Favorites of 2023

11 Questions with… Given Names

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Happy New Year to everyone! Welcome to 2024!

The new year opens with the return of our 11 Questions with… column. Given Names is an exciting new project from Dr. J’s home state of Minnesota. That state has always been home to thrilling music such as The Replacements, Husker Du, Soul Asylum, Prince, Semisonic, Babe in Toyland, The Jayhawks, The Suburbs, and many more.

Given Names is a group of friends who create music that combines elements of indie, rock, dream pop, and power pop, with hints of synth and dance. The group is an exciting indie pop quartet based in Mankato and Minneapolis, featuring Laura Schultz (lead vocals, rhythm guitar), Meghan Irwin (synth, backing vocals), Michelle Roche (drums, backing vocals), and Mandy Wirig (lead guitar, backing vocals). In 2023, they released their debut single, “Makin’ Eyes’ last year. It is a song that channels their influences while incorporating their distinctive musical vision. It is also one of our favorite singles from this past year.

Given Names creates a swirling yet solid indie dream pop that encapsulates the ethereal essence of dreams through a distinctly feminine lens. It is a musical realm where the boundaries between reality and imagination blur, and emotions cascade in a surreal mix of sound. The musicians collaborate to craft a sonic dreamscape that is both otherworldly and intimately connected to the intricacies of experience. It is real.

Dream pop is often characterized by its atmospheric soundscapes and lush melodies, sound becomes a canvas for these artistic collaborations to explore themes of loss, love, empowerment, and self-discovery. The almost ethereal vocals, layered and harmonized, transport listeners into a transcendent-like state where time seems to slow down, and emotions are amplified. The dreamy quality of the music is a manifestation of the artists’ collective desire to create a space that reflects the intricacies of the psyche.

Lyrically, ‘Makin Eyes’ delves into introspective narratives that navigate the complexities of relationships, self-realization, connection, and the pursuit of one’s dreams. Themes of resilience and empowerment seem to subtly weave through the verses, creating a tapestry of emotions that resonate with listeners on a deeply personal level.

The collaborative nature of Given Names fosters a bond among the artists involved, each contributing a unique perspective to the collective soundscape. This collaboration extends beyond the music itself, influencing the visuals, single art, and live performances. The result is a holistic artistic expression that celebrates the diversity of artists’ voices and experiences. As dreamy all-women-created power pop continues to evolve, it not only pushes the boundaries of musical exploration but also challenges preconceived notions about femininity in the music industry. It remembers and celebrates the creative prowess of women in shaping the sonic landscapes of sonic dreams and emotions, inviting listeners to immerse themselves in a world where the line between reality and reverie is beautifully blurred.

We contacted the band and Laura and Mandy kindly answered our questions for this column (LS: Laura Schultz; MW: Mandy Wirig).

Dr. J: What can you share with us about when and how you started writing music?

LS: I started writing music with a good friend, Laura MacDonald, in high school. She and I wrote songs about strange dreams we had or our World History Teacher, (some lyrics were “Mr. Schnieder, you’re a really cool guy. In World History, you taught us to ask why”). I started doing it more seriously in undergrad in Oshkosh, WI, where I played with some absolutely amazing musicians and friends.

MW: I started writing music in high school. I began playing guitar at thirteen and was in my first band, a punk band, at 16-17. I’ve always been influenced by singer/songwriters and the very melody-driven sounds of the sixties, particularly The Beatles and McCartney, and that influence can be found in almost all of my guitar parts.

Dr. J: What first led to your recording music? How do you approach production?

LS: I see recording as a snapshot of a song in a moment. It may not be how we always perform the song, but it is representative of that moment, with those players and resources that we had at the time. I think of a producer as an editor, someone who can look more objectively at the song and make suggestions, or provide an outside perspective that we might not have been able to access, since we are closer to the song itself.

Dr. J: ‘Makin Eyes’ is your most recent music, what led to the making of that song? What were the main influences on your recording this song?

LS: From the writing perspective, almost all of my songs are written the same way I wrote them with my high school friend, Laura. I free-write a full page of words, careful not to judge them as they come out, not thinking of them as lyrics but just as phrases or strings of words, then I go back and circle words or phrases I like, then I figure out how they all make sense together. The music comes last for me, but it comes easiest for me after I have lyrics.

