The Unconventional Jingle: Exploring the Charms of Indie Rock Holiday Songs

The holiday season is traditionally accompanied by the familiar sounds of sleigh bells, cheerful choirs, and iconic tunes from well-established artists. However, for those with an inclination towards alternative and independent music, the indie rock genre offers a refreshing twist to the festive soundtrack. On November 21st, Tom Gilliam and I celebrated our 13th annual YTAA Indie Holiday show. We played music from Dolph Chaney, The Popravinas, The Ramones, The Pogues, Darling West, Heather Redman, Fitz and The Tantrums, My Morning Jacket, Van Plating, Olivia Frances, The Surfajettes, Best Coast, Trey Stone and The Ringers, Calexico, Librarians with Hickeys, Debra Devi, Fountains of Wayne, The Decemberists, Joey Ramone, Bad Religion, Heartless Bastards, The Killers, and Dayton’s own Escape Velocity among others over three hours. I wanted to publicly thank Tom Gilliam of the excellent Dayton-based band Ghost Town Silence, for doing this special show with me for over a decade. I wondered what is it about independent music that allows for the creation of exciting new holiday music. So, if you will indulge me as we enter the holiday season, I will delve into the world of indie rock holiday songs, exploring the charm and uniqueness they bring to the season.

Taking a break from tradition can be a healthy and positive experience. Indie rock holiday songs provide a welcome departure from the conventional jingles and carols that dominate the airwaves during the festive season. Unlike the predictability of traditional holiday music, indie rock artists infuse their creativity into the lyrics and melodies, offering a fresh and sometimes irreverent take on the holiday spirit. The departure from traditional sounds allows listeners to experience the season with a new perspective, embracing the diversity that indie rock brings to the table.

One of the hallmarks of indie rock is its ability to convey complex emotions through music, expressing complex emotions — that special sense of being hit “in the feels” can be a moment of self-reflection. While traditional holiday songs often focus on joy and celebration, indie rock holiday tunes explore a broader spectrum of feelings associated with the season. From the melancholic reflections on solitude during the holidays to the bittersweet nostalgia of past celebrations, indie rock captures the multifaceted nature of the holiday experience. Artists like Sufjan Stevens, The Shins, Debra Devi, and Heartless Bastards weave intricate narratives that resonate with those who may find the holiday season to be a mix of joy and introspection. The Decemberists’ reinterpretation of Big Star’s Jesus Christ, from their album 3rd released in 1974, illustrates this approach quite clearly. The band’s official video incorporates the idea of a Yule Log experience into the music video.

Indie rock holiday songs showcase a range of perspectives on the holidays, reflecting the diversity of experiences within the indie rock community. One of the great aspects of alternative and independent music is the opening to diverse perspectives on the holidays. These songs often touch upon themes like non-traditional celebrations, unconventional family dynamics, and the challenges of navigating societal expectations during the festive season. The narratives presented in indie rock holiday songs provide a sense of relatability for listeners who may not find their own experiences mirrored in more mainstream holiday music. The 2016 original holiday song, “I Feel It In My Bones” from The Killers’ alternative holiday album “Don’t Waste Your Wishes” takes a dark, almost sinister interpretation of Santa Claus.

Indie rock, by its very nature, is a genre that thrives on experimentation and innovation. The best characteristic of an independent song is the surprise you discover when you hear it. Dolph Chaney’s excellent “Jingle Bells” set to Van Halen’s “Panama” is a complete surprise as well as a delight! Big Stir Records has released several fantastic indie holiday songs as part of their Yuletide Wave. When applied to holiday music, the willingness to explore and recreate results in a rich tapestry of unique soundscapes in which to capture the seasonal vibe. From the indie alt-country and folk-infused sounds of Trey Stones and The Ringers’ “Santa, Please Bring Me a Guitar” to the rock and roll vibes of The Ramones “Merry Christmas (I Don’t Want to Fight Tonight),” these songs reimagine the sonic landscape of the holidays. The infusion of indie rock elements into holiday music introduces listeners to a sonic experience that goes beyond the traditional, breathing new life into the seasonal soundscape.

Indie rock holiday songs offer a delightful departure from the familiar tunes that dominate the airwaves during the festive season. By expressing complex emotions, presenting diverse perspectives, and exploring unique soundscapes, indie rock artists contribute a distinct flavor to the holiday music repertoire. The unconventional jingles and alternative carols provide an avenue for listeners to connect with the holiday spirit in ways that resonate with the ever-evolving nature of contemporary music. So, this holiday season, consider expanding your playlist to include indie rock gems that bring a touch of creativity and innovation to the festive sounds we hear this time of year.

Our Pick for Best Song of 2015

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Well it is not only that time of the year where everyone debates the “bests” of 2015 — best books, best shows, best foods, etc etc — it is time for us at Your Tuesday Afternoon Alternative to select the song that for us demonstrates the most exciting trends in indie music — and this was a task and a half.  There were so many great albums, terrific songs, and artists who stretched themselves and their audience that to select a single song as the very best of 2015 feels a little bit wrong. However, a selection like this can be emblematic and symbolic of what makes a genre or artist powerful.

So, our criteria are simple — the song must be catchy, well crafted, and becomes stuck in your head.  This song like all good ‘ear worms’ must be something that is nearly impossible to dislodge.  You find yourself wanting to hear it, needing to hear it.

There were many contenders for this spot in our opinion.  Great music from Waxahatchee, The Motel Beds, Jason Isbell, Cheerleader, Ghost Town Silence, Moira, The New Old-Fashioned, Best Coast, Smug Brothers, Line and Circle, Courtney Barnett, Soda Shop, Circa Waves, The 1984 Draft, and many others demanded to be considered.  And you will only do yourself a favor by checking into music from all of these bands.

Reflective_VinylAnd, in the end, these lists and choices are expressions of the person doing the choosing.  Yes.  Sure, these choices are partly biographic about the judge and are often more about getting a conversation started about what makes a great song or a great album or truly unique or powerful artwork.

With that said, our favorite song of 2015 is Mittenfields – Optimists.

Released this past April, optimists is a great song from start to finish. From the first hit of the drumstick to the melody line of the bass to the weaving of multiple beautiful guitar parts.  And oh what glory is in those guitar fills, leads and strums.  The weaving of three guitarists at the top of their game makes for a fantastic listening experience.  The guitar parts do not fight one another — they complement, they add to the aural experience and build upon one another.  And along with the guitar parts a drum sound that sounds like actual drums.  Not a tinny barely audible mish-mash of time keeping, but a strong hard hitting backbone for the song.  If that was not enough, Dave Mann’s clever bass play and vocals sung with an urgency that captivates the listener’s attention make the song impossible to ignore.  And as he sings optimistic lyrics that are not dripping with sappy syrup or faux sentimental — this gestalt of sounds makes an utterly complete piece of powerful indie power-pop.  It is nearly 2 minutes of indie perfection for those of us at Your Tuesday Afternoon Alternative.

How many songs can you listen to and the second that song is finished, you wished that it was still playing!  We even once played the song twice back-to-back on our program because close to four minutes seemed to give the song the length that it so richly deserved.  This song never gets old.  When every instrument is perfectly weaved in and out of the mix and it feels whole and meaningful and you find yourself singing along from the very first time you heard it — that is a great song.

And as the song starts — “We are all optimists, even on our bad days”

The only sour note here is that Mittenfields have broken up; but what a great tribute to leave behind.  We look forward to the music projects these musicians will pursue in 2016 and beyond.

DrJ