Dayton, Ohio’s magnificent duo, The Nautical Theme have released the first single from their up-coming record “Do Something.” The song and the video are perfect compliments to the allure of the lyrics, bewitching sway of the vocals and the music that lays a solid terra firma around the composition.
Any long time listener to Your Tuesday Afternoon Alternative knows that we are fans of this band. And the magnetic pull of The Nautical Theme is tied to the essential quality of there music. In songs like “I’m Not Ready” there exists a magical phenomenon that transcends the boundaries of sound and captures the essence of human emotion—the beauty of two voices perfectly intertwined in a song. This captivating synergy elevates the musical experience, creating a harmonious blend that resonates with the listener’s soul. The combination of the two distinct voices of Matt Shelter and Tesia Mallory weaving together in a delicate dance brings forth an enchanting tapestry of sound that is both powerful and profoundly moving.
At its core, the beauty of these two voices entwined in song lies in the alchemy of harmony. When two voices merge seamlessly, a unique and transcendent sound is born. The interplay between melodies, harmonies, and tones creates a dynamic sonic landscape that draws the listener into a mesmerizing space. It is a delicate balance, a musical dance where each voice complements the other, enhancing the emotional impact of the song. Real emotion is found in those moments.
The human voice possesses a remarkable ability to convey a wide range of emotions, and when two voices come together in perfect harmony, they amplify the emotional and social depth of the music. Whether expressing love, heartbreak, joy, or sorrow, the dual voices intertwine to tell a compelling story, leaving an indelible mark on the listener’s heart and mind. And honestly, I am not entirely sure which emotion was the songwriter’s goal but all of them can be felt by the listener of this song.
One of the most enchanting aspects of two voices entwined in song is the power of contrast. Each voice brings its own unique timbre, color, and character to the composition. The contrast between high and low tones, soft and powerful dynamics, and different vocal qualities creates a rich and diverse auditory experience. In a well-executed merging like “I’m Not Ready,” the voices complement and contrast with each other, adding layers of complexity to the musical arrangement. The interplay between a soprano and a tenor, in this case, creates a captivating juxtaposition that elevates the overall impact of the song. This interweaving of diverse vocal elements captures the listener’s attention, inviting them to explore the nuances within the music.
The emotional resonance of melding voices is unparalleled in “I’m Not Ready,” as the combined voices create a sense of intimacy and connection. The shared experience of singing together fosters a profound sense of unity, both for the performers and the audience. The act of simply singing together is heightened when the voices convey a shared narrative or a dialogue between the singers. The listener becomes a participant in the journey, connecting with the lyrics on a personal level. The intertwining voices act as vessels, carrying the weight of the song and delivering it directly to the hearts of those who are fortunate enough to experience it.
Two voices entwined in song not only convey emotional depth but also showcase the technical prowess of the performers. The seamless coordination of vocal dynamics, pitch, and timing requires a high level of skill and precision. The beauty of a song like “I’m Not Ready” lies not only in the emotional resonance but also in the technical mastery displayed by the singers. The interplay of harmonies, counterpoint, and synchronized phrasing requires a deep understanding of musical theory and an acute sense of timing. When executed flawlessly, as is the case with “I’m Not Ready” the result is a breathtaking display of vocal artistry that leaves a lasting impression. The technical complexity adds another layer of appreciation for the beauty that emerges when two voices come together in perfect unison.
The beauty of two voices entwined in song remains a timeless and enchanting phenomenon for any music fan. The alchemy of harmony, the power of contrast, emotional resonance, and technical mastery combine to create a musical experience that transcends the ordinary. As listeners, we are fortunate to witness the magic that unfolds when two voices come together in perfect unison, creating a symphony of emotions that lingers in our hearts long after the final note has faded away. The beauty of two voices entwined in song is a proof of the enduring power of music to touch our souls and connect us on a meaningful and universal level.
The 2024 Dayton, Ohio Battle of the Bands at The Brightside music and event venue (905 E 3rd St, Dayton, Ohio) marks a significant local cultural event that brings together diverse musical talents and showcases the vibrant local music scene. This annual contest has become a cornerstone for emerging artists, providing them with a platform to exhibit their skills, connect with the community, and potentially expand their reach. Let’s explore the Battle of the Bands contests in Dayton, focusing on the 2024 edition held at The Brightside in collaboration with Sound Valley over six weeks. In the interest of full disclosure, Dr. J has been a judge in previous contests and some of those experiences form the backbone for the comments here.
Dayton, Ohio has a rich musical heritage, with a legacy that includes the funk stylings of the Ohio Players and the avant-garde experimentation of Guided by Voices. The city has long been a breeding ground for impressive musical talent, and events like the Battle of the Bands contribute to the nurturing of this vibrant artistic community. These contests are more than just competitions; they are celebrations of creativity, expressions of identity, and opportunities for musicians to connect with their audience.
The Brightside, an innovative music venue in Dayton, serves as the perfect backdrop for the 2024 Battle of the Bands. With its intimate setting, excellent acoustics, and a history of hosting diverse musical acts, The Brightside has become a hub for both established and emerging artists. The venue’s commitment to supporting local talent aligns perfectly with the spirit of the Battle of the Bands contests.
The 2024 edition of the Battle of the Bands attracts music fans, reflecting the growing enthusiasm and joy of sound within the local music scene. Bands from various genres, ranging from indie rock to hip-hop, eagerly sign up to showcase their musical prowess. The diversity of styles represents an added dynamic element to the contests, ensuring that the audience experienced a wide spectrum of musical styles, performers and expressions.
One of the unique aspects of these contests is its emphasis on originality. Bands are encouraged to perform their own compositions, showcasing not only their technical abilities but also their songwriting skills. This shift towards original content presents an extra layer of excitement, as attendees are treated to fresh, innovative music that reflects unique perspectives of the participating artists.
The judging panels for the 2024 Battle of the Bands consists of industry professionals, local music critics, radio personalities, and others experienced in running local music events. Diverse panels each week ensure a fair evaluation process that consider both technical proficiency and the ability to engage and connect with the audience. Speaking of the audience, they also have a role in this process. Voting is split between the panel of judges and the audience. The judging criteria is transparent, providing bands with clear expectations and allowing them to tailor their performances accordingly.
As the contests unfold, The Brightside buzzes with energy and anticipation. Each band takes the stage with a palpable mix of nervousness and excitement, eager to leave a lasting impression. The audience, composed of music enthusiasts, friends, and family members, contribute to the vibrant atmosphere by cheering on their favorites and creating an atmosphere of camaraderie.
The interplay between the bands and the audience highlights the communal nature of this event. Local businesses and sponsors also played a crucial role in supporting the contest, contributing to the prize packages for the winners. The opportunity to play downtown Dayton’s Levitt Pavilion is a highly sought after experience for local musicians. This collaborative effort underscore the symbiotic relationship between the music community and the broader local music ecosystem.