MW: My love of melody is what inspired the main guitar riff in the song. I’ve always loved how “hummable” George Harrison’s guitar solos are, and how prominent melodic guitar work is in so much of the British Invasion and Power Pop songs that I love. I wanted a lead guitar part that could stand on its own as a melody while still incorporating that shimmery, jangly sound.

Dr. J: The song ‘Makin Eyes’ seems to capture a remarkable constellation of musical influences. The song seems to have an ‘80s pop feel. Is that a correct interpretation? If that is correct, did you intend to create a song that connects to that style? If that is not correct, how would you describe the feeling of the song?

LS: Well thank you! I think you can interpret the song however you like! ’80s pop feel sounds good to me! I try not to think about what style I’m writing songs in, just kind of letting the song ask for what it needs.

MW: I think it definitely hearkens back to bands like The Go-Gos and The Bangles, who themselves were influenced by a lot of Power Pop and earlier styles of music, and I love that you’ve grouped “Makin Eyes” in that category.

Dr. J: How did the song ‘Makin Eyes’ come together musically for you?

MW: Laura is our principal songwriter, and she brought the lyrics and chords to us shortly after I joined the band, so this is one of the first songs that was a true full-band collaboration for us. Within two weeks of our first rehearsal, I had brought the song home and developed what became the signature guitar riff, and the song has really fleshed out during the last couple of years as we’ve continued to perform it live. To see how it’s evolved into the multi-tracked studio version with all of its jangle and shimmer has been really gratifying.

Dr. J: Where do you often derive inspiration to make music?

LS: I think of my lyrics as a sort of amalgamation of what is happening in my life, the way I am consciously or unconsciously feeling about things; the worries or thrills or boredoms of everyday life. I think of songs as a container for my present moment experience.

MW: I’m also a visual artist in addition to a musician, and each medium has always influenced the other. I also derive inspiration from surrounding myself with art of all types—the books I read, the music I listen to, the films I watch, the events I attend. And as cliche as it sounds, there’s nothing quite like a hot shower, a weird dream, or boredom to spark an idea that can be scribbled down for creation.

Dr. J: What is next for you musically? How would you describe your thoughts at this point for your next project or release?

MW: We’re currently in the process of finishing up our first album and getting ready to choose our second single for release. The plan is to get those squared away, and then to start performing more often, hopefully expanding the areas we’re booking shows in beyond our southern Minnesota roots.

Dr. J: How would you describe the music that you create? How has that process evolved or changed over time (especially as you think about your journey in the last few years)?

MW: We describe the music we create as Indie Pop, which is a pretty broad category in and of itself. We originally began as a four-piece with a synth player, and that synth-heavy ‘80s influence is still prevalent in our work, but we also include influences like the Velvet Underground, Low, and reverb-heavy guitar work from the mid- to late-‘60s.

Dr. J: What is your favorite song to perform live? What is your favorite song to perform in general? What makes that song a current favorite in your performances?

MW: My personal favorite is “Game Was Rigged.” It’s a story of love gone wrong set to a bouncy melody that’s impossible not to dance to when you’re playing it.

Dr. J: What is one message you would hope that listeners find in ‘Makin Eyes’?

LS: Honestly what first comes to mind is that I’m interested in narrowing the gap between performer and audience member. I want people to feel as though they could write a song too, they could perform it, they could record it! If it’s something that inspires you, please let it! Let’s all make things.

Dr. J: a musician, how are you adapting to the challenges of creating music? What are your biggest challenges to creating music?

MW: We’ve got a somewhat unique situation where we don’t all live in the same location anymore, with Laura and Michelle living in Mankato while I’ve moved almost an hour-and-a-half away to Minneapolis. Things like practices and recording sessions definitely need to be planned out pretty well in advance to
accommodate this. We’re also three very busy women juggling full-time careers in addition to the band—I’m an artist, teaching artist, and gallery owner, Laura is a social worker, and Michelle is a full-time musician and music teacher who plays in several groups—which can make it challenging to not only coordinate our schedules, but also to make time for things like social media and finding new venues to perform.

