Indie

How We Choose Music for YTAA

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As we celebrate 20 years of Your Tuesday Afternoon Alternative, we thought we would ruminate for a moment or two on how music is selected for the show. It is never easy. There is always more that we want to play than we have the time to fit onto a show setlist. Curating a compelling playlist for any radio show is an art form that goes beyond just picking popular tracks or personal favorites. For an indie DJ, like myself, especially one focusing on alternative or non-mainstream genres, the process involves a balance of passion, research, intuition, and a non-ending effort to understand an audience. So, many listeners have asked how we choose music for Your Tuesday Afternoon Alternative, I thought I would create a list of key points and explain how we have been picking music over our 20 year history.

So, take a drink, and let’s jump in. Here’s a personal deep dive into the sometimes chaotic journey of how we select music for this radio show.

1. Understanding the Show’s Identity

The starting point for any DJ is a clear vision of the show’s identity. Being an indie DJ means that here at YTAA we strive to avoid the known names and focus on artists who are making incredible music but are overlooked for oh-so-many damn reasons. We typically try to craft a unique niche to stand out amidst the sea of mainstream programming. Whether the focus is alternative, indie-folk, dream pop, lo-fi beats, underground electronic, or indie rock, this identity serves as a guiding principle for music selection. When we say that we play “Music in all Directions!” this is what we mean.

  • Theme: Does the show explore specific themes, like nostalgia, indie holidays, memorial shows for those artists that we lost in the previous year, or emerging artists? We often decide to spotlight unsigned musicians or dedicate episodes to genres like shoegaze or post-punk revival.
  • Mood: We often prioritize mood over rigid genre boundaries. Whether the vibe is mellow, energetic, or experimental, the music should align with the emotional tone they aim to create. We might let more than the usual four songs and then radio break pattern because we don’t want to interfere with the groove, flow, or vibe.

2. Know the YTAA Audience

Understanding the audience is pivotal in crafting a playlist that resonates. While we often play music and artists we love, it is not exclusively about us. An indie DJ often caters to listeners who are adventurous, open to discovering new sounds, and appreciative of diversity. This is a critical piece of song selection for us at Your Tuesday Afternoon Alternative.

  • Demographics: Who is tuning in? College students might appreciate indie pop and fresh remixes, while an older audience might gravitate toward timeless indie rock or alt classics from the 80s and 90s alternative scenes.
  • Engagement Patterns: Over the years, we have tried to find ways to interact with the audience through social media, email requests, or live call-ins. Feedback from listeners helps shape future playlists, as we gain insights into what resonates and why those sounds or those artists mean something to the listener.

By understanding an audience, hopefully, we strike a balance between challenging listeners with fresh sounds and offering comfort through familiar tracks. Adventure and comfort may sound like contradictions, and perhaps that is not a problem.

3. Endlessly Scouting for New Music

Fear of missing out on an exciting song is something that drives Dr. J. One of the most exciting yet challenging aspects of being an indie DJ is the constant search for new music. Indie/Alternative music thrives on discovery, and looking for hidden gems means we may listen to hundreds of songs in the week before the show airs.

  • Digital Platforms: Streaming services like Spotify, Bandcamp, and SoundCloud are goldmines for discovering up-and-coming artists, even though those services have serious problems and refuse to compensate artists for the art they create. Playlists curated by other indie enthusiasts, labels, and blogs often serve as inspiration for YTAA.
  • Music Blogs and Reviews: Sites like Pitchfork, Stereogum, and Consequence of Sound provide reviews and spotlights on emerging indie artists. Niche blogs that focus on specific genres are especially valuable. Writers in local city papers can be worth their weight in gold in helping us find new artists and new music.
  • Live Performances: Attending local shows, festivals, and open mic nights allows us to experience new music firsthand and connect with artists in the Dayton community. This direct interaction often results in exclusive tracks or insider knowledge that we can share about the artists.
  • Labels and Press Kits: Indie labels like Rough Trade, Carpark Records, Gas Daddy Go, Sub Pop, 4AD, Sofaburn Records, Poptek Records, and Matador Records regularly send promotional material to DJs. Receiving press kits with unreleased tracks gives DJs access to fresh music before it hits mainstream platforms.

4. Balancing Familiarity with Discovery

One of the hallmarks of a great indie radio show is its ability to introduce listeners to new music while maintaining a sense of familiarity. That balance is always a challenge – we like to think of it as familiar without being too familiar.

