Favorites of 2023: Just the List

This time of the year every music writer’s fancy turns to the ubiquitous quest for the best of/favorites of the year. We start with a list of albums and singles we played on YTAA at least three or four times. Then we consider what songs and records slipped into our consciousness and we spent more time simply thinking about that song, that album — those words. If there is a pattern to what we loved in 2023, it is a bit hard to pin down. If we take a wild stab at an answer, 2023 was a year of amazing music from powerful, strong, thoughtful women musicians. From the incredible voice of Sarah Rudy in Hello June to the authenticity of Kim Ware and Van Plating across to the irresistible guitar tones and perfect singing of Tamar Berk, Blondshell, Beth Bombara, and Lydia Loveless, so many outstanding records were made outside of the men’s club this past year — and that is a welcome change.

Every writer, just like every music fan, has styles and sounds that they are irresistibly pulled towards. Clearly, Dr. J loves guitar. For some writers the list is likely to be diverse, reflecting a fusion of genres and innovative production techniques. And that is fine. With the continued influence of technology, some writers are drawn to artists who experimented with new sounds and collaborate across musical boundaries, creating a sonic outcome that resonates. For other writers, the search for a pure direct authenticity of instruments lead them to the streets where the music is painted without electronics. Acoustic and stripped down arrangements played on traditional equipment bring gratitude to the heavens for that music from some writers.

When crafting a list of favorites from the year, some writers will consider representation. Genres such as indie pop, electronic, and hip-hop may continue to dominate, with emerging artists bringing fresh perspectives and pushing creative boundaries. Collaborations between mainstream and indie artists could lead to unexpected yet captivating musical experiences. Shoegaze, for example, has made many returns after some commentators spilled tremendous amounts of ink over the idea that shoegaze had come and gone. Music in the year 2023 saw several bands who represented that style.

Lyrically, many of the themes explored in 2023 revolve around social issues, personal growth, feeling whatever the artist needs or desires to feel, perhaps some of the “Best” representations for the year are the songs that grab and do not let go of the human experience. Artists may use their platforms to address pressing matters, providing listeners with thought-provoking content that goes beyond mere entertainment and that might be the magic that some writers are drawn to when considering all the records and songs that came out during one trip around the sun.

There are some ‘off limits,’ ‘don’t walk on the grass’ ideas for us here at Your Tuesday Afternoon Alternative. Sure, the rise of virtual and augmented reality experiences may revolutionize the way music is consumed, offering immersive and interactive performances that redefine the traditional concert experience. But for us, human beings need to be part of the creation and experience of music. Streaming platforms might incorporate cutting-edge technologies to enhance the listener’s engagement with the music and while we can and should debate the lack of compensation, which is only going to get more challenging in 2024, AI generated melodies, tones, and arrangements of notes are not considered for inclusion on our favorites of the past year.

The best albums of 2023 could be those that not only showcase exceptional musical talent but also tell compelling stories or provide a unique perspective on the world. Artists who successfully blend innovation with authenticity may find themselves at the forefront of critical acclaim and commercial success and, to be entirely transparent, will immediate draw our attention for a favorites of the year.

Ultimately, the best music of 2023 will likely be a subjective experience, as individual tastes vary widely. However, it is important to consider this a reflective exercise. Every year is poised to be an exciting time for music enthusiasts, with a plethora of sounds and styles to explore, pushing the boundaries of what we thought possible in the world of music. Every year is full of promise. No annual march of the calendar is without merit and new experiences. So, to create a list of the music that moved you in 2023, is not to close the door to new auditory love but to remember we break our hearts so we can fall in love again with songs and albums we have not even heard yet.

The list below is our start on our favorites from this past year. A longer set of articles will come out exploring what it was that caught our attention in these albums and songs.

Favorite record for us in 2023:

Hello June – Artifacts

You can read our review of this fantastic record!

This music transcends time and place, resonating with listeners in their quest for meaning and understanding. The lyrics serve as a mirror, reflecting the innermost thoughts and emotions that often remain unspoken. Hello June’s “Artifacts” is a sonic masterpiece — and we are prepared to die on that hill to defend that assertion — that deserves a place in the hearts of all music fans. It is a timeless record that captures the essence of the human experience, a treasure chest of emotions waiting to be discovered with each listen. 

In no particular order of importance but records that we believe were mightily impressive:

The 1984 Draft – Best Friends Forever

The Replacements – Tim Let It Bleed Edition (Ed Stasium Mix)

Tamar Berk – Tiny Injuries

Smug Brothers – In The Book of Bad Ideas

Elephants and Stars – Get Your Own Army

The Nautical Theme – Get Somewhere

Palm Ghosts – I Love You, Burn in Hell

Van Plating – Orange Blossom Child

Lydia Loveless – Nothing is Gonna Stand In My Way Again

Kim Ware – Homely

Bottlecap Mountain – O Fantastik Melancholy

Beth Bombara – It All Goes Up

Nicholas Johnson – Shady Pines Vol. 2

The Pretty Flowers – A Company Sleeve

The Connells – Ring (Deluxe Edition)

Black Belt Eagle Scout – The Land, The Water, The Sky

Blondshell – Blondshell

Achilles Tenderloin – Tincture for Trouble

Mike Bankhead – I Am Experienced

Jason Isbell and the 400 Unit – Weathervanes

Some of our Favorites of 2023:

Arthur Alexander – …Steppin’ Out!