We want to extend our sincere gratitude to Given Names and especially Laura and Mandy for answering our questions and continuing to make some really excellent music! Click on the links below the article to visit their social media or to listen to the song that we discussed! If any musicians or artists would like to participate in future ’11 Questions with…’ columns, please feel free to email us at drjytaa@gmail.com. All photos and images courtesy of Given Names.

Bandcamp  Instagram  YouTube

Faves of 2023: Van Plating – Orange Blossom Child

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In November, we wrote a review of Van Plating’s excellent “Orange Blossom Child.” The record is not only one of our favorites of 2023 but carries an important legacy forward. Honestly, that review still expresses some of the reasons that her record spoke to us here at Your Tuesday Afternoon Alternative. It was a real, authentic record made by a true original.

Place, Music, and Family Matter: Van Plating is an Orange Blossom Child

Authentic country music is more than just a genre; it’s a soulful narrative that weaves together the threads of everyday life, love, heartbreak, challenge and the “ups and downs” and occasional sideways glance of the anything but simple, human experience. Rooted in the rural landscapes of America but over time about far more than bucolic existence, this musical genre emerged from the folk traditions of the 19th century and has since evolved into a distinct and influential form of artistic expression while exploring the problems of place. One can become too rooted. However, for Van Plating that is not a dilemma without solution. Her music answers the mysteries of place and self in a language that does not speak down to the listener. That authentic puzzle solving is part of what makes Van Plating’s music so damn powerful. Through this record we come to see ourselves and wonder about the places, spaces and home that made us.

At its core, authentic country music resonates with credible, truthful and genuine storytelling. The lyrics often mirror the struggles and triumphs of ordinary people, reflecting the joys and sorrows of life. Artists like Hank Williams, Johnny Cash, Willie Nelson, Loretta Lynn, and Dolly Parton have become iconic figures, not only for their musical talents but also for their ability to capture the essence of the human condition through their songs. And equally important is the characteristic of real country music that all too often becomes a punch line of a bad joke — a sense of place. This idea of place, town, community, neighborhood, or area becomes part of the music. Whether the lyric is focused on an effort to escape the clutches of being held down because of where you come from or a reflection of the myriad influences of the place you once called home. Those experiences — in that place — made you who and what you are as a person. Home is inescapable because it lives within you. These musicians, and we count Van Plating among them, have played a pivotal role in shaping of modern country music and contributing to its enduring appeal.

One hallmark of authentic country music is its connection to the roots of lived experience and culture. With influences from folk, blues, and gospel music, country songs tell the stories of hardworking individuals, the beauty of the countryside, and the complexities of human relationships. The twang of a steel guitar, the melancholy of a fiddle, and the honesty in the lyrics create a unique and evocative sound that speaks to the soul.

Furthermore, authentic country music serves as a reflection of one’s cultural identity. It often embraces regional nuances, providing a snapshot of life in that place, that home. Whether it’s the dusty trails of the Southwest, the rolling hills of Appalachia, or the vast expanses of the Midwest, country music paints a vivid picture of the landscapes that have shaped its artists and their stories.

In a world where musical genres continuously evolve, authentic country music stands as a timeless sacrament to the enduring power of storytelling through song. Its ability to connect with listeners on a deeply personal level transcends generations, making it a cherished and enduring form of musical expression. As long as there are stories to tell and emotions to convey, authentic country music will continue to resonate, carrying the rich tradition of music into the future. And Van Plating with her spirited and vibrant “Orange Blossom Child” carries that tradition forward.

Faves of 2023: Palm Ghosts – I Love You, Burn in Hell

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As we continue to celebrate some outstanding records in indie music from this past year, we come to the most recent album from Palm Ghosts. Our entire list can be found here!

Palm Ghosts emerges as a compelling force with their latest offering, “I Love You, Burn in Hell.” This album marks a significant step forward for the band, showcasing their artistic maturity and a sonic palette that delves into the realms of dream pop, shoegaze, and synthwave. As the title suggests, Palm Ghosts invites listeners into an existential space that is both darkly poetic and melodically enchanting, exploring themes of love, despair, and the spaces where desire, separation and the delight of melancholy all coexist.