  • Anchor Tracks: These are well-loved songs by established indie artists that help ground the playlist. For example, including tracks from artists like Tame Impala, The National, or Phoebe Bridgers can provide a touchstone for listeners.
  • Deep Cuts and Rarities: We often dig into back catalogs of popular bands to find lesser-known tracks, giving fans a deeper appreciation of their favorite artists.
  • Spotlighting the Unknown: The thrill of indie radio lies in the discovery of fresh talent. By including tracks from unsigned bands or debut singles, hopefully, we contribute, in some small way to creating an air of excitement and exclusivity.

Balancing these elements ensures the show is approachable while staying true to the indie ethos of exploration.

5. Crafting an Authentic Narrative or Flow

Great playlists tell a story or create a sonic journey. We carefully consider the sequence of songs to maintain engagement and evoke a range of emotions. Not too many fast songs in a row, not too many slow songs. We think of it as creating a wave and movement — ups and downs, fits and starts — that keeps the audience engaged and interested.

  • Opening and Closing Tracks: The first song sets the tone, grabbing the listener’s attention immediately. Over 20 years we usually start with a rocking driving tune. The closing track often leaves a lasting impression, so we choose something memorable or reflective, something that feels like it matters. Something that has the effect of a closer.
  • Transitions: Songs are placed in an order that feels natural, with smooth transitions in tempo, key, or mood. For instance, an upbeat indie-pop track might flow into a mid-tempo electronic piece before tapering into a dreamy ballad.
  • Themes: Some shows revolve around specific themes, like a “Summer Nostalgia” episode or a “Women in Music” feature. Thematic playlists require careful curation to ensure cohesiveness.

6. Incorporating Listener Input

Interactive elements often play a significant role across many of our radio shows. We incorporate song requests or dedicate segments to listener suggestions.

  • Requests: Allowing listeners to request songs fosters a sense of community and makes the show more dynamic. This is a sacred duty. It is important for us to do this to ensure these requests fit the show’s overall vibe.
  • Shoutouts: Listeners often feel a deeper connection to the show when their recommendations or dedications are acknowledged on air and in social media.

7. Staying True to Personal Taste

Any indie DJ’s personal taste is often the driving force behind their show. And we hope that is true for us. Passion for music is infectious, and when we share tracks we genuinely love, hopefully, it resonates with listeners. Our deep respect and love for local music is a critical hallmark to Your Tuesday Afternoon Alternative.

  • Signature Style: Do we have a style? Hmmm… this is an interesting question. We often try to develop a signature style that makes the YTAA show distinctive. This could be an affinity for quirky lo-fi sounds, obscure indie, or lush dreamscapes. We love it all.
  • Experimentation: We might take risks by featuring avant-garde or unconventional tracks, and it does not always work. While not every experiment will succeed, these moments often create the most memorable radio experiences.

8. Navigating Practical Constraints

Despite their creative freedom, we operate within certain boundaries that influence our choices. Yeah, left to our own devices, we would probably play songs with the occasional swear but we can’t. Or more correctly, we shouldn’t because there are consequences if we do so. Does anyone have a spare $25,000 to cover us for a song… right? Yeah, let’s not do that.

  • Time Limits: A radio hour typically includes advertisements, station IDs, and announcements, leaving about 40-50 minutes for music. We must prioritize tracks that fit the allotted time. This is why we rarely play long songs (five minutes or more is our definition here).
  • Licensing and Permissions: We often face restrictions on what we can play, depending on the station’s licensing agreements. This can limit access to certain tracks, especially from major or regional labels.
  • Technical Considerations: Some tracks may require editing for length, explicit content, or spoken elements in the beginning or ending of songs. Again, we have to ensure every song fits seamlessly into the show’s format.

9. Highlighting Diversity and Inclusivity

This matters. We often champion diversity by including music from a wide range of backgrounds, genres, and cultures.

  • Global Sounds: Many indie DJs explore music scenes from around the world, introducing listeners to genres like Afrobeat, K-indie, or Latinx dream pop.
  • Underrepresented Voices: Highlighting female artists, queer voices, or musicians of color can enrich the playlist and provide representation often missing in mainstream radio.

10. Staying Current While Embracing Timelessness

Balancing the latest trends with timeless classics is a delicate dance. While we pride ourselves on staying ahead of the curve (if we are lucky), we also appreciate the value of songs that transcend time.

  • New Releases: Every Tuesday afternoon we regularly update the station libraries with the latest tracks, ensuring YTAA shows feel fresh and relevant.
  • Evergreens: Some indie songs never lose their charm. Revisiting tracks from influential artists like The Replacements, R.E.M., or Uncle Tupelo can add depth to a playlist.