Mommy – Be Your Own Pet

Frankie Rose – Love as Projection

Cold Expectations – Static Reactions

Connections – Cool Change

The Connells – Set The Stage

Dolph Chaney – Mug

En Attendant Anna – Principia

Graham Parker & The Golden Tops – Last Chance to Learn the Twist

Guided By Voices – Nowhere to Go But Up/Welshpool Frillies

H.C. McEntire – Every Acre

Jess Williamson – Time Ain’t Accidental

John P. Strohm – Ready for Nothing

Jphono1 – Invisible Futures and Make Believe Pasts

Louise Post – Sleepwalker

Love Rat – Howl at the Moon

Matt Moran – Heartache Kid (Acoustic)

The Radio Field – Don’ts and Do’s

Shannon Clark & The Sugar – This Old World

Special Friend – Selkie

Tino and DJ Marrrtin – La Pie Bavarde

Trapper Schoepp – Siren Songs

Singles

No One Sphere – Fingerz to Lips

Elephants and Stars – Bled Out At The Scene

David Payne – Best Intentions

We Met In Paris – Mont Blanc Massif

The National – Eucalyptus

sparkle_jets uk – He’s Coming Out

The Well Wishers – So Important

Tod Weidner – Raising Pain

Mike Bankhead – Latent

Given Names – Makin’ Eyes

Cowboys in The Campfire – Here We Go Again

Teenage Fanclub – Foreign Land

Hannah Jadagu – Lose

High on Stress – Over-Thru

Jeremy Porter and the Tucos – Five-Foot-Three and Tiger Eyes

Tyler Childers – Rustin’ in the Rain

Kurt Lee Wheeler – We Will Travel

Honorable Mentions

Yo La Tengo – This Stupid World

Amber Hargett – Coal Mine Canary

Brainiac – The Predator Nominate EP

Quiet Signals – Quiet Signals

Show time with Nicholas Johnson

We were fortunate to be able to see a knock-your-socks-off set at Blind Bob’s in Dayton from Nicholas Johnson who is finishing up a punishing schedule of shows in support of his latest record, Shady Pines Vol. 2.

Coming to town with The Pinkerton Raid and joined by hometown heroes, Age Nowhere – he played one heck of a show featuring music from not only the new record but the excellent Back Upstate and Shady Pines Vol. 1!

Before the show, we spoke with him about the tour and we were amazed that he not only played the classic one show a night but also played multiple shows on the same day in different towns. However, you would never know the demanding itinerary for the tour from his performance. He was energetic and charismatic which drew the crowd into the experience because of his enthusiasm.

If you ever have a chance to see a Nicholas Johnson show. Do it. You will not be disappointed.

Nicholas Johnson in Dayton!

Today on YTAA

Tuesdays are our favorite days! Radio day!

Tons of new music. Some indie classics. We love radio day. Today we are spotlighting music from Nicholas Johnson, Kim Ware, Bottlecap Mountain, and Nick Kizirnis!

The set list includes songs from our good pal Nicholas Johnson, High on Stress (from Minneapolis, MN), Kim Ware, Librarians with Hickeys (Ohio by way of Big Stir Records), BAILEN, ODESZA, Panic Pocket, Connections (from Columbus, Ohio), POPSICKO (seriously Big Stir records roster is an impressive lineup of great indie powerpop), Iguana Death Cult, Unkown Mortal Orchestra, ALIENS, The Band of Heathens, Bottlecap Mountain, James, Genevieve Artadi, The Speedways, The 1984 Draft (Dayton, Ohio), M83, The Housemartins, Daughter, Nick Kizirnis (Dayton, Ohio), Phoenix, Beach Bunny, The Connells, Greg Dulli, Achilles Tenderloin, Steady Holiday, Let’s Active, Nicole Yun, The Tisburys and The Replacements.

We will be chatting about some exciting shows on the horizon from Nicholas Johnson, The Pinkerton Raid, Age Nowhere, Bottlecap Mountain, and more happening in our hometown of Dayton, Ohio.