Palm Ghosts emerges as a luminous thread, weaving together dreamy atmospheres, introspective lyrics, and a sonic palette that transcends genres. Formed in 2013 by songwriter Joseph Lekkas in Philadelphia, Pennsylvania, following a series of personal changes due to health concerns and a serious anxiety disorder, the band released it’s eponymously titled debut record in 2014 to critical acclaim. Palm Ghosts wore their influences — The Cure, New Order, Joy Division, Bowie, R.E.M., Ministry, Dead Can Dance, and more — on their sleeves while creating something exciting, surreal and fresh. After the release of their first record the band changed locales from Philadelphia to Nashville. The change in scenery influenced the effort toward a more jangly R.E.M. folky, alt-country vibe while still embracing the sound of ’80s and ’90s dream pop and shoegaze. Merging elements of these sounds together created a bricolage of sound that remained steadfast in the embrace to a melodic core. Across several stellar albums, the band has steadily carved a niche for themselves with their distinctive blend of dream pop, shoegaze, and synthwave influences.

At the heart of Palm Ghosts’ allure lies their ability to create soundscapes that feel simultaneously timeless and modern. Lekkas, serving as the band’s primary songwriter, vocalist, and multi-instrumentalist, demonstrates a keen ear for melody and a penchant for atmospheric arrangements. The result is music that invites listeners into a world where ethereal synths, reverb-laden guitars, and evocative vocals coalesce to form an immersive cinematic experience.

The band’s discography, including albums like “Architecture” and “Greenland,” showcases an evolution in their sound, with each release delving deeper into the complexities of human emotion and the mysteries of existence. Less a question of ‘why are we here?’ and more an exploration of ‘what being here means’, Palm Ghosts’ commitment to sonic exploration is evident in their willingness to traverse diverse musical landscapes, from the haunting introspection of shoegaze to the pulsating energy of synthwave.

Live performances by Palm Ghosts amplify the immersive quality of their music. The band, often expanded into a full ensemble for live shows, crafts an atmosphere that envelops the audience. Lekkas’ emotive vocals, coupled with the synergy of the instrumentalists, creates a synergy that captivates audiences and transports them into the ethereal realm of Palm Ghosts’ sonic universe. Beyond the music, Palm Ghosts engages with their audience through thoughtful and introspective lyricism. Themes of love, loss, and existential contemplation permeate their songs, inviting listeners to connect with the raw and vulnerable aspects of the human experience.

In a musical landscape crowded with fleeting trends, Palm Ghosts stands out as a beacon of artistic sincerity and sonic exploration. With a trajectory that promises continued innovation and introspection, the band invites us to navigate the sonic ether they have crafted, where each note resonates with emotion and every lyric invites us to delve deeper into the enigma of our own existence.

The album leads with the ethereal sounds of “Tilt,” setting the tone for the sonic journey ahead. Part Cure, Part Joy Division, the dreamy synths and haunting vocals draw listeners into a world where time seems to loop and emotions are in a constant flux. The steady percussion provides a grounding element, allowing the atmospheric textures to swirl and envelop the senses.

Transitioning seamlessly into the poppier “Drag,” Palm Ghosts maintains a balance between introspection and intensity. The pulsating beats create a sense of urgency, while the melancholic lyrics explore the complexities of fidelity and devotion. The layers of guitars and synthesizers intertwine, creating a rich tapestry of sound that resonates with emotional depth.

“She Came Playfully” takes a sonic detour into the atmospheric realms of shoegaze. The reverb-laden guitars and haunting vocals create a sense of longing and nostalgia. The lyrics delve into the metaphorical concept of finding someone “to leave behind,” exploring the lingering emotions and sensations that persist even when a part of oneself is absent.

The titular track, “I Love You, Burn in Hell,” serves as the emotional centerpiece of the album. With a title that immediately grabs attention, the song delves into the paradoxical nature of love and the tumultuous journey it often entails. The juxtaposition of the fiery imagery with the tender melodies reflects the band’s ability to convey complex emotions through their music.