Conclusion: We are doing our best but wish we could play more.

Choosing music for an indie radio show is both an art and a science. It requires personal dedication, creativity, and a deep connection to the music. For us, every playlist is a reflection of our identity, a bridge to an audience, and a celebration of the vibrant, ever-evolving world of indie music. By blending passion with thoughtful curation, we hope to craft shows that are not just entertaining but deeply meaningful experiences for listeners. Thank you for sharing your valuable time with us over these 20 years. It means the world to us here.

Wussy: The Best Rock Band in America

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Wussy is one of those bands that everyone should know. They are an ongoing musical effort for over two decades with a deep catalog. The band’s lyrics — courtesy of Chuck Cleaver and Lisa Walker — are inescapable without being cloying or false, and the band’s observations are relatable, accurate, frighteningly honest, and perhaps more than a little sad. Yet, the dark lyrics hold a unique power to connect deeply with listeners, offering catharsis and shared understanding. They articulate complex emotions like heartbreak, grief, failure no matter what we do, the creeping realization of loss, or loneliness in ways that often resonate universally. We all have felt this way. We have all had to pick ourselves up and pack it up and continue.

This band does not ‘talk down’ or excuse the all too often unbearable. This shared complexity alongside relatability can provide solace, reminding us that struggles and loss are part of a broader human experience. Artists like Leonard Cohen, Nick Drake, XTC, and Wussy use poignant imagery and evocative language to turn personal pain into something captivatingly beautiful and communal. Research in psychology suggests that sad music, especially lyrics, can paradoxically uplift by helping listeners process emotions, offering empathy and a sense of emotional release.

Wussy’s music thrives on atmosphere and contrasts: jangly, distorted guitars and bending pedal steel coexist with heartfelt melodies, while lyrical introspection is paired with propulsive energy. The driving drums and bass arrangements further cement the band’s gravitational pull. This mix defines their aesthetic, often drawing comparisons to The Pixies, Sonic Youth, and Yo La Tengo for their dynamic range.

The band’s dual-vocal approach, featuring Chuck Cleaver and Lisa Walker, adds an emotionally layered dimension to their sound. Their harmonies weave between tenderness and grit, reflecting the tension and warmth present in their lyrics. Themes of heartache, resilience, and the mundane beauty of everyday life emerge vividly, often set against rich, guitar-driven arrangements. Wussy’s sonic identity also incorporates regional pride, as clearly evident in their references to Cincinnati and the Midwest. Critics frequently praise their ability to turn intimate, local stories into universal experiences. Their use of reverb-heavy production and jangling guitar textures evoke both nostalgic warmth and emotional depth, earning them cult status among fans and critics alike. This unique fusion of raw emotion, lyrical storytelling, and sonic experimentation cements Wussy as one of the most compelling voices in contemporary music. Their music is deeply personal yet profoundly accessible, it reminds us that we are not alone.

I consider Wussy an iconic band. Not because of a pose or prophetic statements. Their swirl and sway of instruments and voices are completely unique. No one sounds like them. Wussy, may be labeled an indie rock band from Cincinnati, Ohio, but that does not fully capture what they do. The band has returned with a highly anticipated album titled Cincinnati, Ohio (released on Friday, November 15, 2024) and we are all better for it. This record marks their first full-length album in six years and their first since the passing of guitarist and co-founder John Erhardt (who had been in The Ass Ponys with Cleaver) in 2020. Known for blending honest heartfelt storytelling with robust, guitar-driven sounds, Wussy’s latest work reflects a nuanced exploration of loss, resilience, and their enduring love for their hometown.

The new record, released through hometown label and actual record store, Shake It Records, features ten tracks, including the singles “The Great Divide,” “Sure as The Sun,” and “Inhaler.” The band’s characteristic mix of Americana, Post-Punk, lo-fi noise pop, and introspective lyrics remains central to their sound. Tracks like “The Great Divide” showcase their ability to layer droning, propulsive rhythms with deeply evocative storytelling, capturing the emotional intensity fans have come to expect from Wussy’s catalog. These songs signify a period of renewal and creativity after a period of reflection during their hiatus. Many fans are excited about the release of these songs having heard acoustic versions of several of them during live streams during the lockdown of the Covid Pandemic.

