Exploring the Tragedy of Unheard Records

In the digital streaming age where we all have instant access to an unparalleled variety of music — at least for now, it may seem paradoxical to consider the existence of unheard records. With thousands of records released every year and thousands of songs uploaded to streaming services every week, the sheer amount of available music is overwhelming. The vastness of the musical releases, coupled with the continuous influx of new creations and the persistent legacy of past works, results in an overwhelming number of records that remain unheard each year. Let’s delve into the reasons behind this phenomenon, exploring the factors contributing to the vast pool of undiscovered musical gems and considering the implications for both artists and listeners.

One of the strengths of music culture is the unending craft of music creation. The United States has long been a melting pot of diverse cultures, each contributing to the fantastic mix of musical genres and styles. From the birth of jazz in New Orleans to the rise of hip-hop in the Bronx, to the adventure of electronic music across the country, American music has evolved and branched out into an extraordinary array of forms. This constant evolution, driven by creativity and cultural cross-pollination, ensures a continuous influx of new records into the musical ecosystem.

The music industry, with its multifaceted nature, encompasses not only mainstream genres but also a plethora of incredible niche and independent scenes. While popular artists dominate the radio airwaves and streaming platforms, countless talented musicians operate in the peripheries, creating music that often goes unnoticed by the mainstream audience which we consider a distressing fact — and a mission of Your Tuesday Afternoon Alternative to address. YTAA as a radio show always focused on independent, local and amazing music that needs to be heard.

The expansive musical universe, we all inhabit, ensures that a considerable number of records go unheard each year simply due to the sheer volume of new releases and a cultivated ignorance of the mainstream record labels to push a limited number of artists and records, and a continuation of a narrowcasting approach by radio and streaming services. Consider Spotify’s financial model focusing on records that have high sales and high engagement. And this problem — and we think of the situation as a problem — is occurring despite an increase in the sales of physical copies of records. According to Oliver Payne, writing at Music Tech.com, “Physical album sales overall also saw a notable rise of 13.3 per cent in 2023, with 41.5 million physical copies sold compared to 2022’s 36.7 million. Notably, direct-to-consumer vinyl sales experienced substantial growth, reaching 2.6 million sales.”

The advent of digital technology and the rise of streaming platforms have revolutionized the way we consume music. It is not unreasonable to think of this as a digital deluge. While this has undoubtedly increased accessibility, it has also contributed to the phenomenon of unheard records. The democratization of music production means that anyone with a creative spark and basic equipment can produce and release music independently. And this opening for musicians is to be applauded and supported so that musicians regardless of reach can create music. Consequently, the sheer volume of music flooding online platforms can be overwhelming, making it challenging for even the most dedicated music enthusiasts to sift through the multitude of releases. An amazing song or incredible record can fall through the proverbial cracks all too easily.

Moreover, as we allude to earlier, the algorithms employed by streaming services often prioritize popular and commercially viable tracks, relegating many lesser-known gems to obscurity. As a result, artists operating outside the mainstream are faced with the daunting task of breaking through the digital noise to capture the attention of potential listeners. This digital deluge, while providing unprecedented opportunities for artists to share their work, also contributes to the growing pool of unheard records.

Economic realities and the struggle for visibility in a highly competitive music industry, is a core concern tied to unheard records. The economic considerations play a significant role in determining which records rise to prominence and which remain in relative obscurity. Major record labels, with their considerable resources, can afford extensive marketing campaigns and promotion efforts to elevate their artists into the public eye. Independent and unsigned musicians often face financial constraints that limit their ability and time to invest in promotion. Which assumes that artists are even interested in promotion in a challenging media and advertising environment in the first place. This issue motivated us to have conversations with musicians invested in music promotion on our podcast, Uncool Music Conversations with Andy & Art.

The lack of financial backing can result in talented artists creating exceptional records that languish in the shadows, unable to break into mainstream consciousness. In this context, the economic realities of the music industry contribute to the perpetuation of unheard records, creating a barrier for many artists to achieve the visibility they so richly deserve.

Taste curation, both on an individual and collective level, plays a pivotal role in determining which records gain traction and which fade into uncertainty regardless of how compelling an album or a song is for someone. Individual listeners often gravitate toward familiar genres, artists, or styles, limiting their exposure to a broader spectrum of musical offerings. Additionally, the collective taste of society, shaped by trends and cultural influences, can create a homogenized musical landscape that excludes many innovative and boundary-pushing works. Part of the challenge is encouraging music fans to listen to music that they do not know. Taking a chance on unfamiliar music remains a serious impediment for getting music heard.

Furthermore, the influence of music critics, radio stations, and streaming service playlists can shape public opinion and contribute to the perpetuation of certain genres or artists at the expense of others. This taste curation, while serving as a valuable guide for listeners, can inadvertently lead to the neglect of numerous records that fall outside the established norms.

The existence of unheard records has profound implications for artists, both established and emerging. For established artists, the pressure to conform to market trends and maintain commercial success can stifle experimentation and creativity. This not only limits the artist’s ability to explore new musical territories but also contributes to the saturation of certain genres at the expense of others.