The album takes a turn with “Machine Language,” a synth-driven track that pulsates with an infectious energy. The upbeat rhythm and catchy melodies add a dynamic layer to the overall sonic landscape. The lyrics play with the concept of self deprecation, exploring the intangible nature of connection and desire and separation that are wired into our very being. Being and nothingness are not contradictions but two sides of our personality. With an almost Depeche Mode incidental keyboard fills capture a restlessness of the machine dream.

Exploring a tempo and arrangement that evokes Mission of Burma, “Sleep, Billy Sleep” brings a sense of introspection and contemplation. The overall instrumentation allows the emotive vocals to take center stage, delivering lyrics that grapple with mortality and the impermanence of existence. The delicate balance between vulnerability and resilience is captured with finesse in this haunting song.

“Automatic for the Modern Age” and “Dissasociate” embraces a more rock and roll aesthetic, channeling the nostalgic vibes of the ’80s in an XTC vein. The pulsating electronic beats and retro synthesizers create a sonic landscape that feels both familiar and contemporary. The lyrics, delivered with a sense of increased urgency, explore the confessions and revelations that often surface in the quietude of midnight. And, the song simply rocks.

Continuing the exploration of synthwave influences, “Catherine Shackles” immerses listeners in a cinematic soundscape that David Bowie would have been quite comfortable calling home. The atmospheric production conjures images of neon-lit streets and private introspective moments. The evocative lyrics paint a vivid picture of navigating through the shadows of uncertainty and change.

Closing the album with the Gary Newmanesque “Fault Lines,” Palm Ghosts returns to a bass heavy dreamier, more contemplative atmosphere. The almost waltz-like cadence, coupled with the gentle sway of the melodies, creates a sense of bittersweet closure. The lyrics reflect on the restlessness that accompanies the night, both in the external world and within one’s internal landscape.

“I Love You, Burn in Hell” is a masterful exploration of the points of convergence across genres that showcases Palm Ghosts’ ability to seamlessly blend diverse influences into a cohesive and emotionally resonant whole. The album’s exploration of love, existential themes, and sonic experimentation reveals a band that is unafraid to push boundaries while maintaining a deep connection to the human experience even if the effort to reach out to others exceeds our grasp and needs. From the dreamy landscapes, damn hooky guitar parts, catchy vocals to the pulsating beats, each track contributes to the album’s overall narrative, creating an immersive experience that lingers in the listener’s consciousness. Palm Ghosts has not only crafted a collection of songs but a sonic odyssey that invites audiences to explore the shadows and complexities of the human soul. “I Love You, Burn in Hell” is a testament to the band’s artistic evolution and cements its place in our Favorites of 2023.

Faves of 2023: The Beautiful Melodies and Harmonies of The Nautical Theme – Get Somewhere

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Dayton, Ohio, a city known for its rich musical history, has produced a myriad of talented artists across various genres. Among the vibrant musical landscape emerges The Nautical Theme, a captivating duo that has been making waves with their latest record, “Get Somewhere.” Comprising long time bandmates Matt Shetler (Vocals, Guitar) and Tesia Mallory (Vocals, Keyboards), The Nautical Theme seamlessly blends folk, indie, and pop influences to create a sound that is uniquely their own.

“Get Somewhere,” the duo’s newest offering and one of our favorites of 2023, is a musical journey that explores the complexities of life, family, love, and the pursuit of meaning. Clocking in at six tracks, the album showcases the duo’s growth and maturity both lyrically and musically. From the moment the needle drops, listeners are transported into The Nautical Theme’s world, a place where introspection and vulnerability reign supreme.

One of the album’s standout tracks is the opener, “Sun Won’t Rise.” With its infectious melody and thought-provoking lyrics, the song sets the tone for the entire record. Dave’s skillful guitar playing complements Mallory’s soulful vocals, creating a harmonious blend that immediately captures the listener’s attention. The track explores the challenges of navigating the complexities of modern life, touching on themes of resilience and the pursuit of one’s true self.