The album draws from personal experiences and the band’s shared history in Cincinnati, a city they frequently reference in their music and where they live. Themes of identity, community, and memory are woven throughout the record, with a tone that both mourns and celebrates. This duality underscores the resilience of a band that has endured significant changes while staying true to its artistic roots. The band members do not pretend or play false flag arguments about their ties to their hometown. The ties that bind here are part of the band’s identity.

Wussy also released two accompanying EPs, The Great Divide and Cellar Door, further showcasing their ability to experiment with sound and storytelling. This multi-release strategy highlights their dedication to producing layered and diverse music for their audience. And Wussy fans are happy for these releases.

The band is known — and rightly celebrated — for its DIY ethos and deeply collaborative nature. Since their formation in 2001, Wussy has been widely praised for their raw authenticity and ability to merge genres seamlessly. Cincinnati, Ohio continues this tradition while evolving their sound to address both personal and universal themes, making it a compelling addition to the discography.

You can explore the album further, and I recommend that you do so! Or better yet purchase it through Shake It Records or Bandcamp. For more insights into the band and their new music, check out their official site or the well-deserved recent press coverage.

YTAA Full Show is up!

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Doing local indie radio for 20 years is a labor of love, a commitment to the community, and a constant source of joy. At least, it sure has been for us at YTAA! Indie radio is a unique space where personality and passion shine through, where the constraints of commercial programming give way to creativity, spontaneity, and local voices. For two decades, the joy has been in connecting people through sound, amplifying voices that would otherwise go unheard, and showcasing music, stories, and topics that truly reflect the heart of music in times of darkness and light.

One of the most rewarding aspects of this journey has been building connections with listeners. Over the years, these listeners become more than just people tuning in—they become a family. Calls, emails, tweets, comments, posts, and even the occasional letter remind us that the work is meaningful and that there’s an audience who feels seen, heard, and represented by what’s being aired. In a world where media often feels homogenized and so darn artificial, we would like to believe that indie radio creates an unbreakable bond with its listeners by staying local, rooted, and real.

Another source of joy for us here at YTAA is discovering and promoting new, underrepresented music. The indie scene is full of gems that don’t always make it to mainstream playlists (for shame!), and introducing these sounds to an eager audience is incredibly fulfilling, heck – you might say it is the thing that keeps us coming back for more. The excitement of finding a new track or local artist and knowing that it will resonate with someone out there makes the work feel fresh, even after so many years.

The joy of indie radio also lies in the freedom to take risks, to be unconventional, and to experiment. Unlike larger stations tied to strict playlists or advertising pressures, an indie station, like WUDR, has the freedom to talk about niche issues, dive into deep conversations, and let shows develop organically. After 20 years, it’s clear that indie radio is more than just broadcasting; it’s about fostering a shared experience, celebrating local culture, and continuing a legacy of creativity and authenticity.

Video of The Day: Tamar Berk – That’s Not a Lie

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Tamar Berk’s latest song, “That’s Not a Lie,” from her recent excellent album Good Times for a Change, dives deep and explores the critical themes of honesty and vulnerability within relationships (and in an expansive canvas not simply romantic connections) and addresses a central question about how ready are we for the vulnerability that all relationships require. Consider how much are we willing to risk? Are we prepared for rejection? For appearing to be the fool — or foolish — in the face of striving to say what we feel directly and honestly.

The song is front and center on the uncomfortable truths people often face, exploring the complexity of admitting past mistakes and accepting one’s limits and flaws. Because we all have flaws even when we do not want to accept them. They stay with us, with every breath, every moment. Set against a rock and roll dynamic soundscape of driving electric guitar and drums, Berk’s emotive vocals convey and evoke both rawness, presence, and nostalgia, adding to the song’s emotional depth from the first note that she sings. This track carries an introspective tone, as Berk reflects on personal accountability, the challenges of openness, and the power of self-acceptance within partnerships.

The music video complements these themes by adopting a playful retro, almost interrogative visual style that feels present around us. It’s as though Berk is confronting herself, embodying the intense self-reflection that characterizes the song — she is doing the work. In her lyrics, she addresses a tension between the desire for honesty and the fear of vulnerability, a feeling that resonates across the album. Vulnerability is a recurring theme in her work reaching back to Starball, tying into her broader artistic exploration of personal growth and relationships. Berk wants to make music that means something and while this is not an after-school special kind of false sentimentality but a real discussion on the heart and the challenge of being gentle and risky with one’s heart. Precarity is a necessary condition of any connection.