Emerging artists, on the other hand, face the uphill battle of gaining visibility and recognition amid the vast sea of unheard records. The struggle for attention in a crowded digital landscape can be disheartening, and many talented musicians may find themselves overlooked simply due to the fierce competition for audience engagement.

The phenomenon of unheard records is not merely a challenge for individual artists but also has broader implications for the overall diversity and innovation within the space of music. The musical diversity and innovation are limited when all of the attention in music is devoted to just a handful of artists or albums. When a significant portion of the musical output remains undiscovered, the potential for cross-pollination of genres, the emergence of new styles, and the evolution of musical forms is hindered.

Diversity in music is a crucial aspect of cultural expression, reflecting the myriad perspectives and experiences within society. The failure to recognize and appreciate a wide range of musical creations diminishes the richness of the cultural tapestry of music, limiting the potential for innovation and the exploration of new sonic frontiers.

Let’s consider potential solutions and avenues for discovery for a moment. Addressing the issue of unheard records requires a multifaceted approach that involves both industry stakeholders and listeners. Increased support for independent and niche scenes, including financial backing for promotion and distribution, can empower artists who operate outside the mainstream. Streaming platforms can refine their algorithms to better highlight diverse and underrepresented music, ensuring that listeners are exposed to a broader range of offerings. Independent and local labels can and should be embraced and supported! Music fans can contribute to a healthy music ecosystem by supporting local labels! Our area has several independent labels such as Magnaphone Records, Poptek Recs, and Gas Daddy Go.

Supporting local record stores create physical and online spaces where music fans can expand their knowledge and experience of music. A simple solution is to go to these stores and support them. Talk to the staff who work there as they may have amazing recommendations for bands, artists and records that you may not know about yet. We recommend Omega Music, Blind Rage Records, Skeleton Dust Records, Toxic Beauty Records, Shake It Records, Everybody’s Records just to name some of the shops we regularly visit in our area.

Initiatives that celebrate musical diversity, such as festivals, awards, and curated playlists that explore songs beyond popular artists, can play a pivotal role in bringing attention to unheard records. Music enthusiasts can also contribute by actively seeking out and sharing lesser-known works, supporting local scenes, and engaging with a variety of genres to expand their musical horizons. In our city we have several incredible festivals such as Dayton Music Fest, Dayton Porchfest, Holidayton, Dayton Battle of The Bands, Showcase Thursdays at The Yellow Cab Tavern, Dayton Sideshow, and Winterfolk Dayton, again just scratching the surface of music events in the Gem City. Wherever you call home there are likely to be terrific music events where you can explore far more amazing music. Social media platforms and chat rooms where music fans respectfully share music that moves them is another source of information on unheard songs and albums.

The phenomenon of unheard records in the United States is a complex and multifaceted issue, shaped by the interplay of cultural, economic, and technological factors. This is not a concern that is easily resolved. But just because the challenge is difficult does not mean that it is impossible to address. As the music industry continues to evolve, addressing this challenge requires a collective effort from artists, industry stakeholders, and listeners alike. By fostering a culture that values diversity, embraces innovation, and supports independent voices, we can hope to unravel the symphony of unheard records and ensure that the full spectrum of musical creativity finds its audience. Take a chance and listen to something you do not know, it might be the next musical love of your life.

13th Annual Holidayton

Holidayton

What do you want to do after the holiday? How about taking in some of the very best of Dayton music?  Doesn’t that sound fun.  We thought so too!

The 13th annual HoliDayton showcase will be held on Saturday December 26th, 2015 at Blind Bob’s, 430 E. 5th Street, Dayton, Ohio in the lovely and historic Oregon District. Seven dollars is all it will cost to get you in to a demonstration of the health and vitality of the area music scene.

As with all of the previous years, there will be two stages — a side stage and a main stage.  Throughout the night bands will play one stage and then the music will move to the other stage. Performances alternate seamlessly throughout the evening.

Come early as music is scheduled to start at 8pm, stay late and celebrate another complete revolution of the earth around the sun of great Dayton music with your community, friends, family, and all who are free to join along.

Once again the lineup of Dayton musicians promises to be stellar and takes a slice from several different genres and approaches to rock and roll music.

The Story Changes

Mark and Poppy not only curate Holidayton every year for over a decade, they contribute to the event in sonic fashion as well. While these artists now comprise one half of Hawthorne Heights, The Story Changes is a powerful duo with a legacy of well crafted songs and incredible ability. Their last TSC album, ‘Never in Daydream’ was one of our favorite records of 2014.  With all of the projects that Mark and Poppy taken on, honestly one has to wonder when these guys ever sleep. But as long as they keep making such fine songs with intelligent lyrics and energetic performances, does it matter?

 

PJ and Tommy (of The Motel Beds)

The ‘Beds released an incredible record this year with Mind Glitter! While the full band was not able to play Holidayton this year, an acoustic set from PJ and Tommy is one of those rare oft-discussed musical moments that you will need to see.  And between PJ’s charisma and Tommy’s fantastic guitar prowess – everyone in the audience will not be able to take their eyes off of these musicians who are at the height of their power.