As “Get Somewhere” unfolds, the duo delves into a range of emotions and experiences, crafting a narrative that resonates with listeners on a personal level. Tracks like “Trouble Tonight” and “Young and Free” showcase The Nautical Theme’s ability to craft catchy, introspective songs that stick with you long after the music stops. Matt and Tesia’s evocative storytelling and their intricate musical arrangements create a synergy that elevates each composition to new heights.

The album’s production is noteworthy, with each instrument and vocal line given the space to breathe. The sound is polished yet retains a raw, authentic quality that reflects the duo’s genuine approach to their craft. From the subtle nuances of Tesia’s voice to the intricate guitar work, every element of “Get Somewhere” is meticulously crafted, contributing to the overall sonic tapestry of the record.

Lyrically, The Nautical Theme explores themes of love, loss, and self-discovery. Matt’s poignant lyrics are a highlight, offering listeners a glimpse into the depths of emotions and experiences. Whether reflecting on the passage of time in “Home” or grappling with the complexities of relationships in “Something That You Needed,” Matt’s lyrical prowess shines throughout the album.

“Get Somewhere” also features a diverse sonic palette that keeps the listening experience engaging from start to finish. The duo seamlessly transitions between upbeat, folk-infused tracks like “Trouble Tonight” and more introspective, stripped-down moments such as “Something That You Needed.” This dynamic range showcases The Nautical Theme’s versatility as musicians and songwriters.

The album’s standout track for us, “Young and Free,” serves as a thematic centerpiece, encapsulating the essence of the entire record. With its infectious chorus and uplifting instrumentation, the song encourages listeners to embrace the journey of self-discovery and personal growth. It’s a testament to The Nautical Theme’s ability to create music that not only resonates on an emotional level but also inspires introspection and positive change. This is music that matters.

In addition to their musical prowess, The Nautical Theme’s connection with their audience is palpable. The authenticity and sincerity that permeate their music extend to their live performances, creating an immersive and intimate experience for fans. Dayton, Ohio, has become a key backdrop for their artistic journey, and the local community has embraced the duo with open arms.

As The Nautical Theme continues to carve out their own niche in the music industry, “Get Somewhere” stands as a testament to their growth and artistry. The record not only showcases their musical talent but also serves as a reflection of the human experience—its challenges, triumphs, and the perpetual quest for meaning.

The Nautical Theme’s “Get Somewhere” is a captivating musical odyssey that cements the duo’s status as rising stars in the indie folk scene across the country. With its rich lyricism, impeccable musicianship, and emotional depth, the album invites listeners to embark on a journey of self-discovery alongside the talented duo. The ability of Matt and Tesia to blend, swirl, and complement their voices is a rare ability in music. It is not at all trite to say that this duo was meant to sing together. As The Nautical Theme continues to make waves from their Dayton, Ohio, home base, “Get Somewhere” solidifies their place in the musical landscape, leaving an indelible mark on the hearts and ears of those who take the time to listen.

Faves of 2023: Smug Brothers – In The Book of Bad Ideas

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As we continue to pause and reflect on some amazing music from this year, we turn to an amazing local band. Smug Brothers, the indie rock veterans hailing from Dayton, Ohio, returned with their highly anticipated 2023 album, “In The Book of Bad Ideas.” Known for their eclectic sound and thought-provoking lyrics, the band has consistently pushed the boundaries of indie rock, and their latest release is no exception. “In The Book of Bad Ideas” not only showcases the band’s evolution but also serves as a clarion call to their ability to craft intricate and unconventional musical narratives.

“In The Book of Bad Ideas,” is an adventure through the space that indie, psychedelia, lo fi share together in a flat where Robert Pollard has Big Star’s “Third” playing in the background. This album — one of the band’s best — defies expectations and solidifies the band’s status as indie rock innovators who connect to their influences without sounding derivative or contrived. Smug Brothers’ breathe new life and vigor into the musical consciousness of indie. From the opening chords of “89 Lullaby” where the band jumps immediately into the song like leaping into a rushing river, the album grabs listeners with its raw energy and doesn’t let go. That first song sets the tone for the sonic journey ahead. The intricate guitar work and dynamic drumming create a sense of urgency, drawing the listener in with its raw energy. Lead singer and songwriter Kyle Melton’s distinctive vocals add a layer of authenticity, immediately grabbing attention.