We are fans of Berk’s earlier music and notice her brilliant mix of introspection and compelling indie-rock, dare we say ‘wall of sound.’ The song’s production style easily draws comparisons to ’90s rock influences, with a pitch pure effective blend of rock authenticity and modern polish. Ultimately, “That’s Not a Lie” stands out as a powerful statement within Berk’s ever-expanding and captivating discography, capturing her unique ability to weave personal narratives into relatable and engaging music​ that matters.

Video of The Day: MJ Lenderman – She’s Leaving You

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MJ Lenderman’s “She’s Leaving You” is a poignant exploration of heartbreak and longing, delivered with an authenticity that resonates deeply. You feel it in your soul. The track seamlessly blends indie rock with elements of folk, creating a sound that feels both fresh and nostalgic. Lenderman’s voice is raw yet soothing, capturing the emotional weight of the lyrics with a delicate balance of vulnerability and resilience.

Lyrically, the song delves into the complexities of love and loss, painting a vivid picture of a relationship on the brink of collapse or is that in the final stages of failure? Lines filled with longing and regret evoke a sense of bittersweet nostalgia, making it relatable for anyone who has faced similar heartache. The imagery he uses is strikingly accessible almost laconic, allowing listeners to visualize the moments that lead to the inevitable separation. It’s this lyrical depth that sets Lenderman apart, inviting listeners to reflect on their own experiences while immersed in the music.

Musically, “She’s Leaving You” is anchored by a melodic guitar riff that is both catchy and melancholic, driving the emotional narrative forward. The production is polished yet retains a not too perfect intimate quality, as if Lenderman is sharing his story directly with each listener over beers at the bar. The instrumentation builds subtly, allowing the vocals to take center stage, and creating a sense of crescendo that mirrors the emotional climax of the narrative.

Overall, MJ Lenderman’s “She’s Leaving You” is a standout track that showcases his talent as a songwriter and musician. It’s a heartfelt anthem for those grappling with the pain of separation, delivered with a sincerity that lingers long after the song ends. This track cements Lenderman’s place in the indie scene, making listeners eager to see what he’ll create next.

Faves of 2023: The Beautiful Melodies and Harmonies of The Nautical Theme – Get Somewhere

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Dayton, Ohio, a city known for its rich musical history, has produced a myriad of talented artists across various genres. Among the vibrant musical landscape emerges The Nautical Theme, a captivating duo that has been making waves with their latest record, “Get Somewhere.” Comprising long time bandmates Matt Shetler (Vocals, Guitar) and Tesia Mallory (Vocals, Keyboards), The Nautical Theme seamlessly blends folk, indie, and pop influences to create a sound that is uniquely their own.

“Get Somewhere,” the duo’s newest offering and one of our favorites of 2023, is a musical journey that explores the complexities of life, family, love, and the pursuit of meaning. Clocking in at six tracks, the album showcases the duo’s growth and maturity both lyrically and musically. From the moment the needle drops, listeners are transported into The Nautical Theme’s world, a place where introspection and vulnerability reign supreme.

One of the album’s standout tracks is the opener, “Sun Won’t Rise.” With its infectious melody and thought-provoking lyrics, the song sets the tone for the entire record. Dave’s skillful guitar playing complements Mallory’s soulful vocals, creating a harmonious blend that immediately captures the listener’s attention. The track explores the challenges of navigating the complexities of modern life, touching on themes of resilience and the pursuit of one’s true self.

As “Get Somewhere” unfolds, the duo delves into a range of emotions and experiences, crafting a narrative that resonates with listeners on a personal level. Tracks like “Trouble Tonight” and “Young and Free” showcase The Nautical Theme’s ability to craft catchy, introspective songs that stick with you long after the music stops. Matt and Tesia’s evocative storytelling and their intricate musical arrangements create a synergy that elevates each composition to new heights.

The album’s production is noteworthy, with each instrument and vocal line given the space to breathe. The sound is polished yet retains a raw, authentic quality that reflects the duo’s genuine approach to their craft. From the subtle nuances of Tesia’s voice to the intricate guitar work, every element of “Get Somewhere” is meticulously crafted, contributing to the overall sonic tapestry of the record.

Lyrically, The Nautical Theme explores themes of love, loss, and self-discovery. Matt’s poignant lyrics are a highlight, offering listeners a glimpse into the depths of emotions and experiences. Whether reflecting on the passage of time in “Home” or grappling with the complexities of relationships in “Something That You Needed,” Matt’s lyrical prowess shines throughout the album.