Beyond the competitive aspect, the Battle of the Bands contests foster a sense of unity among musicians. On stage interactions, impromptu creativity, and shared stories created a supportive environment that transcended rivalry. Many bands and musicians form connections during the contest that extend beyond the event, leading to collaborations and joint performances in the future. Those bonds contribute to a healthy music scene in Dayton!
In addition to showcasing musical talent, the 2024 Battle of the Bands addresses important social and cultural themes. Some bands used their performances as a platform to raise awareness about social justice issues, environmental concerns, and mental health. The inclusive nature of the contest provided artists with an opportunity to express their views and connect with audiences on a deeper level.
The grand finale of the 2024 Dayton Battle of the Bands is a culmination of weeks of intense sonic competition. The finalists, having demonstrated exceptional musical abilities and stage presence, face off in a showdown that captivates the audience. The Brightside pulsates with energy as each band delivered a memorable performance, leaving a lasting impression on everyone present.
Ultimately, the judges and audiences face the challenging task of selecting a winner from the pool of exceptionally talented finalists. The decision is always a testament to the high caliber of musicianship on display throughout the contest. The winning band not only secures a substantial prize package but also earns the admiration and respect of their peers and the broader community.
As the 2024 Dayton Battle of the Bands concludes, it can leave a lasting impact on the local music scene. The event not only celebrates musical talent but also strengthens the sense of community among artists and fans alike. The Brightside, with its commitment to fostering creativity and supporting local talent, plays a pivotal role in making the contest a resounding success.
Looking ahead, the legacy of The Battle of the Bands serves as inspiration for future generations of musicians in Dayton. The event demonstrates the power of music to bring people together, transcend boundaries, and serve as a platform for meaningful expression. As the local music scene continues to evolve, events like these will remain instrumental in shaping the cultural identity of Dayton and contributing to its reputation as a thriving hub of artistic innovation. What can you do to contribute to an event such as this? You can be a part of it by going, participating and having fun.
The logistics: The Doors open each week of The Battle of The Bands at 7pm (NOTE: due to equipment load in, we cannot let patrons in earlier than 7pm). Shows are expected to run from 7:30pm to 10pm.
Tickets are $10 advance / $15 at the door. Advance tickets are recommended. Note – Ticket sales are used to cover production costs and prizes.
Dayton, Ohio, a city known for its rich musical history, has produced a myriad of talented artists across various genres. Among the vibrant musical landscape emerges The Nautical Theme, a captivating duo that has been making waves with their latest record, “Get Somewhere.” Comprising long time bandmates Matt Shetler (Vocals, Guitar) and Tesia Mallory (Vocals, Keyboards), The Nautical Theme seamlessly blends folk, indie, and pop influences to create a sound that is uniquely their own.
“Get Somewhere,” the duo’s newest offering and one of our favorites of 2023, is a musical journey that explores the complexities of life, family, love, and the pursuit of meaning. Clocking in at six tracks, the album showcases the duo’s growth and maturity both lyrically and musically. From the moment the needle drops, listeners are transported into The Nautical Theme’s world, a place where introspection and vulnerability reign supreme.
One of the album’s standout tracks is the opener, “Sun Won’t Rise.” With its infectious melody and thought-provoking lyrics, the song sets the tone for the entire record. Dave’s skillful guitar playing complements Mallory’s soulful vocals, creating a harmonious blend that immediately captures the listener’s attention. The track explores the challenges of navigating the complexities of modern life, touching on themes of resilience and the pursuit of one’s true self.
As “Get Somewhere” unfolds, the duo delves into a range of emotions and experiences, crafting a narrative that resonates with listeners on a personal level. Tracks like “Trouble Tonight” and “Young and Free” showcase The Nautical Theme’s ability to craft catchy, introspective songs that stick with you long after the music stops. Matt and Tesia’s evocative storytelling and their intricate musical arrangements create a synergy that elevates each composition to new heights.
The album’s production is noteworthy, with each instrument and vocal line given the space to breathe. The sound is polished yet retains a raw, authentic quality that reflects the duo’s genuine approach to their craft. From the subtle nuances of Tesia’s voice to the intricate guitar work, every element of “Get Somewhere” is meticulously crafted, contributing to the overall sonic tapestry of the record.
Lyrically, The Nautical Theme explores themes of love, loss, and self-discovery. Matt’s poignant lyrics are a highlight, offering listeners a glimpse into the depths of emotions and experiences. Whether reflecting on the passage of time in “Home” or grappling with the complexities of relationships in “Something That You Needed,” Matt’s lyrical prowess shines throughout the album.
“Get Somewhere” also features a diverse sonic palette that keeps the listening experience engaging from start to finish. The duo seamlessly transitions between upbeat, folk-infused tracks like “Trouble Tonight” and more introspective, stripped-down moments such as “Something That You Needed.” This dynamic range showcases The Nautical Theme’s versatility as musicians and songwriters.
The album’s standout track for us, “Young and Free,” serves as a thematic centerpiece, encapsulating the essence of the entire record. With its infectious chorus and uplifting instrumentation, the song encourages listeners to embrace the journey of self-discovery and personal growth. It’s a testament to The Nautical Theme’s ability to create music that not only resonates on an emotional level but also inspires introspection and positive change. This is music that matters.
In addition to their musical prowess, The Nautical Theme’s connection with their audience is palpable. The authenticity and sincerity that permeate their music extend to their live performances, creating an immersive and intimate experience for fans. Dayton, Ohio, has become a key backdrop for their artistic journey, and the local community has embraced the duo with open arms.
As The Nautical Theme continues to carve out their own niche in the music industry, “Get Somewhere” stands as a testament to their growth and artistry. The record not only showcases their musical talent but also serves as a reflection of the human experience—its challenges, triumphs, and the perpetual quest for meaning.
The Nautical Theme’s “Get Somewhere” is a captivating musical odyssey that cements the duo’s status as rising stars in the indie folk scene across the country. With its rich lyricism, impeccable musicianship, and emotional depth, the album invites listeners to embark on a journey of self-discovery alongside the talented duo. The ability of Matt and Tesia to blend, swirl, and complement their voices is a rare ability in music. It is not at all trite to say that this duo was meant to sing together. As The Nautical Theme continues to make waves from their Dayton, Ohio, home base, “Get Somewhere” solidifies their place in the musical landscape, leaving an indelible mark on the hearts and ears of those who take the time to listen.
As we continue to pause and reflect on some amazing music from this year, we turn to an amazing local band. Smug Brothers, the indie rock veterans hailing from Dayton, Ohio, returned with their highly anticipated 2023 album, “In The Book of Bad Ideas.” Known for their eclectic sound and thought-provoking lyrics, the band has consistently pushed the boundaries of indie rock, and their latest release is no exception. “In The Book of Bad Ideas” not only showcases the band’s evolution but also serves as a clarion call to their ability to craft intricate and unconventional musical narratives.
