasses memories, experiences, and a sense of belonging. Saying goodbye to all of this can be emotionally wrenching, leading to a mix of sadness, anxiety, and apprehension about the unknown that lies ahead for the station. I wrote about this and stand behind those ideas and memories. Leaving a space that was home for over 20 years is simply not easy.

The logistical challenges add another layer of complexity to the moving process. Coordinating timelines, arranging transportation, and dealing with unforeseen hiccups can turn a seemingly straightforward relocation into a logistical nightmare. The pressure to ensure that every item arrives intact at the new station destination in a brand new building, coupled with the need to settle into an unfamiliar environment quickly, amplifies the stress associated with moving. Of course, we want to be preparing a radio show today instead of moving an incredibly sensitive studio board!

Sure, moving is an inherently challenging and unpleasant experience due to the physical, emotional, and logistical demands it places on us. The disruption of established routines, the strain on relationships, and the overall upheaval of one’s life make moving a universally dreaded endeavor. We can’t even listen to the station unless we set up a laptop or bring in a radio because studio speakers were among the first to get disconnected. While it may signify a new beginning and the prospect of fresh opportunities, the process itself is undoubtedly an arduous journey that tests one’s resilience, adaptability, and good nature.

Perhaps this is just a long meandering path to say, YTAA will not be on this week. Moving is going forward and we are making progress, just a bit slower than any of us would like. We will be back broadcasting the show as soon as possible. Automation has taken over the radio station and during December we are broadcasting indie holiday music! Enjoy and see you real soon!

Let’s Get some Biscuits & Gravy

52038491_2078431862248332_5174685913728417792_nHungry? For music that is! One of the most exciting music duos in the Dayton Music Scene are Biscuits and Gravy. This exciting group is one half Cherry Lee & The Hot Rod Hounds care of Ms. Cassandra Lee Barker and second part Mr. Harold Hensley ‘The Golden Voice of Dayton Roots Music’ and member of The Repeating Arms! They will come on the program this Tuesday, February 26 and talk about recording, their upcoming record and play a few songs live in the studio as only they can!

They have amazing harmonies and sing with a beautiful feel that few possess. Join us for Biscuits and Gravy with a side of musical goodness.

Tuesday 3-6pm on your internet dial at wudr.udayton.edu and on the old timey radio air waves at 99.5 & 98.1fm. Photos courtesy of the artists.

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“The New Song” from The Nautical Theme (live in YTAA Studio October 10, 2017)

Listen to YTAA Reveal Shows

Our past several shows on Reveal are available for you to listen to over at Mixcloud!  Five shows are posted and show #6 will go up in a few days!

YTAA Mixcloud

A Fine Conversation

Today Mack McKenzie came to the YTAA Studio and we talked about music, country music, the business of music and convinced Mack to play a few songs for us!

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Reveal Intelligent Radio

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Hey there Music Fans!

Dr. J is now part of the Reveal Radio family!  Your Tuesday Afternoon Alternative will do an Internet radio program every Wednesday from 2-5pm Eastern Time zone followed by our good friend Gretchen Kelly’s ‘In The Rough’ radio show!  What could be more punk than a Tuesday show on Wednesday?  We could not be happier about collaborating with an effort focused on music in all genres, formats and approaches.

Reveal Radio began in 2012 as a radio show created by musician. Producer, Sound Technician Rob Puricelli.  From Rob’s efforts to connect listeners to interesting, fun and new music, Radio Pure Gently was born.  RPG’s mission was to embrace music in all of its forms.  The approach was simple: recognize the influence of the classic performers in popular music while encouraging exploration of new music across genres.

From RPG, Reveal launched in 2017.  The focus is on music.  Period.  Presenters create the playlists not any corporate behemoth as is all too common.  The DJs play what interests and moves them.  At Reveal, there are presenters and hosts with varied musical ideas from all around the world broadcasting 24/7 online because they are committed to exploring music.  No agendas, which will be refreshing, right?

Reveal’s more well-known shows include Friday Night Live with Rob Puricelli, Synthetix Sundays with Marko Maric, Soiree 80s, The Diamond Field Radio Show with Andy Diamond, The Things That Dreams Are Made of with Daniel X. Belasco as well as the regular Thursday show.

You can now hear YTAA on Tuesdays at WUDR (online & 99.5/98.1fm) from 3-6pm Eastern and a freewheeling fun online version on Wednesdays from 2-5pm on Reveal.  Join us for one show or heck, maybe both.  See you on Tuesdays and Wednesdays!

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Shaking Up the Formula

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Charlie Jackson in studio 03-28-17 photo courtesy of Gabrielle Elizabeth Studios 

In indie music, 2017 has been a great year for music so far and there is no reason to expect it to slow down.  We are enjoying new music from Smug Brothers, Son Volt, The Rallies, Guided by Voices, Mark Cantwil, Tashaki Miyaki, Ha Ha Tonka, Spoon, Folk is People, Scott Swain, Al Holbrook, Dreamsalon, Hater, The Magnifiers, Dude York, and The New Pornographers — to just name a few.

We are still listening to tunes from last year from artists like Bleached, Shrug, Mike Adams at his Honest Weight, and Me Time.  Again, there is so much more but those CDs and EPs are constantly fighting for space in our CD player!  This year we are making a real effort to not only discover great new music to share with you but also to bring musicians into the studio.  It is far too easy to get stuck, to limit yourself and simply do the same thing over and over.

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Independent music for everyone!

Our hope with Your Tuesday Afternoon Alternative is to break out of the same day, same songs, same plan approach to radio and introduce new music and new songs to our listeners.  And you can help!  If there are songs or artists that we should be playing, let us know. Contact us here or email us at drjwudr at gmail!

Even if you do not make any suggestions, please consider joining us every Tuesday from 3-6pm for YTAA and on occasional Tuesdays until 8pm and stay a little later with us as we have performers come into the performance studio and play for all of us.

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YTAA Celebrates HoliDayton, The Purrs, and Official release of Tiny Spark

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The Purrs – Rotting on the Vine single out now!

Join us tomorrow as we celebrate the HoliDayton indie music extravaganza that occurs every year! Also, Tiny Spark by Dave Mann and The B-sides is out NOW! And you really want it. Dave will be calling in to talk about Tiny Spark, work on the new Mittenfields album, and more!

If that was not enough we are also premiering The Purrs new song Rotting on the Vine! In fact, we love both the A and B sides of that single —  remember those days? — that we will also be playing You, The Medicine, and Me by The Purrs too!

New music from Guided by Voices, Okay Lindon, King Elk, Lightouts, Sleep Fleet, Mission Man, Human Cannonball, Me & Mountains, Major Major Major, Motel Beds, Robthebank, The Story Changes, and some great stuff from The Connells, Smug Brothers, and We Were Animals

Join us for some great new and Dayton music on Your Tuesday Afternoon Alternative on wudr.udayton.edu from 3-6pm!