“Get Somewhere” also features a diverse sonic palette that keeps the listening experience engaging from start to finish. The duo seamlessly transitions between upbeat, folk-infused tracks like “Trouble Tonight” and more introspective, stripped-down moments such as “Something That You Needed.” This dynamic range showcases The Nautical Theme’s versatility as musicians and songwriters.

The album’s standout track for us, “Young and Free,” serves as a thematic centerpiece, encapsulating the essence of the entire record. With its infectious chorus and uplifting instrumentation, the song encourages listeners to embrace the journey of self-discovery and personal growth. It’s a testament to The Nautical Theme’s ability to create music that not only resonates on an emotional level but also inspires introspection and positive change. This is music that matters.

In addition to their musical prowess, The Nautical Theme’s connection with their audience is palpable. The authenticity and sincerity that permeate their music extend to their live performances, creating an immersive and intimate experience for fans. Dayton, Ohio, has become a key backdrop for their artistic journey, and the local community has embraced the duo with open arms.

As The Nautical Theme continues to carve out their own niche in the music industry, “Get Somewhere” stands as a testament to their growth and artistry. The record not only showcases their musical talent but also serves as a reflection of the human experience—its challenges, triumphs, and the perpetual quest for meaning.

The Nautical Theme’s “Get Somewhere” is a captivating musical odyssey that cements the duo’s status as rising stars in the indie folk scene across the country. With its rich lyricism, impeccable musicianship, and emotional depth, the album invites listeners to embark on a journey of self-discovery alongside the talented duo. The ability of Matt and Tesia to blend, swirl, and complement their voices is a rare ability in music. It is not at all trite to say that this duo was meant to sing together. As The Nautical Theme continues to make waves from their Dayton, Ohio, home base, “Get Somewhere” solidifies their place in the musical landscape, leaving an indelible mark on the hearts and ears of those who take the time to listen.

Faves of 2023: The 1984 Draft – Best Friends Forever

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The city of Dayton, Ohio, has long been a hotbed for musical creativity, birthing numerous bands that have left an indelible mark on the music industry and on the hearts of music lovers. Among these, The 1984 Draft has carved its niche, blending indie rock sensibilities and the cleverness of punk music with heartfelt lyrics that resonate with audiences. In 2023, the band released “Best Friends Forever.” The buzz on this band is well earned and delivers on a promise of a musical journey that fans and critics alike were eager to embark upon.

Formed in the heart of Dayton, The 1984 Draft has been a mainstay in the indie rock scene, captivating listeners with their distinctive sound and poignant songwriting. Comprising members around the nucleus of principal songwriter, singer, guitarist Joe Anderl and uncompromising drummer and percussionist Justin Satinover, the band has consistently evolved while staying true to its roots. The band is rounded out with Eli Alban on guitar and Chip Heck on bass and most recently Cherry Fullam on backing/co-vocals. The band’s previous releases, including “Heisman Trophy Winner” and “Makes Good Choices,” showcased a musical maturation that hinted at the depth to come with “Best Friends Forever.”

“Best Friends Forever” is not just an album; it’s a sonic tapestry woven with the threads of emotion, experience, and musical prowess. From the opening chords to the fading echoes, the listener is taken on a captivating journey through the varied spaces, places and emotions of sound and sentiment. This is meaningful rock and roll that is not afraid to explore the challenges of maturity, work, aging, family, spirituality and the need for community.

The album kicks off with an anthemic track, “erryday” that serves as a rallying cry, immediately establishing the tone for what’s to come. The infectious energy and melodic hooks set the stage for a collection of songs that traverse the spectrum of human emotion without pulling any punches. If you are looking for charging rock and roll played and sung as if the band members lives depended on it, this it the record for you. Joe Anderl sings about topics deep and mundane with the same ‘take no prisoners’ approach that we used to take for granted from Bob Mould, Paul Westerberg and J. Robbins.

One of the standout features of The 1984 Draft’s music has always been the authenticity of their lyrics. “Best Friends Forever” is no exception. Each song is a lyrical voyage, delving into themes of life, challenge, resilience, and introspection. The band’s ability to craft narratives that resonate universally while maintaining a personal touch is a testament to their songwriting prowess.

Musically, the album showcases the band’s versatility. From the driving rhythms and electrifying guitar solos to the more subdued, introspective moments, The 1984 Draft proves their ability to experiment with different sonic panorama while maintaining a cohesive identity. The production quality elevates the listening experience, allowing each instrument and lyric to shine with clarity. The second track — and a personal favorite of ours — “Big Star” — celebrates the contributions of all of the members of the band. The backing vocals of Cherry Fullam elevate the song and her voice blends seamlessly with Joe Anderl’s.