 

Moira

Moira is one of the most exciting new bands in town.  This band is part dream pop, part atmospheric psychedelia with a healthy mix of keyboards and electronic effects that are only used to serve the songs.  Their EP – ‘Asleep//Repeat/Awake’ is one of our favorite CDs from 2015.  Intelligent lyrics that are cleverly constructed and beautifully performed is the hallmark of Moira.  Add to that the band is fronted by Alicia Grodecki who is well known for her captivating performances.  This band is not to be missed.  We have seen this band play on the street during Cincinnati’s Midpoint Music Festival and as they played people stopped what they were doing and were engrossed in the music created by this talented trio.

 

The 1984 Draft

What can be said about The ‘Draft that has not been said elsewhere?  Some of the most authentic and emotional performances in Dayton were created by Joe Anderl, Justin Satinover, Eli Alban, and most recent addition Chip Heck.  Their new EP ‘Heisman Trophy Winner’ includes a new version of ‘Capo’ and the standout tune for us at Your Tuesday Afternoon Alternative – ‘Sinking.’  The raw feeling and connection that this band creates with its audience demonstrates the necessity of seeing them on Saturday night.  Community and connection are created every time The 1984 Draft play.  Every. Single. Time.  Do yourself a favor and go see them!

 

The New Old-Fashioned

The New Old-Fashioned released two of our favorite records of 2015.  The powerful ‘Low Down Dirty Summer Nights’ and the split EP with The Repeating Arms – ‘Hilltops and Highways.’  Both are on our best of list for this year.  The harmonies, arrangements, and skill shown on both of those records leads any music lover to wonder “why hasn’t this band blown up big!”  If there is any justice in the world, The New Old-Fashioned will take their Midwestern country-infused rock and roll to the same level that Jason Isbell and others in the Alt-Country movement have accomplished in the last few years. And the single, ’27’ is one of our very favorite songs of 2015.

 

Manray

This groove focused power trio not only has the talent and skill to command attention wherever they play, they have great songs. Remember songwriting?  This band reminds us what a well written song sounds like, feels like, and demands to be noticed.  Their new songs from the forthcoming record, ‘Classic Jurassic’ promise to leave audience members shocked that such a young band can play with such finesse.  The local music scene in Dayton is in great shape if this band is any indication of the future of Dayton music.

 

Bribing Senators

As one of Dayton’s finest rock and roll band’s, Bribing Senators bring a relentless heavy indie attack to all that they do.  Their uncompromising approach is characteristic of their songs and their performances.  This is what real down and dirty authentically played rock and roll is supposed to be.

https://www.youtube.com/watch?v=bNido1IZFao

 

Jetty Bones

From Springfield, Ohio – Jetty Bones deconstructs the archetype that indie music has to be created according to a particular playbook.  This band is focused on making music that speaks to all of us in terms of the missed opportunities, real connection, and long lingering that holds us together when we should be coming unglued; that is what Jetty Bones captures.

https://www.youtube.com/watch?v=eXWOy2umpbs

Tombstone Tremblers

Intense, fuzzy, evocative arrangements including incredible work on guitar. Not to be missed. Imagine if Roky Erickson had not been institutionalized and continued to make music in his ‘middle period’ with members of The Stooges and The Rolling Stones — that is The Tombstone Tremblers sound and possibly their wake up call to the slick overproduced music found on the so-called Top 40.

https://www.youtube.com/watch?v=JdpyjDEgpp4

Goodnight Goodnight

Atmospheric shoegazing indie rock from one of Dayton’s most interesting bands. The arrangements will remind you of the Cocteau Twins at a party for Robert Smith hosted by Radiohead.  Some of the most interesting deconstruction of indie music in the Dayton area.

https://www.youtube.com/watch?v=FVGA8iN7yBw

So, yeah you should go to the show on Saturday.  See you there.

ALT Monster

YTAA Celebrates HoliDayton, The Purrs, and Official release of Tiny Spark

The Purrs - Rotting on the Vine single!
The Purrs – Rotting on the Vine single out now!

Join us tomorrow as we celebrate the HoliDayton indie music extravaganza that occurs every year! Also, Tiny Spark by Dave Mann and The B-sides is out NOW! And you really want it. Dave will be calling in to talk about Tiny Spark, work on the new Mittenfields album, and more!

If that was not enough we are also premiering The Purrs new song Rotting on the Vine! In fact, we love both the A and B sides of that single —  remember those days? — that we will also be playing You, The Medicine, and Me by The Purrs too!

New music from Guided by Voices, Okay Lindon, King Elk, Lightouts, Sleep Fleet, Mission Man, Human Cannonball, Me & Mountains, Major Major Major, Motel Beds, Robthebank, The Story Changes, and some great stuff from The Connells, Smug Brothers, and We Were Animals

Join us for some great new and Dayton music on Your Tuesday Afternoon Alternative on wudr.udayton.edu from 3-6pm!