“In The Book of Bad Ideas,” is an adventure through the space that indie, psychedelia, lo fi share together in a flat where Robert Pollard has Big Star’s “Third” playing in the background. This album — one of the band’s best — defies expectations and solidifies the band’s status as indie rock innovators who connect to their influences without sounding derivative or contrived. Smug Brothers’ breathe new life and vigor into the musical consciousness of indie. From the opening chords of “89 Lullaby” where the band jumps immediately into the song like leaping into a rushing river, the album grabs listeners with its raw energy and doesn’t let go. That first song sets the tone for the sonic journey ahead. The intricate guitar work and dynamic drumming create a sense of urgency, drawing the listener in with its raw energy. Lead singer and songwriter Kyle Melton’s distinctive vocals add a layer of authenticity, immediately grabbing attention.
The back-to-back tracks, “Mistaken for Stars” and “Let Me Know When It’s Yes” encapsulates the band’s ability to seamlessly blend genres, creating a musical tapestry that is familiar and unique. Imagine songs that are both complex, catchy — damn catchy — and accessible.
“Bend Blue The Copper” is a standout piece that exemplifies Smug Brothers’ ability to blend genres seamlessly. The track weaves through indie rock, punk, and even elements of folk, creating a sonic landscape that is as unpredictable as it is captivating. The lyrics seem to explore the consequences of impulsive decisions, adding depth to the already complex musical arrangement.
The album is a testament to the band’s evolution, showcasing a willingness to explore uncharted territory within the arrangements associated with independent music. Tracks like “Pattern Caveat” and “Since The First Time I Heard You Laugh” introduce experimental elements, with atmospheric soundscapes and genre-bending instrumentation. Smug Brothers’ frontman, Kyle Melton, delivers poignant lyrics throughout, exploring themes of impulsive decisions, nostalgia, and reinvention. These tracks seamlessly blends elements of psychedelic rock with electronic flourishes, creating a kaleidoscopic sonic tapestry. The result is a mesmerizing journey that defies categorization, showcasing the band’s fearlessness in pushing their artistic boundaries.
“What Starts Out as Fun” takes the listener into uncharted territory with its experimental instrumentation and atmospheric production. The use of synthesizers and layered vocals creates a dreamlike quality, offering a stark contrast to the more straightforward rock elements present in earlier tracks. The band’s willingness to explore new sonic realms pays off, adding a refreshing dimension to the album.
“An Age In An Instant” is a poignant ballad that showcases Smug Brothers’ ability to convey emotional depth through their music. The stripped-down arrangement allows Melton’s heartfelt lyrics to take center stage, touching on themes of nostalgia and loss. The subtle use of keyboards and acoustic guitar enhances the overall intimacy of the track, leaving a lasting emotional impact.
“Stiff arms At The Still Waters” introduces a rhythmic complexity that keeps the listener on their toes. The interplay between the drums and bass creates a sense of urgency, while the guitar riffs add a layer of sophistication. The track’s dynamic shifts and unexpected twists highlight the band’s prowess in crafting music that is both intellectually stimulating and sonically engaging.
“Enceladus Lexicon” stands out as a cinematic storytelling piece, with its evocative lyrics and sweeping musical arrangement. The instruments create soundscapes that transports the listener into the narrative woven by the song. Smug Brothers demonstrate their ability to create sonic landscapes that feel expansive and immersive.
“Paradise Farms” injects a burst of energy into the album, featuring upbeat rhythms and infectious melodies. The track pays homage to the band’s Midwestern roots, capturing the spirit of resilience and reinvention. The juxtaposition of the lively instrumentation with thought-provoking lyrics adds layers of complexity to the overall listening experience.
“In The Book of Bad Ideas” is more than just an album; it’s an experience that takes the listener on a rollercoaster of emotions and sonic landscapes. The band’s ability to balance introspective moments with energetic bursts creates a dynamic listening experience that resonates long after the final notes fade away. With this release, Smug Brothers have crafted a musical gem that pushes the boundaries of indie rock, inviting listeners to join them in the exploration of the unconventional and the brilliant. Throughout the record, the band, demonstrates their growth as musicians and their commitment to pushing the boundaries of indie rock. The album takes the listener through a diverse set of experiences in sound, from the raw energy of the opening track to the introspective moments of emotional vulnerability. With each track, Smug Brothers prove that they are not content to rest on past successes, but instead, they continue to evolve and explore new sonic territories. “In The Book of Bad Ideas” is a must-listen for anyone who appreciates music that challenges, engages, and ultimately transcends genre conventions. Smug Brothers have once again proven that they are at the forefront of indie rock’s creative frontier.
The city of Dayton, Ohio, has long been a hotbed for musical creativity, birthing numerous bands that have left an indelible mark on the music industry and on the hearts of music lovers. Among these, The 1984 Draft has carved its niche, blending indie rock sensibilities and the cleverness of punk music with heartfelt lyrics that resonate with audiences. In 2023, the band released “Best Friends Forever.” The buzz on this band is well earned and delivers on a promise of a musical journey that fans and critics alike were eager to embark upon.
Formed in the heart of Dayton, The 1984 Draft has been a mainstay in the indie rock scene, captivating listeners with their distinctive sound and poignant songwriting. Comprising members around the nucleus of principal songwriter, singer, guitarist Joe Anderl and uncompromising drummer and percussionist Justin Satinover, the band has consistently evolved while staying true to its roots. The band is rounded out with Eli Alban on guitar and Chip Heck on bass and most recently Cherry Fullam on backing/co-vocals. The band’s previous releases, including “Heisman Trophy Winner” and “Makes Good Choices,” showcased a musical maturation that hinted at the depth to come with “Best Friends Forever.”
“Best Friends Forever” is not just an album; it’s a sonic tapestry woven with the threads of emotion, experience, and musical prowess. From the opening chords to the fading echoes, the listener is taken on a captivating journey through the varied spaces, places and emotions of sound and sentiment. This is meaningful rock and roll that is not afraid to explore the challenges of maturity, work, aging, family, spirituality and the need for community.
The album kicks off with an anthemic track, “erryday” that serves as a rallying cry, immediately establishing the tone for what’s to come. The infectious energy and melodic hooks set the stage for a collection of songs that traverse the spectrum of human emotion without pulling any punches. If you are looking for charging rock and roll played and sung as if the band members lives depended on it, this it the record for you. Joe Anderl sings about topics deep and mundane with the same ‘take no prisoners’ approach that we used to take for granted from Bob Mould, Paul Westerberg and J. Robbins.
One of the standout features of The 1984 Draft’s music has always been the authenticity of their lyrics. “Best Friends Forever” is no exception. Each song is a lyrical voyage, delving into themes of life, challenge, resilience, and introspection. The band’s ability to craft narratives that resonate universally while maintaining a personal touch is a testament to their songwriting prowess.