Throughout the record, Justin Satinover demonstrates an unbelievable effort behind the drum kit that sounds and feels superhuman. The bass is played as a prime and lead instrument by Chip Heck. The bass is not an afterthought, the contribution of the lower end is just as critical as every other instrument. And speaking about the higher end, Eli Alban’s solos and progressions take the songs into orbit. Just listen to “Bells,” “War II,” “Rhino,” “Toldeo Strong” and ‘Hold Steady” — damn, this band rocks.

As “Best Friends Forever” made its way into the ears of fans and critics alike, the response was correctly overwhelmingly positive. Music journalists praised the album for its musical dexterity, lyrical depth, and emotional resonance. The band’s ability to seamlessly blend elements of alternative rock, punk, indie, and post-punk drew favorable comparisons to both classic and contemporary bands. Fans — such as us here at YTAA — took to social media to express their admiration for the album, with many highlighting specific tracks that resonated with them personally, give a listen to “Two Cow Barrage” and not feel the band’s love for the legendary Two Cow Garage. The sense of connection that The 1984 Draft fosters with their audience has always been a hallmark of their work, and “Best Friends Forever” only deepens that bond.

Within the ever-evolving music we call indie rock, The 1984 Draft’s “Best Friends Forever” is not only a spark from the band’s artistic growth and unwavering commitment to their craft, it is one of our favorite records of 2023. The album is not just a collection of songs but a narrative woven with sonic threads that tug at the heartstrings and heads of listeners. As the band’s musical journey continues, one can only anticipate what new real emotional landscapes The 1984 Draft will explore in the years to come.

The Unconventional Jingle: Exploring the Charms of Indie Rock Holiday Songs

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The holiday season is traditionally accompanied by the familiar sounds of sleigh bells, cheerful choirs, and iconic tunes from well-established artists. However, for those with an inclination towards alternative and independent music, the indie rock genre offers a refreshing twist to the festive soundtrack. On November 21st, Tom Gilliam and I celebrated our 13th annual YTAA Indie Holiday show. We played music from Dolph Chaney, The Popravinas, The Ramones, The Pogues, Darling West, Heather Redman, Fitz and The Tantrums, My Morning Jacket, Van Plating, Olivia Frances, The Surfajettes, Best Coast, Trey Stone and The Ringers, Calexico, Librarians with Hickeys, Debra Devi, Fountains of Wayne, The Decemberists, Joey Ramone, Bad Religion, Heartless Bastards, The Killers, and Dayton’s own Escape Velocity among others over three hours. I wanted to publicly thank Tom Gilliam of the excellent Dayton-based band Ghost Town Silence, for doing this special show with me for over a decade. I wondered what is it about independent music that allows for the creation of exciting new holiday music. So, if you will indulge me as we enter the holiday season, I will delve into the world of indie rock holiday songs, exploring the charm and uniqueness they bring to the season.

Taking a break from tradition can be a healthy and positive experience. Indie rock holiday songs provide a welcome departure from the conventional jingles and carols that dominate the airwaves during the festive season. Unlike the predictability of traditional holiday music, indie rock artists infuse their creativity into the lyrics and melodies, offering a fresh and sometimes irreverent take on the holiday spirit. The departure from traditional sounds allows listeners to experience the season with a new perspective, embracing the diversity that indie rock brings to the table.

One of the hallmarks of indie rock is its ability to convey complex emotions through music, expressing complex emotions — that special sense of being hit “in the feels” can be a moment of self-reflection. While traditional holiday songs often focus on joy and celebration, indie rock holiday tunes explore a broader spectrum of feelings associated with the season. From the melancholic reflections on solitude during the holidays to the bittersweet nostalgia of past celebrations, indie rock captures the multifaceted nature of the holiday experience. Artists like Sufjan Stevens, The Shins, Debra Devi, and Heartless Bastards weave intricate narratives that resonate with those who may find the holiday season to be a mix of joy and introspection. The Decemberists’ reinterpretation of Big Star’s Jesus Christ, from their album 3rd released in 1974, illustrates this approach quite clearly. The band’s official video incorporates the idea of a Yule Log experience into the music video.