The back-to-back tracks, “Mistaken for Stars” and “Let Me Know When It’s Yes” encapsulates the band’s ability to seamlessly blend genres, creating a musical tapestry that is familiar and unique. Imagine songs that are both complex, catchy — damn catchy — and accessible.

“Bend Blue The Copper” is a standout piece that exemplifies Smug Brothers’ ability to blend genres seamlessly. The track weaves through indie rock, punk, and even elements of folk, creating a sonic landscape that is as unpredictable as it is captivating. The lyrics seem to explore the consequences of impulsive decisions, adding depth to the already complex musical arrangement.

The album is a testament to the band’s evolution, showcasing a willingness to explore uncharted territory within the arrangements associated with independent music. Tracks like “Pattern Caveat” and “Since The First Time I Heard You Laugh” introduce experimental elements, with atmospheric soundscapes and genre-bending instrumentation. Smug Brothers’ frontman, Kyle Melton, delivers poignant lyrics throughout, exploring themes of impulsive decisions, nostalgia, and reinvention. These tracks seamlessly blends elements of psychedelic rock with electronic flourishes, creating a kaleidoscopic sonic tapestry. The result is a mesmerizing journey that defies categorization, showcasing the band’s fearlessness in pushing their artistic boundaries.

“What Starts Out as Fun” takes the listener into uncharted territory with its experimental instrumentation and atmospheric production. The use of synthesizers and layered vocals creates a dreamlike quality, offering a stark contrast to the more straightforward rock elements present in earlier tracks. The band’s willingness to explore new sonic realms pays off, adding a refreshing dimension to the album.

“An Age In An Instant” is a poignant ballad that showcases Smug Brothers’ ability to convey emotional depth through their music. The stripped-down arrangement allows Melton’s heartfelt lyrics to take center stage, touching on themes of nostalgia and loss. The subtle use of keyboards and acoustic guitar enhances the overall intimacy of the track, leaving a lasting emotional impact.

“Stiff arms At The Still Waters” introduces a rhythmic complexity that keeps the listener on their toes. The interplay between the drums and bass creates a sense of urgency, while the guitar riffs add a layer of sophistication. The track’s dynamic shifts and unexpected twists highlight the band’s prowess in crafting music that is both intellectually stimulating and sonically engaging.

“Enceladus Lexicon” stands out as a cinematic storytelling piece, with its evocative lyrics and sweeping musical arrangement. The instruments create soundscapes that transports the listener into the narrative woven by the song. Smug Brothers demonstrate their ability to create sonic landscapes that feel expansive and immersive.

“Paradise Farms” injects a burst of energy into the album, featuring upbeat rhythms and infectious melodies. The track pays homage to the band’s Midwestern roots, capturing the spirit of resilience and reinvention. The juxtaposition of the lively instrumentation with thought-provoking lyrics adds layers of complexity to the overall listening experience.

“In The Book of Bad Ideas” is more than just an album; it’s an experience that takes the listener on a rollercoaster of emotions and sonic landscapes. The band’s ability to balance introspective moments with energetic bursts creates a dynamic listening experience that resonates long after the final notes fade away. With this release, Smug Brothers have crafted a musical gem that pushes the boundaries of indie rock, inviting listeners to join them in the exploration of the unconventional and the brilliant. Throughout the record, the band, demonstrates their growth as musicians and their commitment to pushing the boundaries of indie rock. The album takes the listener through a diverse set of experiences in sound, from the raw energy of the opening track to the introspective moments of emotional vulnerability. With each track, Smug Brothers prove that they are not content to rest on past successes, but instead, they continue to evolve and explore new sonic territories. “In The Book of Bad Ideas” is a must-listen for anyone who appreciates music that challenges, engages, and ultimately transcends genre conventions. Smug Brothers have once again proven that they are at the forefront of indie rock’s creative frontier.

Faves of 2023: The 1984 Draft – Best Friends Forever

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The city of Dayton, Ohio, has long been a hotbed for musical creativity, birthing numerous bands that have left an indelible mark on the music industry and on the hearts of music lovers. Among these, The 1984 Draft has carved its niche, blending indie rock sensibilities and the cleverness of punk music with heartfelt lyrics that resonate with audiences. In 2023, the band released “Best Friends Forever.” The buzz on this band is well earned and delivers on a promise of a musical journey that fans and critics alike were eager to embark upon.