Musically, the album showcases the band’s versatility. From the driving rhythms and electrifying guitar solos to the more subdued, introspective moments, The 1984 Draft proves their ability to experiment with different sonic panorama while maintaining a cohesive identity. The production quality elevates the listening experience, allowing each instrument and lyric to shine with clarity. The second track — and a personal favorite of ours — “Big Star” — celebrates the contributions of all of the members of the band. The backing vocals of Cherry Fullam elevate the song and her voice blends seamlessly with Joe Anderl’s.
Throughout the record, Justin Satinover demonstrates an unbelievable effort behind the drum kit that sounds and feels superhuman. The bass is played as a prime and lead instrument by Chip Heck. The bass is not an afterthought, the contribution of the lower end is just as critical as every other instrument. And speaking about the higher end, Eli Alban’s solos and progressions take the songs into orbit. Just listen to “Bells,” “War II,” “Rhino,” “Toldeo Strong” and ‘Hold Steady” — damn, this band rocks.
As “Best Friends Forever” made its way into the ears of fans and critics alike, the response was correctly overwhelmingly positive. Music journalists praised the album for its musical dexterity, lyrical depth, and emotional resonance. The band’s ability to seamlessly blend elements of alternative rock, punk, indie, and post-punk drew favorable comparisons to both classic and contemporary bands. Fans — such as us here at YTAA — took to social media to express their admiration for the album, with many highlighting specific tracks that resonated with them personally, give a listen to “Two Cow Barrage” and not feel the band’s love for the legendary Two Cow Garage. The sense of connection that The 1984 Draft fosters with their audience has always been a hallmark of their work, and “Best Friends Forever” only deepens that bond.
Within the ever-evolving music we call indie rock, The 1984 Draft’s “Best Friends Forever” is not only a spark from the band’s artistic growth and unwavering commitment to their craft, it is one of our favorite records of 2023. The album is not just a collection of songs but a narrative woven with sonic threads that tug at the heartstrings and heads of listeners. As the band’s musical journey continues, one can only anticipate what new real emotional landscapes The 1984 Draft will explore in the years to come.
In the ever-shifting realm of music, where emotions dance to the rhythm of melodies and lyrics, the significance of first-person accounts is akin to the heartbeat of that sonic industry. Many books, articles, ‘zines, blogs, documentaries, and more have chronicled the evolution of rock and roll. Often the stories are made vivid through personal narratives which serve as soulful storytellers, encapsulating the visceral essence of musical experiences.
At the heart of this effort lies the undeniable truth that music is a deeply personal affair. Beyond the glitz of stage lights and the glamour of fame, the authentic narratives of individuals thrust us into the beating heart of musical spaces. First-person accounts unravel the mysteries behind the creation of iconic songs, giving us a backstage pass to the emotions, struggles, and triumphs that shape the artist’s sonic voyage.
Take, for instance, the confessional tales of Bob Dylan as he traversed the winds of change in the 1960s. His first-person accounts, woven into the lyrical tapestry of folk and protest music, became the anthems of a generation. Rolling Stone’s intimate interviews with Dylan, where he bared his soul and articulated the intricacies of his musical odyssey, stand as testaments to the power of firsthand narratives in deciphering the magic behind the music. First-person accounts from producers, engineers, and mixers also offer a peek behind the curtain at music creation. When those who shape and capture sound share their ‘I was there’ experiences as only someone who was present at the creation of the music can, all music fans are given an opportunity to learn how the various pieces were captured and assembled into song.
These direct accounts bridge the chasm between artist and audience, forging a profound connection. Whether it’s the euphoria of a Woodstock moment, the stories that surround Live Aid, or the fan culture of Swifties, first-person experiences, oral histories, and those who bear witness to the melancholy of a heartbreak anthem, the firsthand narratives serve as empathetic conduits. The reader becomes a fellow traveler in the sonic expedition, sharing the highs and lows, and reveling in the universal language that transcends boundaries.
In our digital culture, where streaming services and algorithms dictate musical preferences, the authenticity of firsthand accounts offers a refreshing counterpoint. It reminds us that behind every beat, every lyric, every strum of a guitar, there’s a human story waiting to be unveiled. It’s the firsthand narratives that echo through attempts to understand music and the music industry, immortalizing the songs and the artists who dared to dream. These narratives, with their raw honesty and unfiltered passion, weave an indelible tapestry that captures not just the sound but the soul of music.
With these ideas in mind, we contacted various music professionals who work in different facets of the industry. Tim Anderl who has written extensively on music and shared his passion and enthusiasm for music to the extent of creating — from the ground up — his own music promotion company is one of the first to kindly answer our call for a reflective essay on their personal experiences. Thank you very much, Tim. This excellent essay shines a light on music publicity and promotion.
Although I’d studied magazine journalism as an undergraduate student at Ohio University with the intent of becoming a professional music feature writer, the reality upon graduation was that if I wanted to live independently and have the blessings of creature comforts like health and dental insurance, I might have to be agile in my job search. Roughly two months later, I’d secured a junior administrative position at a medical non-profit in Cleveland, Ohio. While I did have the opportunity to flex some of my writing/journalism muscles — organizing a monthly health lines program for AM news radio, writing for and editing the organization’s monthly newsletter/magazine, and coordinating inputs for an insert in the Cleveland Plain Dealer — the truth was, I was drifting farther, and farther from my original plan.
Thus began a series of DIY endeavors, including a cut-and-paste print zine, an online music magazine, a blog, and eventual “freelance” work for a variety of publications, a couple paid, but most unpaid. The payment, or lack thereof, never really bothered me. During the ’90s and ’00s, publicists still sent physical releases for review. This meant sometimes dozens of free CDs, and occasionally records, for many years. Any writing that did yield a payday was donated to a charity or local food bank as by this time I’d taken a comfortable job as a marketing and communications professional with a large government contractor that primarily paid my bills. And, my day job also afforded me the freedom of spending every waking hour outside of work going to shows, promoting shows, reviewing music, and interviewing bands.
Then, 12 years ago I had a crisis of conscience after the subjects of a handful of features and two cover stories, published in international print magazines, were outed publicly for abusing their power dynamic to take advantage of or sexually abuse members of their fanbase. The question that emerged for me was, “Why am I spending hundreds of hours a month writing features on seemingly disgusting people that I don’t actually know in real life?” As the recipient of dozens to hundreds of pitches by music publicists each day via email, I decided to try my hand at music PR, something that I really had no experience in aside from being familiar with writing and circulating press releases to non-music entities.