Indie rock holiday songs showcase a range of perspectives on the holidays, reflecting the diversity of experiences within the indie rock community. One of the great aspects of alternative and independent music is the opening to diverse perspectives on the holidays. These songs often touch upon themes like non-traditional celebrations, unconventional family dynamics, and the challenges of navigating societal expectations during the festive season. The narratives presented in indie rock holiday songs provide a sense of relatability for listeners who may not find their own experiences mirrored in more mainstream holiday music. The 2016 original holiday song, “I Feel It In My Bones” from The Killers’ alternative holiday album “Don’t Waste Your Wishes” takes a dark, almost sinister interpretation of Santa Claus.

Indie rock, by its very nature, is a genre that thrives on experimentation and innovation. The best characteristic of an independent song is the surprise you discover when you hear it. Dolph Chaney’s excellent “Jingle Bells” set to Van Halen’s “Panama” is a complete surprise as well as a delight! Big Stir Records has released several fantastic indie holiday songs as part of their Yuletide Wave. When applied to holiday music, the willingness to explore and recreate results in a rich tapestry of unique soundscapes in which to capture the seasonal vibe. From the indie alt-country and folk-infused sounds of Trey Stones and The Ringers’ “Santa, Please Bring Me a Guitar” to the rock and roll vibes of The Ramones “Merry Christmas (I Don’t Want to Fight Tonight),” these songs reimagine the sonic landscape of the holidays. The infusion of indie rock elements into holiday music introduces listeners to a sonic experience that goes beyond the traditional, breathing new life into the seasonal soundscape.

Indie rock holiday songs offer a delightful departure from the familiar tunes that dominate the airwaves during the festive season. By expressing complex emotions, presenting diverse perspectives, and exploring unique soundscapes, indie rock artists contribute a distinct flavor to the holiday music repertoire. The unconventional jingles and alternative carols provide an avenue for listeners to connect with the holiday spirit in ways that resonate with the ever-evolving nature of contemporary music. So, this holiday season, consider expanding your playlist to include indie rock gems that bring a touch of creativity and innovation to the festive sounds we hear this time of year.

Video of The Day: Nada Surf – Rushing

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The official video for Nada Surf‘s “Rushing” from their album ‘You Know Who You Are‘. Available on Barsuk Records (US/Canada) and City Slang (Europe) since March 2016. Just a perfect indie PowerPop gem!

Today’s Program Best of 2018

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your-tuesday-afternoon-color copyThe annual look back at the previous year in music is one of our favorite shows to do! This year Tom Gilliam joins Dr. J and Flower to play and discuss some of the best local, indie, alternative, folk, Americana, alt-country and more that came out in 2018!

We give thanks for great independent music by playing an assortment of local, Dayton, and indie songs! What songs have been so powerful on you that you cannot imagine your world without them?

During the show contribute to the discussion by giving us a call 937-229-2774 or a tweet for drjwudr with the songs that were released in 2018 that matter to you.

Join us online at wudr.udayton.edu or 99.5 & 98.1fm in Dayton, Ohio, USA!

7th Annual Indie Holiday Show!

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Xmas VisualsThis week we celebrate the holidays in full indie music style.  We will be playing new, classic, and cover holiday songs on the show.  Another year has come and gone. Can anyone believe that this is our seventh holiday indie program!  Whew.  Boy the time sure flies when your… well, you know how the old saying goes.

We know that there is a lot of stress during the holidays with all the planning, shopping, and whatever else we are told to do during the holiday season.  Well, we believe that any task goes better with music.  So, pour yourself the ‘Nog, eat a cookie or three and let us help you relax with some great indie holiday music.  If you have a suggestion for a cool holiday tune, let us know!

Dr. J can’t wait to co-host the 7th Annual Indie Holiday Radio Show on WUDR Flyer Radio 99.5/98.1’s Your Tuesday Afternoon Alternative with our good friend and frequent guest on the program, Tom Gilliam, who always brings some interesting music to the mix.  And as always, the talented Mrs Dr. J has made many a fine contribution to the show as well!

This year we hope to have a special guest or two in the studio with us!  You will just have to tune in to find out!  It will be cool and worth it, we promise you!

This year you have two chances to hear the indie holiday festivities!  The first broadcast is on Tuesday, December 19th from 3-6 PM. Listen on 99.5 FM in Dayton, Ohio, USA or stream the broadcast at wudr.udayton.edu.   And if that was not enough we have another Indie Holiday show the next day, Wednesday December 20th from 2-5pm on our new Reveal – Intelligent Radio Family! You can listen on Wednesday at RevealCentral.com! We just can’t wait to play new and classic indie holiday songs for you.  Save us some ‘nog.

See you there and Happy Holidays!

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