Listen along from 3-6pm on WUDR Flyer Radio

Video of The Day: Nicholas Johnson – New Vampire

Nicholas Johnson has not only released a new incredible record, Shady Pines Vol. 2, but played an incredible record release show at Urban Artifact in Cincinnati that we were able to see! Damn, what a good show. The celebration of new music from Nicholas included stellar sets from The New Old-Fashioned’s David Payne and Kent Montgomery (longtime listeners of the show will know that TNOF is a big fave of YTAA) and The Pinkerton Raid. He is coming back to Dayton on Thursday, March 23rd at Blind Bob’s and you should make plans now to catch that show (again with The Pinkerton Raid and Dayton alt-country heroes, Age Nowhere joining the bill).

I cannot pick a favorite song from Shady Pines Vol. 2 but the latest video from Mr. Johnson is a standout on the record. New Vampire is lyrically deep and musically rich. The song is propelled with a gravity of its own that explores the idea of how we experience evenings. The rhythms on this song are deceptively seductive. Nicholas does not have to scream to create an inescapable emotional impact. When he sings “The west is calling, the west is falling” — you believe him because you have felt the same way.

To say that he has a gift with a clever turn of phrase is a sincere moment of understatement. Nicholas takes the anomie and alienation that swells around us that feels like we are being pulled under the surface by a current of our own creation and makes it a statement that does not have the hollow ring of melancholy. The words reveal the power and passion of inescapable frenzy and yet surprisingly tantalizing prospect of loneliness of the current age in which we find ourselves:

Premonition and the prophet screams
Rage into the void of a restless dream
Phone screen burns like man makes fire
Ushers in the age of the new vampire

New skin
Paper thin
Don’t you feel the new age dawning
I can feel it move through my bones
All the places I call home
Yeah we crawl into the unknown
Ah the west is calling
The west is calling
The west is falling

Rich Reuter on YTAA!

Dayton musician, songwriter, guitarist and producer Rich Reuter joined D. J on Your Tuesday Afternoon Alternative on March 22, 2022 in Dayton, Ohio on WUDR Flyer Radio at The University of Dayton. He played live and chatted about his recent music, new EP ‘Endless Parade‘, his work on Nicholas Johnson’s Back Upstate record and his work on his next full length ‘The Captain II’. You can discover his music at bandcamp. We discussed his approach to songwriting, production and performing the music.

You can follow Rich on social media. He is on Twitter and Instagram! You can listen to Rich’s music at Soundcloud! And Spotify:

YTAA Recommends: Nicholas Johnson – Back Upstate

Ever hear a record that you did not know anything about and were completely surprised, enamored and then drawn into a new musical world? Well, that has happened to us here at YTAA.

We are currently listening to the new record from Nicholas Johnson and to say that we are impressed is an example of classic understatement! The music he makes sways from sounding like Whiskeytown (‘Come Around’), smooth LA sounds of the ‘70s (‘I’m a Ghost’, Night Ride’) to rocking like a midwestern Lucero (‘Lonely Girl’), the story closes on a bluesy swirl about getting out and embracing experience (‘Nashville’). The record explores a music space that is reminiscent of the past and stands squarely in the present. For us the standout track is the shimmering vulnerability of ‘Sinner’

‘Sinner’ is a powerful, convincing and decisive tune. If you hear that song and do not feel the naked emotion, then you have some work to do. This song captures heartache, emotion and the soul ache that is part of living. In addition, the backing vocals from the always stellar Amber Hargett are just simply perfect and compliment the contemplative delivery of Johnson. Their voices together elevate the song. When Johnson sings: “I’m a sinner, ’cause I hate myself, I’m a sinner because I want to be” — you feel it because the Ryan Adams like patience in Johnson’s delivery makes it matter, you have felt this way too. You may not want to embrace your brokenness but it is there inside us all, just the same.

We would not be doing our job if we did not complement Rich Reuter’s production on this album which allows each song to shine on its own and as part of the collection. Reuter is a musical chameleon on this record playing guitar, bass, lap steel, mandolin, keyboards, drum programming, background vocals and percussion in addition to producing, engineering and mixing the songs. We have no doubt that the gathering of musicians who worked with Johnson on this record including some powerhouse alums of the Dayton Music Scene Khrys Blank, Jenna De Gruy, Amber Hargett, Patrick Himes, Eric Reith, Sara Gomes and Rob Spahr who all share a musical companionship and vision. Johnson not only has ties to the Dayton area but also has interesting stories from being a touring musician in Italy and throughout Europe. Some of those connections are demonstrated through the contributions of Lorenzo Testa on banjo and Lorena Vezzaro on violin.

Johnson draws on his music and storytelling influences while showcasing his unique focus on the textures of each song. While the songs stand on their own, the assembled music together paints a narrative that is relatable and meaningful. This approach should occur far more often than it does in music. And Johnsons voice is perfectly authentic as he sings across forms and styles in this incredibly catchy collection about human foibles and insecurities without sounding downtrodden.

Nicholas Johnson has crafted a fantastic record that has strong Dayton Music Scene connections both behind and in front of the microphone. Our compliments to Ninja Jam Records. Get this record! Get it right away!