Original color logo by Dan Rizer
And Sweet Cheetah Publicity was prematurely born. Where did the moniker come from you ask? The answer is two-fold. First, it was inspired by a short-lived Kent, Ohio band called Suite Cheetah. How does that make sense you ask? As I visualized what I wanted writers/listeners to say when they heard a release I’d sent them, the answer became, “Sweet Cheetah! This is so good!” It made sense in my mind’s eye anyway…
At the time, the swim lane that I decided to concentrate on consisted of doing free PR for my local friends and their bands and projects, leaning on a small list of publications and my Hotmail account. But, it wasn’t long before longtime friends from other parts of the country and world came calling. Then friends of friends came calling, as did people with no prior connection to me circle in any way. And as the requests for help multiplied exponentially, so did the workload. It no longer made sense to send individual emails to a couple hundred contacts on my modest list, and I purchased a Mailchimp subscription, importing my contacts, and making strategic email blasts possible.
Another complete game-changer for the endeavor came when my brother’s band, The 1984 Draft, began planning for their debut album release. Suffering from severe imposter syndrome as a publicist, I provided my brother with contacts for those that I deemed the best publicists I knew and he began to contact them. Of the dozen or so he reached out to, he received only a single reply. This resulted in a conference call where the publicist outlined the cost of an effort that would place a few singles as premieres, and result in circulation of a press release or two. The cost: $1,000 for a month’s campaign.
Black and White Logo by Paul Rentler
When I heard about the meeting, I offered my brother the option of working with me to push the record out together. Simply, it didn’t, and still doesn’t really, make sense to me that a small independent artist or band that is already shouldering the cost of a practice space, recording, mixing, mastering, pressing a physical product, booking their own shows, printing their own merch, paying a grand a month for a publicist, who, truth be told, can’t really promise a tangible ROI or sales. Anyway, as a result of dozens of hours of research on his part, and an old press list a friend had received from someone in the Guided By Voices camp, my brother returned to me with an audience list, including radio, that was several hundred publications, podcasts, blogs, etc. deep.
The result of that campaign, in which my brother and I worked for 7 months, was dozens of interviews, features, reviews, radio plays, and much to our delight, placements on several “best of the year” lists. Additionally, this established a solid, somewhat successful modus operandi that I would use to work on other campaigns in the future.
Additionally, around that time and with the amount of work continuing to grow, the model for SCPR evolved into a “pro-bono PR in exchange for some commitment to charitable giving” model that, to date has resulted in donations of over $100K to a variety of charitable organizations including the NAACP legal defense fund, the American Heart Association, Brigid’s Path, House of Bread, Shoes For The Shoeless, Punks with Lunch, and Appalachian Prison Book Project, to name a small sampling. Sometimes the contribution is $20, sometimes $100, sometimes over $1,000.
Palm Ghosts cover art by Joseph Lekkas
In 2023, inspired by my friends from Palm Ghosts and Bobby Johnson from The Ghost Is Clear Records also launched a SCPR Cover For A Cause series this year, delivering incredible covers from Canyons, Jeremy Porter & The Tucos, halicon, Palm Ghosts, and Resignation to the Bandcamp platform and with the proceeds going to charity.
Thanks also to the behind-the-scenes heroes who helped with mixing and mastering including Dan Coutant from Sun Room Mastering, J Robbins, and Chris Common.
Sweet Cheetah PR also saw a variety of exciting projects. For instance, working with Brainiac on their UK/U.S. tour and archival releases, and saw a tremendous amount of attention including a review in Pitchfork, Brooklyn Vegan, and feature items in Stereogum, The New York Times, The Guardian, etc. I was also blessed to continue working with some of my very favorite musicians and labels of all time like J. Robbins and Jawbox, Jack Duckworth of Scotland’s Soft Riot, Philadelphia noise mongers Rid of Me, Scott Padden and the gang from Pilot To Gunner, Mark Kaiser, the genius behind the Sacramento-based Mt.St.Mtn label, Matt Traxler of Cleveland’s Steadfast Records, etc. SCPR also continues to sponsor our favorite music interview podcast, Peter Tanski’s The Book of Very Very Bad Things.
I also discovered, via my network of friends, some incredible emerging artists: Toledo-based, teenaged songwriter Cash K. Allen (who joined the SCPR 11th anniversary celebration with Fred Mascherino, Paige Beller, and The 1984 Draft), Richmond, Virginia’s Roseneath, and Los Angeles’ Lewis.
Truth be told, I’m so blessed to have a cadre of talented, awesome friends who’ve allowed me to remain in the orbit during my adult life, and that makes it impossible to name them all and detail the reasons why I love and am inspired by them. They’re the reason Sweet Cheetah has the good fortune of being curated to my personal tastes, and a high level of musicianship, which brings an incredible sense of pride with regards to my involvement and work.
Toward the end of the year, in partnership with Dayton’s Poptek Records, the California Bay Area label Sell The Heart Records, and Engineer Records in the UK/EU released the most recent album from Palm Ghosts, titled I Love You, Burn In Hell. With the help of the SCPR network, the band also visited Dayton, Columbus, Cleveland, and Athens for live performances this year. Although I’m not sure what the future of Sweet Cheetah Records will be, I’m beyond thankful to have been involved in this trio’s incredible release.
I’m not sure what 2024 has to offer by way of Sweet Cheetah yet. I have made a handful of commitments to a couple great bands and labels already. Will there be more Covers For A Cause or another Sweet Cheetah Records release? Will publications and journalists who’ve not responded to us in 12 years start paying attention? Will journalists and publications who’ve been kind to us in the past, continue to spread the good news about those we work with? The only thing I can say for sure is that any commitment I make to a project will receive the same stubborn tenacity that I think I’ve proven in the past, and anyone who supports our work is sure to receive a sincere, and heartfelt thank you. And, thank YOU.
In the ever-evolving kaleidoscope of rock and blues, it’s rare to come across a band that can channel the raw essence of classic genres while injecting a fresh and exhilarating spirit into their music. Enter Heather Redman & The Reputation, a group of fantastic Dayton, Ohio musicians whose debut album is nothing short of a revelation in the world of contemporary rock and roll. If you’re craving the kind of music that grabs you by the soul and refuses to let go, then look no further. This is Heather Redman & The Reputation, and their self-titled album is a tour de force of funky soulful blues-infused rock that takes you on a journey through love, pain, longing, and everything in between.
Heather Redman’s husky, soulful voice immediately captivates the listener, drawing them into the world of her lyrics. The Reputation’s instrumentation serves as the perfect backdrop to Redman’s compelling storytelling, creating a synergy that is seldom encountered in modern music. Their self-titled album takes you on a mesmerizing musical journey, exploring a variety of emotional landscapes through a potent blend of soul, blues, rock, and blues influences.