Formed in the heart of Dayton, The 1984 Draft has been a mainstay in the indie rock scene, captivating listeners with their distinctive sound and poignant songwriting. Comprising members around the nucleus of principal songwriter, singer, guitarist Joe Anderl and uncompromising drummer and percussionist Justin Satinover, the band has consistently evolved while staying true to its roots. The band is rounded out with Eli Alban on guitar and Chip Heck on bass and most recently Cherry Fullam on backing/co-vocals. The band’s previous releases, including “Heisman Trophy Winner” and “Makes Good Choices,” showcased a musical maturation that hinted at the depth to come with “Best Friends Forever.”

“Best Friends Forever” is not just an album; it’s a sonic tapestry woven with the threads of emotion, experience, and musical prowess. From the opening chords to the fading echoes, the listener is taken on a captivating journey through the varied spaces, places and emotions of sound and sentiment. This is meaningful rock and roll that is not afraid to explore the challenges of maturity, work, aging, family, spirituality and the need for community.

The album kicks off with an anthemic track, “erryday” that serves as a rallying cry, immediately establishing the tone for what’s to come. The infectious energy and melodic hooks set the stage for a collection of songs that traverse the spectrum of human emotion without pulling any punches. If you are looking for charging rock and roll played and sung as if the band members lives depended on it, this it the record for you. Joe Anderl sings about topics deep and mundane with the same ‘take no prisoners’ approach that we used to take for granted from Bob Mould, Paul Westerberg and J. Robbins.

One of the standout features of The 1984 Draft’s music has always been the authenticity of their lyrics. “Best Friends Forever” is no exception. Each song is a lyrical voyage, delving into themes of life, challenge, resilience, and introspection. The band’s ability to craft narratives that resonate universally while maintaining a personal touch is a testament to their songwriting prowess.

Musically, the album showcases the band’s versatility. From the driving rhythms and electrifying guitar solos to the more subdued, introspective moments, The 1984 Draft proves their ability to experiment with different sonic panorama while maintaining a cohesive identity. The production quality elevates the listening experience, allowing each instrument and lyric to shine with clarity. The second track — and a personal favorite of ours — “Big Star” — celebrates the contributions of all of the members of the band. The backing vocals of Cherry Fullam elevate the song and her voice blends seamlessly with Joe Anderl’s.

Throughout the record, Justin Satinover demonstrates an unbelievable effort behind the drum kit that sounds and feels superhuman. The bass is played as a prime and lead instrument by Chip Heck. The bass is not an afterthought, the contribution of the lower end is just as critical as every other instrument. And speaking about the higher end, Eli Alban’s solos and progressions take the songs into orbit. Just listen to “Bells,” “War II,” “Rhino,” “Toldeo Strong” and ‘Hold Steady” — damn, this band rocks.

As “Best Friends Forever” made its way into the ears of fans and critics alike, the response was correctly overwhelmingly positive. Music journalists praised the album for its musical dexterity, lyrical depth, and emotional resonance. The band’s ability to seamlessly blend elements of alternative rock, punk, indie, and post-punk drew favorable comparisons to both classic and contemporary bands. Fans — such as us here at YTAA — took to social media to express their admiration for the album, with many highlighting specific tracks that resonated with them personally, give a listen to “Two Cow Barrage” and not feel the band’s love for the legendary Two Cow Garage. The sense of connection that The 1984 Draft fosters with their audience has always been a hallmark of their work, and “Best Friends Forever” only deepens that bond.

Within the ever-evolving music we call indie rock, The 1984 Draft’s “Best Friends Forever” is not only a spark from the band’s artistic growth and unwavering commitment to their craft, it is one of our favorite records of 2023. The album is not just a collection of songs but a narrative woven with sonic threads that tug at the heartstrings and heads of listeners. As the band’s musical journey continues, one can only anticipate what new real emotional landscapes The 1984 Draft will explore in the years to come.