The opening track, “Everybody,” sets the tone for the entire album. Redman’s voice takes center stage, conveying the emotional depth of the lyrics. It’s a heartfelt tour-de-force ode to community where all are welcome, with a bluesy, slow-tempo groove that pulls you in and doesn’t let go for a single second. The vocals are exceptional. Whether she whispers or screams, Redman sings with unrestrained passion that would destroy a lesser singer. I would pay money to hear Heather Redman sing the phonebook. The guitar work courtesy of Matt Webster on this track is exceptional, capturing the essence of classic soulful blues while adding a modern flair. The keyboards feel like they are dancing around the room. The percussion propels the song forward so well that you are a bit surprised when the song ends. It’s a tantalizing preview of what’s to come.
As the album progresses, “Step Back Girl” showcases Heather Redman’s songwriting prowess. The lyrics are poignant and fun, painting a picture of flirtation, fascination, and being a little star-struck. The Reputation’s musicianship is on full display, with a jangly guitar that adds a layer of emotional depth to the song. This track is a testament to the band’s ability to convey complex emotions through their music without talking down to their audience. There is a wink that the object of affection may be important to the narrator of the song as well as the young lady filled with longing watching the desired musician up on stage.
The album takes a turn with “Wait For Me,” a high-energy track that fuses rock with blues in an electrifying way. Redman’s voice soars, showing her versatility as a vocalist. The Reputation’s rhythm section locks into a tight groove, propelling the song forward with an infectious energy. “Wait For Me” is a stand-out track that demonstrates the band’s ability to switch between different moods and styles seamlessly. This song swirls from the start of the organ to the punch of the chorus with a beautiful harmonic blending of voices and emotions. The song captures the pushes and pulls of hope, desire, and the slow realization that we are all waiting.
One of the defining qualities of this album is its lyrical depth and swirling maelstrom of musical inventiveness. “Daydream” is a prime example, a song that seems to delve into themes of reflection and regret. Redman’s lyrical delivery is passionate and introspective at the same time, and the band’s movement is at times restrained and in other moments goes full bore like their lives depend on it. The instrumentation provides the perfect canvas for Heather Redman to paint her emotional narrative. The use of horns in this track is a beautiful touch, adding to the overall quality of the song.
The album reaches its climax with the Salvadore Ross cover of “Broken Bones,” a mesmerizing track that is a testament to the band’s songwriting and musicianship. Heather Redman’s vocals are hauntingly beautiful, and the Reputation’s arrangement is powerful. This song is a perfect encapsulation of the band’s ability to create music that is both emotionally resonant and musically engaging. The guitar solo in “Broken Bones” is a thing of beauty, showcasing the band’s virtuosity.
As the album approaches the end, the choice of the Amber Hargett penned evocative tune “Prove It To Me” provides a poignant and intimate moment. Redman’s voice is soulful and resolute with a dash of defiance conveying a sense of demand while carrying under the surface hints of closure and acceptance. The Reputation’s acoustic instrumentation in this track is a departure from the rest of the album, showcasing their versatility. It’s a bittersweet clarion call to ‘Prove It To Me‘ that leaves a lasting impression. The drums and percussion on this song from veteran drummer Dan Stahl shine on this song.
Every soulful album should have a passionate plea and Tryin‘ — the penultimate song on the record — is a barn burner that just simply leaves everything on the floor. Heather Redman’s lyrics are a testament to her songwriting abilities. Her words cut to the core of human emotions, exploring themes of love, heartbreak, and self-discovery. The lyrics of this song are thought-provoking and relatable, making it easy for listeners to connect with it on a personal level. Across the eight songs on the entire record, Redman’s storytelling is vivid and evocative, creating a strong emotional resonance that lingers long after the music stops. The listener is left wondering, what happens after the music fades.
The closing track, “The Getdown,” is a fitting end to the album. It’s a triumphant and anthemic song that encapsulates the essence of Heather Redman & The Reputation. The band’s chemistry is on full display, with a powerful, driving rhythm section and searing guitar work. Redman’s vocals are filled with determination and resolve, making it clear that this band has arrived and is here to stay.
Throughout the album, Heather Redman & The Reputation effortlessly blend elements of blues and rock, creating a sound that is both timeless and contemporary. The interplay between Redman’s expressive vocals and the band’s impeccable instrumentation is a match made in musical heaven. This album isn’t just a collection of songs; it’s a narrative journey that takes the listener through the highs and lows of life’s experiences.
The Reputation’s musicianship is equally impressive. The band members are not just skilled instrumentalists; they are true artists who understand the nuances of their craft. Their ability to seamlessly switch between different styles and moods is a testament to their versatility and adaptability. The guitar work, in particular, is a highlight, with solos that are both soulful and electrifying. The organ/keyboards pull a sonic sleight of hand in creating a sway to the songs that add to the bounce and joy of each tune.
Heather Redman & The Reputation’s self-titled album is a triumph in modern rock music because it is so rare for a debut album to smoothly transition across styles and there is no awkwardness or jarring shift, the songs flow as if moving downstream. It’s a rare gem that captures the spirit of classic blues and rock while infusing it with fresh and contemporary energy with a healthy helping of soul. The band’s ability to convey complex emotions through their music is nothing short of remarkable, and Heather Redman’s vocals are a force to be reckoned with. You cannot look away when Heather Redman sings, it’s as if her singing possesses an unrelenting gravitational pull.
In a musical landscape that often prioritizes the trendy and the ephemeral, Heather Redman & The Reputation stand as a testament to the enduring power of authentic and emotionally charged music. This album is a must-listen for anyone who craves music that goes beyond the surface and delves deep into the human experience. Heather Redman & The Reputation have not only made a name for themselves; they’ve etched their reputation into the annals of rock and blues music. This is the band you will want to remember.
So, if you’re in the mood for a musical journey that will move your soul, make sure to give “Heather Redman & The Reputation” a spin. This is an album that demands to be heard and it will not take ‘no’ for an answer. This record will leave a lasting impression and firmly establishes Heather Redman & The Reputation as a force to be reckoned with in the musical spheres of funk, soul, rock, and blues. Don’t miss out on the opportunity to witness their sly musical magic.
Moroni Lane’s record, “Alchemy,” released almost a year ago on October 27, 2022, is a mesmerizing soulful journey into the nature of community building through heartfelt musical spirituality, social solidarity, and musical introspection. “Alchemy” is a spellbinding journey through a lush, sonic wilderness, proving that the lyrical boundaries of contemporary music are meant to be explored and stretched. The album, filled with an eclectic blend of textures, is a testament to Lane’s artistic prowess, poetry, and sonic experimentation. In a world filled with cookie-cutter pop and formulaic songwriting, “Alchemy” stands as a refreshing testament to the magic of musical alchemy in building community. Moroni Lane unapologetically seeks to build bridges of understanding that create ‘uplift and unity’ for all humanity. Do not think, for a moment, that such a challenge in creating real togetherness is a joke or an impossible task. As Lane demonstrates music’s power to touch us emotionally can accomplish this massive task.
Lane, a multi-instrumentalist and singer-songwriter hailing from the Gem city of Dayton, Ohio, has built a reputation for crafting music that defies easy classification. With “Alchemy,” he dives even deeper into his creative well, blending elements of Americana, folk, jazz, rock, and psychedelia to create a sonic tapestry that is both ethereal and rooted in the fragile threads of raw human emotion.
The album kicks off with the sparse title track, “Howl At The Moon,” setting the tone for the entire journey. The song is a bold opening statement, with Lane’s resonant voice delivering lyrics that speak of transformation and self-discovery through self-actualization and awakening. The instrumentation, a seamless blend of acoustic guitars and a rhythm section that knows when to hold back and when to push forward, creates a sound landscape that’s as vast as it is intimate.
Lane’s songwriting is a standout feature throughout the album. “High and Low” takes us into a powerful dreamlike state with its swirling, acoustic guitar and Lane’s ethereal vocals reminding us “That you have been enough, since your first breath of life.” The lyrics paint a vivid picture of empowerment derived from a celestial promise, drawing the listener into a spiritual gift. It’s a testament to Lane’s ability to create a sonic atmosphere that envelops the listener with music that is pleasing while extorting the listener to reflect, think, and act.
The tracks “The Light of Her Love” and “Let Go” showcase Lane’s gift for crafting memorable hooks and choruses. “Let Go,” in particular, is an infectious anthem that’s impossible not to sway along to as the song progresses. With catchy melodies and clever lyricism, it’s a prime example of Lane’s sensibility. “Other Worlds,” on the other hand, delves into a more contemplative and introspective realm, exploring themes of cosmic alignment and personal transformation. Here, Lane’s lyrical depth shines brightly, and his vocal performance is particularly evocative.
One of the standout moments of the album is “Reign.” The song is a masterclass in atmospheric production, with Lane’s voice floating above a backdrop of shimmering acoustic guitar and delicate percussion. The result is a breathtaking blend of sound that tugs at the heartstrings. The lyrics are equally compelling, painting a vivid picture of a journey to find inner peace and connection with the world around us. Here, Lane demonstrates his prowess as a guitarist, delivering a soulful and evocative performance. It’s a moment of respite, a chance for listeners to pause and reflect on the musical journey they’ve been on so far. Lane’s ability to communicate through instrumental music is evidence of his talent as a musician.
The closing track, “In The Hands of The Gods,” serves as a fitting conclusion to the album. It’s a gentle and contemplative piece that draws the listener into a gentle reflective state of mind. The soft, melodic guitar lines and Lane’s soothing vocals evoke a sense of closure and renewal, leaving a lasting impression.
“Alchemy” is an album that demands multiple listens. It’s a multifaceted work of art that unveils new layers and nuances with each replay. Moroni Lane’s songwriting and musicianship are exceptional, and the album showcases his ability to seamlessly blend different musical elements, creating a sound that is uniquely his own.
Lane’s vocals are a standout feature throughout the album, with a remarkable range and an emotional depth that connects with the listener on a profound level. His lyrics are poetic and thought-provoking, offering a glimpse into the complexities of the human experience and the yearning for connection to one another. The album is a beautiful ode to the impermanence of life, and the necessity of communities that care for all members often featuring a stripped-down arrangement that allows Lane’s vocals to take center stage. His voice is accompanied by minimal acoustic guitar and subtle percussive embellishments, creating a sense of intimacy and vulnerability.
The production of “Alchemy” is also worth noting. The album’s soundscapes are lush and immersive, with each instrument serving a purpose and contributing to the overall experience. Lane and his collaborators have paid meticulous attention to detail, resulting in an album that is both polished and organic.
In a world where mainstream music often leans toward predictability and sameness, Moroni Lane’s “Alchemy” is a breath of fresh air. It’s a reminder that music can be a powerful medium for self-expression and exploration. The album invites listeners to dive deep into their own thoughts and feelings, resonating with themes of personal transformation, self-discovery, and the interconnectedness of the universe. It’s a reminder that true artistry knows no constraints and that the alchemical process of turning raw emotion into music is a profound and timeless endeavor. In “Alchemy,” Lane has indeed achieved musical magic.
Amidst the echoing corridors of indie rock, there lies a trove of hidden gems that, despite their immense talent, have managed to elude the mainstream spotlight. Smug Brothers, a band hailing from both Dayton and Columbus, Ohio, has been one of these underappreciated treasures for over two decades. Their latest release, “In The Book of Bad Ideas,” is a testament to their unyielding passion and unwavering commitment to their craft. In this album, they’ve harnessed the raw power of indie rock ‘n’ roll, crafting gritty and honest music that resonates with anyone who has a heartbeat.
“In The Book of Bad Ideas” is not a record that pleads for your attention; it demands it. The record saunters into the room with a vibe that is warm, welcoming, and inviting. The album opens with the sweet swirling, jangly track “Lullaby.” Right from the first note, you’re thrust into a world of jangly guitars and unapologetic vocals — the song is a slide of authenticity. There’s a sense of urgency and swing in this song that sets the tone for the entire album.
Frontman, guitarist, and songwriter, Kyle Melton, is a gifted storyteller who possesses a voice that simultaneously conveys vulnerability and strength. As he sings it’s evident that the lyrics come from a place of honesty, making it easy for the listener to connect with the music on a personal level even when clever wordplay might hide the destination. Sometimes the fun elliptical mystery is more compelling than an obvious statement.
The Smug Brothers have cultivated a sound that’s refreshingly rebellious within the sonics of an indie rock attack — imagine Guided By Voices with a hint of R.E.M., a pinch of Swearing at Motorists at a lo-fi house on the corner. Tracks like “Pattern Caveat” and “Mistaken for Stars” are indie anthems, amplified by the band’s masterful use of distortion and reverb. Guitarists Kyle Melton and Scott Trimble churn out a jangle pattern riff after riff with an infectious intensity that keeps a loose enjoyment. Their synergy is evident, and they create a wall of sound that engulfs the listener.
The rhythm section, comprised of bassist Kyle Sowash and Dayton music legend, drummer Don Thrasher, is the heartbeat of the album. The band’s relentless energy is anchored by their solid groove, which is particularly prominent in tracks like “Mistaken for Stars,” “Let Me Know When It’s Yes,” “Since the First Time I Heard You Laugh” and “Sudden Berlin.” They are the backbone upon which the edifice of Smug Brothers’ sound stands. The percussion, in particular, jumps out on this record set against the chiming, shimmering guitar cadences over which Melton sings with restrained passion — always vulnerable, confident, and reflective.
While the Smug Brothers are unapologetically rocking out, there’s a depth to their music that elevates them above mere noise-makers. The band demonstrates significant emotional depth and nuance across the album’s 15 tracks. “An Age in an Instant,” a melancholic ballad, showcases the band’s ability to slow down and embrace vulnerability without a sneer or nod to fiction. Nothing is pretense, everything matters. The lyrics convey a sense of introspection and longing, accompanied by beautifully understated guitar work that allows Melton’s voice to take center stage. The song works because of the high-intensity songs that come before it, especially “Enceladus Lexicon.”
“In The Book of Bad Ideas” is not just an album about decision-making whether it’s personal choices or the ideas of others. It’s also a meditation on the human condition. In tracks like “Nights in Other Worlds,” the band grapples with themes of regret and longing, painting a poignant picture of the emotional complexities of life. These introspective moments are the yin to the album’s shimmering yang.
One of the most captivating aspects of “In The Book of Bad Ideas” is how it manages to feel both contemporary and nostalgic simultaneously. It’s as if the band has dusted off classic rock’s blueprint and breathed new life into it. You can hear shades of influences from the likes of The Replacements, Guided By Voices, The Beatles, Swearing at Motorists, The Smiths, and even glimpses of the punk sensibility of The Clash. But Smug Brothers don’t merely replicate; they reinterpret, adding their own unique spin.
“Paradise Farms” — the last song on the record — is a standout track that exemplifies this fusion of old and new. The song feels like an homage to rock ‘n’ roll itself lyrically and musically. The song serves as both a tribute and a mission statement. It’s an invitation to rediscover the pure, real, unfiltered spirit of rock music, and the Smug Brothers make a compelling case that the past informs and shapes the present but does not dominate new ideas.
“In The Book of Bad Ideas” is not just a triumph of songwriting and performance but also of production. The album was expertly mixed by Melton, himself, whose experience as a prolific songwriter, guitarist, and singer allows him to bring a wealth of knowledge to the project. Melton has crafted a sonic landscape that’s powerful, vulnerable, and nuanced, allowing the subtleties of each instrument and Melton’s own vocals to shine brightly.
“In The Book of Bad Ideas” is more than an album; it’s a musical odyssey. From the indie rock anthems to the introspective ballads, this record takes you on a rollercoaster ride of emotions. It’s an album that can accompany you during moments of rebellion and introspection, making it an ideal soundtrack for life’s myriad experiences. While Smug Brothers may not be a household name, their music is a testament to the enduring power of indie rock. “In The Book of Bad Ideas” is the culmination of their years of dedication and a reminder that sometimes, the most authentic and heartfelt music can be found off the beaten path.
“In The Book of Bad Ideas” is a testament to the enduring spirit of rock ‘n’ roll. The Smug Brothers have crafted an album that’s equal parts rebellion and introspection, all while paying homage to the roots of the genre. This album isn’t just a collection of songs; it’s a powerful statement that demands to be heard.
In a world saturated with music that often feels manufactured, the Smug Brothers’ authenticity and passion shine through. Their willingness to embrace vulnerability and channel raw energy through a jangle-shimmering prism makes “In The Book of Bad Ideas” a remarkable achievement. So, take a journey with Smug Brothers and immerse yourself in their world. You won’t be disappointed. This album is, quite simply, the book of great ideas.
On September 16th, Nick Kizirnis, Kyleen Downes, and Isicle played a stellar show for us at Your Tuesday Afternoon Alternative and several classes from the University of Dayton at the Yellow Cab Tavern. It was a fantastic show full of amazing music and spectacular performances! Thank you, Nick, Kyleen, and Isicle! All photos by Tom Gilliam Photography!
Ohio rock band Smug Brothers is a collection of contradictions.
The members are neither smug nor brothers, and the caddish name poorly fits these serious, veteran musicians. Furthermore, Smug Brothers could very well be your favorite rock band, especially if you love the pop virility of the Beatles, the lyrical bafflement of Guided by Voices, and the beautiful shambles of Big Star—but you may never know, because you may never see them or hear them.
Take a nap, Schrödinger’s cat. This here is a real paradox.“We’ve been doing this for 20 years,” says Smug Brothers singer and guitarist Kyle Melton, “and no one knows who we are.”One of the reasons for this is the fact that due to real-life responsibilities and a shifting lineup on Spinal Tap proportions, the band rarely performs live.
“You have to tour to make any kind of headway [in the music business],” explains drummer Don Thrasher. “You can’t just play Dayton, Cincinnati, and a few other places and get famous. Any group that has ‘made’ it has had to hit the road and play anywhere they can.”
And then, when the group does perform live, there’s an exciting yet mystifying dimension of difference between the live sound and the recorded material.“A lot of bands today are really, really good at replicating their studio sound in a live setting,” Melton says. “That eludes us. We thrive in a more controlled environment.”
Not surprising for a group that began, way back in 2004, as a one-off studio project between Melton and Dayton musician and producer Darryl Robbins (Peopleperson, TV Queens). It was only with the addition of drummer Don Thrasher, in early 2008, that the Smug Brothers became, to paraphrase Pinocchio, a real band.
Since then, Melton and Thrasher have held down a steady center among a revolving cast of additional musicians—the current lineup includes Kyle Sowash, from Columbus indie-rock stalwarts The Kyle Sowashes, on bass—and have released a series of ever-improving singles, EPs, and LPs. The band’s most recent album, Application of the Twig, is the season of spring distilled into a porch party soundtrack. Brisk and refreshing.
“While we’re not well-known,” says Thrasher, “we make well-done records. We provide a good listening experience for people who like short, catchy songs.” Melton agrees. “A lot of care and consideration goes into our albums. They are singular experiences that you will never see duplicated live.”
All of which brings the Smug Brothers’ quandary full circle. To get a better sense of the elusive Smug Brothers sound, please visit smugbrothers.bandcamp.com! Do it!
This Friday, December 9, 2022, Heather Redman releases her first solo record! This is fantastic news. A rock and roll record with soul, funk, country, and RnB influences, this record is real. In fact, if you were to look up the definition of authentic in the dictionary you would see a picture of this artist. Heather has some of the most impressive vocals that you can imagine. She has energy and more virtuosity than you can shake a stick at — or in other words, we mean it when we say we would listen to her sing the phone book.
Heather Redman has assembled a crack band featuring the rhythm section from Dayton giants Shrug — Dan Stahl (drums) and Bryan Lakatos (bass) and kickin’ guitar from Matt Webster (The Professors, oh let’s be honest far too many bands to mention) and the multi-instrumentalist David Payne (The New Old Fashioned, Midwest Business Machine, not to mention his own stellar solo recordings)! The album was produced by “The Wizard” Patrick Himes, who contributed more than a few sonic touches to this excellent album.
If you add it all up and you have a recipe for music textures that illuminate their influences while adding new musical territory to the map of songcraft called ‘Heather Redman & The Reputation.
To help you get ready for this new record, care of the fine folks at Magnaphone Records, Heather has released a music video for her second advance single “Wait For Me.” From the start of the thrill of the keyboards to the shot of the drum and strum of the bass string followed by Heather’s hairs standing up on your neck vocals, the sway and swirl of this song will capture your heart. But fear not, you can have it back in a little over three minutes.
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